An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
Bryce Dallas Howard
A man who lost his family in the September 11 attack on New York City runs into his old college roommate. Rekindling the friendship is the one thing that appears able to help the man recover from his grief.
Jada Pinkett Smith
Because of scoring exceptionaly high on a state wide standardized exam and being an exceptionally good basketball player Jamal Wallace is sent to a prestigious prep school in Manhattan. He soon befriends the reclusive writer, William Forrester. The friendship leads to William to overcome his reclusivness and for Jamal to overcome the racial prejudices and pursue his true dream - writing. Written by
the chan man
The sketch used to portray a young Forrester in the New Yorker and on the wall of famous writers at the school is based on a young Sean Connery from the James Bond period. The same picture is on a desk in Mark Trevor's house in Another Time, Another Place, in which Connery was introduced to a big audience. See more »
Jamal's tie "moves" in two consecutive shots during his first day of class. See more »
Let me ask you a question... those two foul shots at the end of the game... did you miss them, or did you *miss* them?
Not exactly a soup question, now is it?
See more »
During the Columbia logo presentation, Bill Frisell's guitar playing the Columbia accompanying music is heard, rather than the usual orchestral version. See more »
The mechanics of the movie have been well-reviewed by others. Yes, it could definitely have been a better movie, but then again what movie can't you say that about? In terms of plot and character development what it needed most was another 30 minutes, but at two and a quarter hours already most studios would never allow that. (Note that the movie did not seem nearly that long to me.) Perhaps the plot and story could have been tighter, but it's really a remarkable job for first-time screenwriter Mike Rich.
The acting, while not always remarkable, was quite good. Connery brilliantly underplayed Forrester, yielding a less dramatic but much more realistic portrayal of the writer. Rob Brown's portrayal of Jamal was equally reserved yet forceful. The directing held the two characters in balance well. The other characters were well-acted though not generally well-developed (hence much criticism of this movie).
Others have compared Finding Forrester to Goodwill Hunting (also directed by Gus Van Sant) and to Scent of a Woman, suggesting that it is just a ripoff of the plot in those two. If so (which I doubt), those are two pretty good movies to plagiarize. The basic concept of Forrester's story (first novel wins Pulitzer -- what do you do for an encore?) has also been done before, but I've never seen it done so well (and without resorting to The Bottle as an excuse for a wasted life).
What's been missed in the reviews I checked was a discussion of who found whom. When you boil it down, Jamal found Jamal and Forrester found Forrester (just in time), though they found themselves by reaching out to each other and forming a bond of friendship across a gulf of age, suspicion, and race. The way they do this, without the usual twists of self-destruction and miraculous salvation, is both touching and refreshingly real. And finding oneself, in its essence, is what EVERY good drama is about, so, yes, there is a similarity to Goodwill and Scent and every other good movie ever made.
Included in the movie is a very brief first course in writing. Though the movie doesn't dwell on it, the way it presents the process of writing (and of the criticism of writing) is refreshingly realistic.
Speculation about the "real" identity of Forrester is interesting. Salinger has been mentioned, but the similarities are only superficial. Harper Lee (To Kill a Mockingbird) is a much better fit (first novel wins Pulitzer, nothing else ever written, lived as a recluse), but I almost favor the enigmatic Gardner McKay (though Forrester is certainly different in many ways from McKay). However, it's just as likely that Rich had no particular person in mind when he crafted Forrester (since, after all, the First Novel Syndrome is a well known plot theme).
All in all, while not The Great American Movie, it's a very good movie and well worth watching.
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