After a hot and heavy coupling with her ex-boyfriend, the King Of Studs, John C. Holmes, Cheri meets up with another former lover who has a broken leg. The ex has no problem getting his ... See full summary »
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Cast

Cast overview:
Susie Carlson ...
Cheri (as Cheri Lovejoy)
...
Tom (as John C. Holmes)
Cindy Wilson ...
Georgia
Rick Cassidy ...
Johnny
Flora McIntosh ...
Flo
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Storyline

After a hot and heavy coupling with her ex-boyfriend, the King Of Studs, John C. Holmes, Cheri meets up with another former lover who has a broken leg. The ex has no problem getting his putz to stand up straight as Cheri gets him to gush like a geyser. Her friends next door share a lovemaking feast, then finally, everyone (and we do mean everyone!) joins together in a good old-fashioned orgy; one of the best ever captured on film during the Golden Era of Classic Adult Filmology. Written by VCX

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21 March 1974 (USA)  »

Also Known As:

Cherri  »

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Connections

Version of Chéri (1962) See more »

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User Reviews

Underwhelming Holmes porn; I prefer Michelle Pfeiffer
23 November 2010 | by (New York, New York) – See all my reviews

CHERI is assembly line porn, the chief mystery being its Canadian locations. For some reason this cast of pretty girls, plus Rick Cassidy and John Holmes, "headed north" to British Columbia and shot several films including this one and SEX STATION. Since there was no indigenous hardcore porn industry (or producers) in Canada at all, this is a curious phenomenon.

First off, you know CHERI is a quickie junker by a test I invented -the cast has sex with dirty feet showing, sure evidence of a "get this baby in the can" speedy approach. No time for washing, body makeup or anything.

Susie Carlson, who later did softcore ski-themed movies with Cassidy, is the title character, a free-loving lass making it with everyone in sight en route to a sloppily filmed orgy (touted on the DVD box as the ultimate orgy in film history -not). There is reference to a ski-lift and other allusions to the locale, but this porn is strictly indoors wall-to-wall sex.

IMDb lists Rene Bond in the cast but she is not in this film. It's shot mainly in real-time, no editing fashion, killing off an hour of running time almost as efficiently as Andy Warhol's innovative "let the camera run unattended" approach of the '60s. Like Warhol, the improv dialog is strictly hit or miss.


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