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Directed by | |||
| Gus Van Sant | |||
Writing credits(WGA) | ||
| Mike Rich | (written by) | |
Produced by | |||
| Sean Connery | .... | producer | |
| Jonathan King | .... | executive producer | |
| Laurence Mark | .... | producer | |
| Rhonda Tollefson | .... | producer | |
| Dany Wolf | .... | executive producer | |
Cinematography by | |||
| Harris Savides | |||
Film Editing by | |||
| Valdís Óskarsdóttir | (as Valdis Oskarsdottir) | ||
Casting by | |||
| Francine Maisler | |||
| Bernard Telsey | |||
| David Vaccari | |||
Production Design by | |||
| Jane Musky | |||
Art Direction by | |||
| Robert Guerra | |||
| Darrell K. Keister | |||
Set Decoration by | |||
| Susan Bode | (as Susan Tyson) | ||
| Lynn Tonnessen | (as B. Lynn Tonnessen) | ||
Costume Design by | |||
| Ann Roth | |||
Makeup Department | |||
| Michal Bigger | .... | key makeup artist | |
| Mario Cacioppo | .... | makeup artist: Toronto | |
| Veronica Ciandre | .... | hair stylist: Toronto | |
| Linda Grimes | .... | key makeup artist | |
| Stanley Hall | .... | key hair stylist | |
| Melanie Hughes | .... | makeup artist: Mr. Connery (as Melanie R. Hughes) | |
| John Quaglia | .... | key hair stylist (as John D. Quaglia) | |
| Lyndell Quiyou | .... | hair stylist: Mr. Connery | |
| James Sarzotti | .... | key makeup artist | |
Production Management | |||
| Michele Giordano | .... | production supervisor | |
| Jim Powers | .... | production manager: Toronto (as James Powers) | |
| Tom Razzano | .... | unit production manager | |
| Dany Wolf | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Fareshta Ahmadi | .... | dga trainee | |
| Bruno Bryniarski | .... | second assistant director: Toronto | |
| Dylan Hopkins | .... | second second assistant director | |
| Amy Lynn | .... | second assistant director | |
| Kirsteen McLean | .... | third assistant director: Toronto | |
| Julie O'Neill | .... | trainee assistant director: Toronto | |
| John Sauvé | .... | trainee assistant director: Toronto | |
| David J. Webb | .... | first assistant director (as David Webb) | |
Art Department | |||
| Ann Marie Auricchio | .... | scenic artist | |
| Roger Baron | .... | property buyer | |
| Tory Bellingham | .... | property master: Toronto | |
| Joseph Deluca | .... | on-set dresser (as Joseph M. Deluca) | |
| David Evans | .... | on-set dresser: Toronto | |
| Arvinder Grewal | .... | art director: Toronto | |
| Denise Gurkas | .... | camera scenic artist | |
| Thomas E. Halligan | .... | key construction grip | |
| Joanna Tracey Heaton | .... | art department assistant: Toronto | |
| Philip Kennedy | .... | scenic artist | |
| Eric Lewin | .... | set dresser | |
| Carolyn 'Cal' Loucks | .... | set decorator: Toronto | |
| John Mackenzie | .... | construction coordinator: Toronto | |
| Vinny Mazzarella | .... | assistant props | |
| James Mazzola | .... | property master (as James R. Mazzola) | |
| Fred Merusi | .... | construction coordinator | |
| Rhonda Moscoe | .... | art department coordinator | |
| Louis J. Porzio | .... | key carpenter | |
| Jeff Poulis | .... | assistant props: Toronto (as Jeffrey Poulis) | |
| Reet Puhm | .... | key scenic: Toronto | |
| John Ralbovsky | .... | scenic artist | |
| Sandy Smirle | .... | assistant art director: Toronto (as Sandra L. Smirle) | |
| Eric Taylor | .... | key carpenter: Toronto | |
| Patricia Walker | .... | scenic charge person | |
| Dave Weinman | .... | lead man | |
| Joan Winters | .... | graphic designer | |
| Alexandre Athané | .... | comic art (uncredited) | |
| Mike Bundlie | .... | graphic designer (uncredited) | |
| Carlos Caneca | .... | lead man: Toronto (uncredited) | |
| Jay Durrwachter | .... | production illustrator (uncredited) | |
| Kathryn Freund | .... | assistant props (uncredited) | |
| Jamie Mullins | .... | art department coordinator: New York (uncredited) | |
Special Effects by | |||
| Michael Kavanagh | .... | special effects coordinator | |
| Derek Liscoumb | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Syd Dutton | .... | additional visual effects: Illusion Art, Inc. | |
| Caroline Gibb | .... | production coordinator: C.O.R.E. Digital Pictures | |
| Dipankar Goswamy | .... | digital compositor: C.O.R.E. Digital Pictures | |
| Nick Hsieh | .... | digital compositor: C.O.R.E. Digital Pictures | |
| Mark Kenaston | .... | digital artist | |
| Shane Kinnear | .... | visual effects executive producer: C.O.R.E. Digital Pictures | |
| Michael Kowalski | .... | production manager: C.O.R.E. Digital Pictures | |
| Tanya Kuzmanovic-Howard | .... | production coordinator: C.O.R.E. Digital Pictures | |
| Daniel Lee | .... | digital compositor: C.O.R.E. Digital Pictures | |
| Bob Munroe | .... | visual effects supervisor | |
| Ken Ouellette | .... | animation supervisor | |
| Barbara Shaw | .... | production coordinator: C.O.R.E. Digital Pictures | |
| John A. Shaw | .... | technical support: C.O.R.E. Digital Pictures | |
| Bill Taylor | .... | additional visual effects: Illusion Art, Inc. | |
| Claude Theriault | .... | digital compositor: C.O.R.E. Digital Pictures | |
| Tracey Vaz | .... | digital compositor: C.O.R.E. Digital Pictures | |
| Michael Wile | .... | digital compositor: C.O.R.E. Digital Pictures | |
| Alphonso Young | .... | digital compositor: C.O.R.E. Digital Pictures | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator (as George Aguilar) | |
| Blaise Corrigan | .... | stunts | |
| Tom Farr | .... | stunts | |
| Richard Hughes | .... | stunts | |
| Jamie Jones | .... | stunts | |
| Carl Paoli | .... | stunt driver | |
| Paul Rutledge | .... | stunts | |
| Al Thompson | .... | stunts | |
| Dave Van Zeyl | .... | stunts | |
| Cort Hessler | .... | stunts (uncredited) | |
| Stephen A. Pope | .... | stunts (uncredited) | |
| Al Thompson | .... | stunt double: Robert Brown (uncredited) | |
| Kym Washington | .... | utility stunts (uncredited) | |
Casting Department | |||
| Kathy Driscoll | .... | casting associate (as Kathleen Driscoll-Mohler) | |
| Lori Eastside | .... | extras casting | |
| Emily Palmer | .... | extras casting assistant | |
| Victoria Pettibone | .... | casting associate: New York | |
| Nancy Safran | .... | casting assistant | |
| Jon Scott Strotheide | .... | casting associate (as Jon Strotheide) | |
| Bill Woods | .... | casting associate: New York | |
Costume and Wardrobe Department | |||
| Joanna Brett | .... | wardrobe supervisor | |
| Cori Burchell | .... | wardrobe: Toronto | |
| Barrett Hong | .... | wardrobe supervisor: Mr. Connery (as Barrett P. Hong) | |
| Iris Horta Lemos | .... | set costumer (as Iris H. Lemos) | |
| Donna Maloney | .... | wardrobe supervisor (as Donna M. Maloney) | |
| Amy Roth | .... | key costumer (as Amy T. Roth) | |
| Andre Schulz | .... | costumer: Toronto | |
| Marcia Scott | .... | costumer | |
Editorial Department | |||
| Clare Bambrough | .... | assistant film editor (as Clare Mara Bambrough) | |
| Angela Barton | .... | assistant film editor | |
| Kent Blocher | .... | assistant film editor | |
| Helen Hand | .... | first assistant editor | |
| Berenicci Hershorn | .... | apprentice film editor | |
| Kathy LaCommare | .... | assistant film editor | |
| Eric Rigney | .... | avid technician | |
| Stephen R. Sheridan | .... | color timer (as Steve Sheridan) | |
| Dawn M. Stoliar | .... | assistant film editor | |
| Tim Wilson | .... | assistant film editor | |
| Paul Zucker | .... | assistant film editor | |
| Tim Fox | .... | assistant editor (uncredited) | |
| Bill Holley | .... | colorist (uncredited) | |
| Barry Malawski | .... | assistant editor (uncredited) | |
Music Department | |||
| Bill Brown | .... | music arranger | |
| Bill Frisell | .... | composer: additional score | |
| Charlie Haden | .... | musician: bass | |
| Lisa Jaime | .... | music editor | |
| Kenneth Karman | .... | supervising music editor (as Ken Karman) | |
| Lesley Langs | .... | assistant music editor | |
| Hal Willner | .... | music supervisor | |
| Hal Willner | .... | original score producer | |
| Herbie Hancock | .... | musician (uncredited) | |
Transportation Department | |||
| Ron Annabelle | .... | driver | |
| Steven R. Hammond | .... | transportation captain | |
| Stuart Mitchell | .... | transportation co-captain: Toronto | |
| Eugene O'Neill | .... | transportation co-captain | |
| Steven Sacrob | .... | driver | |
| Dave Staples | .... | transportation captain: Toronto | |
| Mitchel Stewart | .... | driver captain | |
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| Half Nelson | Rushmore | Thumbsucker | August Rush | Liberty Heights |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Director Gus Van Sant also directed `Good Will Hunting' and this film has essentially the same plot. An underprivileged youth is discovered by a reclusive genius and is shepherded to his full potential. What GWH was to math, this film is to literature. They are such close cousins that Van Sant felt compelled to bring in Matt Damon for a cameo.
Regardless of the familiar plot, `Finding Forrester' succeeds because of an excellent screenplay and outstanding acting performances by Sean Connery, Rob Brown and F. Murray Abraham. This kind of story can't help grabbing the audience at a human level. Genius, suppressed by societal class, struggles to emerge and it beats the odds. The story is transcendent for both the main characters. Forrester (Sean Connery) helps Jamal (Rob Wallace) transcend his societal constraints to realize his potential as a writer, and Jamal helps Forrester to transcend the constraints of his emotional traumas to free him as a human being. It is a triumphant story, very uplifting.
Van Sant does a good job of presenting the human element and developing the characters while keeping the photography effective but in the background. The photography is very straightforward, allowing the characters to tell the story without the intrusive use of stylish shots that are all to prevalent lately. Van Sant gives Forrester's apartment a dark and dreary look from a color and lighting perspective, which is particularly effective.
Sean Connery is in top form and continues to make the case for being one of our best and most treasured actors. He gives a virtuoso performance in this film with a complex and ornery character. It is a powerful and moving portrayal. Rob Brown is phenomenal in his first feature film. He was found in a talent search and made an impressive debut with an extremely mature performance. With the right scripts, he has a good chance of having a bright future. F. Murray Abraham is fantastic as the haughty English teacher, who gets his just deserts.
This is a highly intelligent film with a strong story, steady direction and marvelous acting. I rated it a 9/10. Despite an all too familiar storyline, it differentiates itself by its wide-ranging excellence. For those who enjoy good dramatic performances and intriguing character studies, this film is not to be missed.