| Photos (See all 44 | slideshow) | Videos (see all 5) |
Directed by | |||
| Gus Van Sant | |||
Writing credits(WGA) | ||
| Mike Rich | (written by) | |
Produced by | |||
| Sean Connery | .... | producer | |
| Jonathan King | .... | executive producer | |
| Laurence Mark | .... | producer | |
| Rhonda Tollefson | .... | producer | |
| Dany Wolf | .... | executive producer | |
Cinematography by | |||
| Harris Savides | |||
Film Editing by | |||
| Valdís Óskarsdóttir | (as Valdis Oskarsdottir) | ||
Casting by | |||
| Francine Maisler | |||
| Bernard Telsey | |||
| David Vaccari | |||
Production Design by | |||
| Jane Musky | |||
Art Direction by | |||
| Robert Guerra | |||
| Darrell K. Keister | |||
Set Decoration by | |||
| Susan Bode | (as Susan Tyson) | ||
| Lynn Tonnessen | (as B. Lynn Tonnessen) | ||
Costume Design by | |||
| Ann Roth | |||
Makeup Department | |||
| Michal Bigger | .... | key makeup artist | |
| Mario Cacioppo | .... | makeup artist: Toronto | |
| Veronica Ciandre | .... | hair stylist: Toronto | |
| Linda Grimes | .... | key makeup artist | |
| Melanie Hughes | .... | makeup artist: Mr. Connery (as Melanie R. Hughes) | |
| John Quaglia | .... | key hair stylist (as John D. Quaglia) | |
| Lyndell Quiyou | .... | hair stylist: Mr. Connery | |
| James Sarzotti | .... | key makeup artist | |
Production Management | |||
| Michele Giordano | .... | production supervisor | |
| Jim Powers | .... | production manager: Toronto (as James Powers) | |
| Tom Razzano | .... | unit production manager | |
| Dany Wolf | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Fareshta Ahmadi | .... | dga trainee | |
| Bruno Bryniarski | .... | second assistant director: Toronto | |
| Dylan Hopkins | .... | second second assistant director | |
| Amy Lynn | .... | second assistant director | |
| Kirsteen McLean | .... | third assistant director: Toronto | |
| Julie O'Neill | .... | trainee assistant director: Toronto | |
| John Sauvé | .... | trainee assistant director: Toronto | |
| David J. Webb | .... | first assistant director (as David Webb) | |
Art Department | |||
| Ann Marie Auricchio | .... | scenic artist | |
| Roger Baron | .... | property buyer | |
| Tory Bellingham | .... | property master: Toronto | |
| Joseph Deluca | .... | on-set dresser (as Joseph M. Deluca) | |
| David Evans | .... | on-set dresser: Toronto | |
| Arvinder Grewal | .... | art director: Toronto | |
| Denise Gurkas | .... | camera scenic artist | |
| Thomas E. Halligan | .... | key construction grip | |
| Joanna Tracey Heaton | .... | art department assistant: Toronto | |
| Philip Kennedy | .... | scenic artist | |
| Carolyn 'Cal' Loucks | .... | set decorator: Toronto | |
| John Mackenzie | .... | construction coordinator: Toronto | |
| Vinny Mazzarella | .... | assistant props | |
| James Mazzola | .... | property master (as James R. Mazzola) | |
| Fred Merusi | .... | construction coordinator | |
| Rhonda Moscoe | .... | art department coordinator | |
| Louis J. Porzio | .... | key carpenter | |
| Jeff Poulis | .... | assistant props: Toronto (as Jeffrey Poulis) | |
| Reet Puhm | .... | key scenic: Toronto | |
| John Ralbovsky | .... | scenic artist | |
| Sandy Smirle | .... | assistant art director: Toronto (as Sandra L. Smirle) | |
| Eric Taylor | .... | key carpenter: Toronto | |
| Patricia Walker | .... | scenic charge person | |
| Dave Weinman | .... | lead man | |
| Joan Winters | .... | graphic designer | |
| Alexandre Athané | .... | comic art (uncredited) | |
| Mike Bundlie | .... | graphic designer (uncredited) | |
| Carlos Caneca | .... | lead man: Toronto (uncredited) | |
| Jay Durrwachter | .... | production illustrator (uncredited) | |
| Kathryn Freund | .... | assistant props (uncredited) | |
| Jamie Mullins | .... | art department coordinator: New York (uncredited) | |
Special Effects by | |||
| Michael Kavanagh | .... | special effects coordinator | |
| Derek Liscoumb | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Syd Dutton | .... | additional visual effects: Illusion Art, Inc. | |
| Caroline Gibb | .... | production coordinator: C.O.R.E. Digital Pictures | |
| Dipankar Goswamy | .... | digital compositor: C.O.R.E. Digital Pictures | |
| Nick Hsieh | .... | digital compositor: C.O.R.E. Digital Pictures | |
| Mark Kenaston | .... | digital artist | |
| Shane Kinnear | .... | visual effects executive producer: C.O.R.E. Digital Pictures | |
| Michael Kowalski | .... | production manager: C.O.R.E. Digital Pictures | |
| Tanya Kuzmanovic-Howard | .... | production coordinator: C.O.R.E. Digital Pictures | |
| Daniel Lee | .... | digital compositor: C.O.R.E. Digital Pictures | |
| Bob Munroe | .... | visual effects supervisor | |
| Ken Ouellette | .... | animation supervisor | |
| Barbara Shaw | .... | production coordinator: C.O.R.E. Digital Pictures | |
| John A. Shaw | .... | technical support: C.O.R.E. Digital Pictures | |
| Bill Taylor | .... | additional visual effects: Illusion Art, Inc. | |
| Claude Theriault | .... | digital compositor: C.O.R.E. Digital Pictures | |
| Tracey Vaz | .... | digital compositor: C.O.R.E. Digital Pictures | |
| Michael Wile | .... | digital compositor: C.O.R.E. Digital Pictures | |
| Alphonso Young | .... | digital compositor: C.O.R.E. Digital Pictures | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator (as George Aguilar) | |
| Blaise Corrigan | .... | stunts | |
| Tom Farr | .... | stunts | |
| Richard Hughes | .... | stunts | |
| Jamie Jones | .... | stunts | |
| Carl Paoli | .... | stunt driver | |
| Paul Rutledge | .... | stunts | |
| Al Thompson | .... | stunts | |
| Dave Van Zeyl | .... | stunts | |
| Cort Hessler | .... | stunts (uncredited) | |
| Stephen A. Pope | .... | stunts (uncredited) | |
| Al Thompson | .... | stunt double: Robert Brown (uncredited) | |
| Kym Washington | .... | utility stunts (uncredited) | |
Casting Department | |||
| Kathy Driscoll | .... | casting associate (as Kathleen Driscoll-Mohler) | |
| Lori Eastside | .... | extras casting | |
| Emily Palmer | .... | extras casting assistant | |
| Victoria Pettibone | .... | casting associate: New York | |
| Nancy Safran | .... | casting assistant | |
| Jon Scott Strotheide | .... | casting associate (as Jon Strotheide) | |
| Bill Woods | .... | casting associate: New York | |
Costume and Wardrobe Department | |||
| Joanna Brett | .... | wardrobe supervisor | |
| Cori Burchell | .... | wardrobe: Toronto | |
| Barrett Hong | .... | wardrobe supervisor: Mr. Connery (as Barrett P. Hong) | |
| Iris Horta Lemos | .... | set costumer (as Iris H. Lemos) | |
| Donna Maloney | .... | wardrobe supervisor (as Donna M. Maloney) | |
| Amy Roth | .... | key costumer (as Amy T. Roth) | |
| Andre Schulz | .... | costumer: Toronto | |
| Marcia Scott | .... | costumer | |
Editorial Department | |||
| Clare Bambrough | .... | assistant film editor (as Clare Mara Bambrough) | |
| Angela Barton | .... | assistant film editor | |
| Kent Blocher | .... | assistant film editor | |
| Helen Hand | .... | first assistant editor | |
| Berenicci Hershorn | .... | apprentice film editor | |
| Kathy LaCommare | .... | assistant film editor | |
| Eric Rigney | .... | avid technician | |
| Stephen R. Sheridan | .... | color timer (as Steve Sheridan) | |
| Dawn M. Stoliar | .... | assistant film editor | |
| Tim Wilson | .... | assistant film editor | |
| Paul Zucker | .... | assistant film editor | |
| Tim Fox | .... | assistant editor (uncredited) | |
| Bill Holley | .... | colorist (uncredited) | |
| Barry Malawski | .... | assistant editor (uncredited) | |
Music Department | |||
| Bill Brown | .... | music arranger | |
| Bill Frisell | .... | composer: additional score | |
| Charlie Haden | .... | musician: bass | |
| Lisa Jaime | .... | music editor | |
| Kenneth Karman | .... | supervising music editor (as Ken Karman) | |
| Lesley Langs | .... | assistant music editor | |
| Hal Willner | .... | music supervisor | |
| Hal Willner | .... | original score producer | |
| Herbie Hancock | .... | musician (uncredited) | |
Transportation Department | |||
| Ron Annabelle | .... | driver | |
| Steven R. Hammond | .... | transportation captain | |
| Stuart Mitchell | .... | transportation co-captain: Toronto | |
| Eugene O'Neill | .... | transportation co-captain | |
| Steven Sacrob | .... | driver | |
| Dave Staples | .... | transportation captain: Toronto | |
| Mitchel Stewart | .... | driver captain | |
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| Half Nelson | Rushmore | Thumbsucker | August Rush | Liberty Heights |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
A reclusive author, whose only published novel won the Pulitzer Prize, becomes the mentor of an underprivileged and talented sixteen-year-old in `Finding Forrester,' directed by Gus Van Sant and starring Sean Connery and newcomer Rob Brown. Young Jamal Wallace (Brown) is a star basketball player in his neighborhood, and-- unbeknownst to his peers-- also has a gift for writing. The acceptance he needs from his friends, however, that need to `fit in,' is derived from playing ball; yet his heart is in his writing. But he knows that within the limited confines of his environs his skill with the written word means next to nothing in regards to his future, and he sees basketball as the only viable means of doing anything worthwhile with his life. That is, until one day circumstances bring him into contact with William Forrester (Connery); and it's an encounter that ultimately changes the direction of his life forever. Working from an intelligent, well crafted screenplay by Mike Rich, Van Sant establishes the milieu within which the story will unfold with his opening shot: A black youth setting the stage in rap. It's clever and effective, and the contrast between the rap at the beginning and the song at the end not only frames the film but underscores the impact of the story, as it succinctly encapsulates the changes in Jamal's life. As he did with `Drugstore Cowboy' and `Good Will Hunting,' Van Sant successfully captures the essence of a particular culture and how those living within it relate to those apart from it. It's a study of human nature and the levels of diversity of which our society is comprised, and Van Sant does it exceedingly well. As far as performances go, Connery makes the most of one of his best roles in years. Perfectly cast as Forrester, he lends an adamant toughness to the character initially, then slowly and subtly allows the vulnerability that lies beneath the gruff exterior to surface. It makes for a well-rounded, complete portrayal, as we see not only his iconoclastic leanings, but the very human and caring side of the man as well. And it's Connery's superlative performance, through which he conveys the complexities of the character so well, that illuminates the true depth and multi-faceted dimensions of Forrester; it is not only memorable, but worthy of an Oscar. In his motion picture debut, Brown takes the screen by storm; a storm that is at once gentle and discerning, yet endowed with a strength born of it's own momentum. With a manner reminiscent of Cuba Gooding Jr. in `Boyz N the Hood,' he has a natural acting ability that commands attention, and if his performance here is any indication of his talents (which obviously it must be), then it is safe to say that the cinematic world has certainly just been enriched by his presence. The supporting cast includes F. Murray Abraham (Professor Robert Crawford), Anna Paquin (Claire), Busta Rhymes (Terrell), April Grace (Ms. Joyce), Michael Pitt (Coleridge) and Michael Nouri (Dr. Spence). An uplifting example of deriving hope from hopelessness, `Finding Forrester' is an entertaining and moving testimony to the resilience and depth of the human spirit. It's a film that will stay with you long after the screen has gone dark, for there is much here to be savored and embraced; a film too good to be allowed to let pass you by. I rate this one 9/10.