| Photos (see all 5 | slideshow) |
| Robin Antin | ... | Jessie Harris | |
| Valerie Richards | ... | Peggy (as Valerie Gene Richards) | |
| Robin Cleaver | ... | Echo | |
| Rhonda Aldrich | ... | Max | |
| Jacquelyn Houston | ... | Samantha | |
| Annie Livingstone | ... | Mouse | |
| Debra Laws | ... | Lisa | |
| Erica Jordan | ... | Judy | |
| Perry Lang | ... | Denny | |
| Ronald Lacey | ... | Warden Bauman (as Ron Lacey) | |
| Victoria Lustig | ... | Dr. Lunde | |
| María Noel | ... | Mary | |
| Sebastián Larreta | ... | Lamont | |
| Perla Cristal | ... | Jessie's Mother | |
| Theodore McNabney | ... | Stepfather (as Ted McNabney) | |
| Maria Carmen | ... | Woman in Street | |
| James Murray | ... | Denny's Friend | |
| Yolanda Pedroza | ... | Max's Friend | |
| Arthur Brown | ... | Guard | |
| Mariana Cedon | ... | Jailbait | |
| Marina Magali | ... | Jailbait | |
| Jessica Schultz | ... | Jailbait | |
| Georgina Campiglio | ... | Jailbait | |
| Andrea Gribben | ... | Jailbait | |
| Jorge Baza de Candia | ... | Congressman Knowles (as George Baza) | |
| Francisco Cano | ... | Governor (as Frank Cano) | |
| St. Martin School of Dancing | ... | Dancers |
Directed by | |||
| Phillip Schuman | |||
Writing credits(in alphabetical order) | ||
| Edward Kovach | screenplay | |
| Eduard Sarlui | story | |
| Carole Stanley | screenplay | |
Produced by | |||
| J.C. Crespo | .... | producer | |
| Stephen Halbert | .... | associate producer (as Steve Halbert) | |
| Eduard Sarlui | .... | executive producer | |
| Luis A. Sartor | .... | assistant producer | |
| Helen Szabo | .... | executive producer (as Helen Sarlui) | |
Cinematography by | |||
| Leonardo Rodríguez Solís | (as Leonardo Solis) | ||
Film Editing by | |||
| Raja Gosnell | (as Raja R. Gosnell) | ||
| Peter Teschner | |||
Production Design by | |||
| Gustavo Acosta | |||
Art Direction by | |||
| Jorge Marchegiani | (as George Marchegiani) | ||
Costume Design by | |||
| Gloria Van Hartenstein | |||
Makeup Department | |||
| Alice Adamson | .... | makeup artist | |
| Marcelo Padovani | .... | hair stylist (as Marcel Padovani) | |
Production Management | |||
| Charles Oliver | .... | unit manager | |
| Ricardo Vacas | .... | production supervisor (as Richard Vaca) | |
Second Unit Director or Assistant Director | |||
| Jorge Gundin | .... | first assistant director (as George Gundin) | |
| Claudio Reiter | .... | second assistant director (as Claude Reiter) | |
Art Department | |||
| Gustavo Acosta | .... | constructor | |
| George Roth | .... | props | |
Sound Department | |||
| Roberto Arcangeli | .... | sound effects | |
| Christopher Cruise | .... | dialogue editor | |
| George Longo | .... | boom operator | |
| Daniele Quadroli | .... | sound effects | |
| Tracey Smith | .... | dialogue editor (as Tracy Smith) | |
| Ernest Vial | .... | production sound mixer | |
| Earl Watson | .... | sound editor (uncredited) | |
Camera and Electrical Department | |||
| Lewis Castle | .... | assistant camera | |
| Dom Datri | .... | gaffer | |
| Juan José Fabio | .... | assistant camera (as John Fabio) | |
| Ever Latour | .... | camera operator | |
| Rodolfo Navarro | .... | grip (as Rudolph Navarro) | |
| Eric Phillips | .... | assistant camera | |
| Alfredo Suárez | .... | still photographer | |
Costume and Wardrobe Department | |||
| Mónica Mendoza | .... | wardrobe | |
| María Molina | .... | wardrobe | |
Editorial Department | |||
| Silvia Colmenero | .... | negative cutter | |
| Gillian L. Hutshing | .... | assistant editor (as Gillian Hutshing) | |
| Mario Mira | .... | negative cutter | |
| Darío Tedesco | .... | negative cutter | |
| Paul Watson | .... | additional editor | |
| Liberata Zocchi | .... | assistant editor | |
Music Department | |||
| George Black | .... | composer: song "Over and Out" (song "Gotta Move") (song "Wind on My Wings") | |
| Tommy Dunbar | .... | composer: song "Can't Shake the Beat" | |
| Howard Huntsberry | .... | composer: song "Over and Out" | |
| Charles A. Judge | .... | composer: songs "Can't Shake the Beat" and "Gotta Move" (as Charles Judge) | |
Other crew | |||
| Jon Baba | .... | production assistant | |
| Amelia Day | .... | production accountant | |
| Melody Doff | .... | production assistant | |
| Erica Jordan | .... | assistant choreographer | |
| Megan Koplin | .... | production assistant | |
| Claudia Lococo | .... | production secretary | |
| Debra Magit | .... | production executive | |
| Victoria Pearman | .... | production executive | |
| Dennon Rawles | .... | choreographer | |
| Luis Sartor | .... | assistant to producer | |
| Erez Yaoz | .... | production assistant | |
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| Sweet Sugar | Lucky Break | Five Loose Women | Everyone Says I Love You | Wedlock |
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| Full cast and crew | Company credits | External reviews |
| IMDb Musical section | IMDb Argentina section | Add this title to MyMovies |
This women in prison film, clearly sold to SOMEBODY as "Flashdance goes to prison" is a midlly entertaining noodel that takes itself way 'too seriously. It's got the full round of women in prison Usual Suspects, including the nude shower/delousing scene, the body cavity search scene, the knife fight scene, the attempted lesbian rape scene/fight scene, the corrupt prison guard, the evil lesbian bitch prisoner that runs it all, etc., lacking only the jailhouse riot to round out the cliche roster.
Considering how by the numbers the movie is, and how silly the conceit is (dance as rehabilitation for hardcore prisoners) you'd think they'd have had more fun with it, but the movie is played kinda straight, which is its downfall. Plus the acting is generally so bad that the voices all sound dubbed even though they're not.
It's not exploitive enough to be a good exploitation flick, and not enough of anything else to be any other kind of flick. If it's on cable, might be tuning in if you have something else to do in the meantime.