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A lonely, but talented teacher enjoys a flirtation with her married principal, who returns her affections but is hampered by his high-strung wife. He is also hampered by a deadbeat son, who supposedly is becoming a filmmaker. The teacher also has a clueless daughter, who is an aspiring actress. Filmmaker and actress manage to get together, while the teacher and principal can steal their own fleeting moments and a quick kiss during an eclipse. Written by
John Sacksteder <firstname.lastname@example.org>
In a film full of wonderful, low-key performances by actors playing lonely, unhappy characters, Madeline Kahn is the standout as a woman on the verge of a nervous breakdown. Unlike any other performance she gave in film, Kahn -- known for her comic roles -- turns in a marvelous, dramatic turn that should have netted her a posthomous Academy Award nomination. She is simply brilliant, and she should have been given a lot more dramatic roles in her career. After all, they say that comedy is the hardest thing for an actor to do, and with all the great comic roles she had -- in "Paper Moon," "Blazing Saddles" and "Young Frankenstein," just to name a few -- directors should have known that behind those funny faces was a great actress who could play any role.
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