The "Edge of the City" means Menidi, a poor suburb on the edge of pulsating Athens (the city). Menidi harbours many Cosssack Greeks. They are also called "pontios", ethnic Greeks from the ... See full summary »
Following his father's death, Nikos leaves the provinces to work in Athens guarding his brutish uncle's dogs. Nikos finds the dynamic of his relationship with his uncle changing when his uncle's wife draws closer to him.
A gay poet heads west from New York City in his convertible. He picks up a muscular sailor who's bisexual; then Jackie, a waitress at a diner, joins them. Jackie is attracted to the poet ... See full summary »
Valda Z. Drabla,
Dimitris, a grumpy middle-aged man, is having a hard time with his business partner on a particular decision as to opening a new business; and he's also having a hell of a time with his ... See full summary »
By night, Stratos works in a bread factory but by day, he's a professional hit man. He needs the cash to free Leonidas from prison because the latter once saved his life when he was behind ... See full summary »
A 35-year old man, just released from jail, decides to make a clean break from the big city and his troubled past. He retreats to the abandoned village his father came from and moves into ... See full summary »
Four stories, humorous, romantic or dramatic, are linked by a counterfeit gold sovereign. It is made by the honest engraver in the first story, seduced by the charms of a young widow, and ... See full summary »
A peaceful, frightened little man (Dinos Iliopoulos) is mistakenly identified as "the dragon" ("o drákos"), a notorious criminal at large. He briefly and reluctantly rules the underworld ... See full summary »
The "Edge of the City" means Menidi, a poor suburb on the edge of pulsating Athens (the city). Menidi harbours many Cosssack Greeks. They are also called "pontios", ethnic Greeks from the Black Sea dispersed through the ex-Southern Soviet Union in the Stalin era. The "pontios" have returned to Greece en masse after the demise of the USSR. The parents speak mostly Greek, but the teenage children speak a hybrid Russian-Greek language which reflects their lack of identity and marginalization in Greece's highly xenophobic society (the only EU country where no minorities exist!...officially). The teenagers' marginalization leads them to the core of the film's theme: the lives of petty crime and prostitution which these second or third class Greeks lead. Their camaraderie, the way they mock each others' dealing in homosexuality, their sexual and criminal exploitation by rich Greeks, their own exploitation of prostitutes, sexual and moral ambiguity all lead to the film's defining! Written by
What is a nation? According to Benedict Anderson it is a community socially constructed; an imagined community, indeed. In order to be Greeks or Russians one must first share these imaginary narratives that set apart one people from the other. Cohesiveness must come after everyone commits to this exercise of the imagination. What happens, however, with young men like Sasha and his group of friends? Raised in Russia and then transferred back to the land of their progenitors they feel neither Russians nor Greeks. They have been expelled out of any possible narrative of integration, and instead they are lingering on the edges of the city, on the marginal borders that preclude them from obtaining full status citizenship.
Unable to fit in, these youngsters cannot be a part of the symbolic order. Society has banned them and as a consequence they partake in illegal activities. Some of them are good at stealing, others at prostituting themselves. But then again, since being a hustler is the most profitable activity most of them try to gain the favor of other men.
Sasha is a boy struggling with his own identity. He is heterosexual and he falls in love with a common whore. However, the only way he can make money is by participating in the same activities his friends do. If identity is defined throughout adolescence, it's very revealing witnessing this group of kids coming to terms with what they do. They're 18 or 19 years old and some of them affirm that everything is alright as long as they assume the active role in homosexual intercourse. Others, more lucidly, realize that it doesn't matter who penetrates who, all that matters is that sex is taking place.
Nonetheless, the kids cannot let go of social conventions, after all, identity also depends greatly on how one pictures oneself. Our own images also depend on the gaze of the other. But since all of them are estranged from imaginary narratives since the very beginning, they find it difficult to find their place into the world. One can only wonder if at least one of them will be able to step aside of the vicious circle of poverty.
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