A lonely, but talented teacher enjoys a flirtation with her married principal, who returns her affections but is hampered by his high-strung wife. He is also hampered by a deadbeat son, who...
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After college graduation, Grover's girlfriend Jane tells him she's moving to Prague to study writing. Grover declines to accompany her, deciding instead to move in with several friends, all... See full summary »
Follows the triumphs and tragedies of Katrinka Kovár, a young Czechoslovakian ski prodigy who discovers high-society splendor in the arms of a wealthy American businessman. When lust turns ... See full summary »
A lonely, but talented teacher enjoys a flirtation with her married principal, who returns her affections but is hampered by his high-strung wife. He is also hampered by a deadbeat son, who supposedly is becoming a filmmaker. The teacher also has a clueless daughter, who is an aspiring actress. Filmmaker and actress manage to get together, while the teacher and principal can steal their own fleeting moments and a quick kiss during an eclipse. Written by
John Sacksteder <email@example.com>
Judy Berlin was the name of one of Eric Mendelshon's classmates. See more »
The film takes place while a solar eclipse is in progress. The sky goes so dark that the streetlights come on. Much of the story continues through this "dark time". A real eclipse has this totality and darkness for about two minutes, tops! The total eclipse in "Judy Berlin" just goes on way too long. See more »
I always wanted to make a documentary about this town... about... about the paperboys, and about... about the PTA ladies... but nothing sarcastic... nothing sarcastic.
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In a film full of wonderful, low-key performances by actors playing lonely, unhappy characters, Madeline Kahn is the standout as a woman on the verge of a nervous breakdown. Unlike any other performance she gave in film, Kahn -- known for her comic roles -- turns in a marvelous, dramatic turn that should have netted her a posthomous Academy Award nomination. She is simply brilliant, and she should have been given a lot more dramatic roles in her career. After all, they say that comedy is the hardest thing for an actor to do, and with all the great comic roles she had -- in "Paper Moon," "Blazing Saddles" and "Young Frankenstein," just to name a few -- directors should have known that behind those funny faces was a great actress who could play any role.
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