Dude Schmitz, an independent filmmaker, attempting to secure funds for his second feature, blows an opportunity at what promises to be a lucrative interview with pop sensation Britney ... See full summary »
A boy in abject poverty works in a hotel and becomes obsessed with a swimming pool in the opulent hills of Panjim, Goa, India. His life gets turned upside-down when he attempts to meet the mysterious family who lives at the house.
The greatly idiotic Walter Romero takes on an island of zombies and a bloodthirsty werewolf to avenge his boy scout buddy with the help of his doe-eyed crush, Ashley Valinski, and hapless stoner, Johnny Mason.
Jozef K. Richards
Jozef K. Richards,
Documentary that chronicles how Francis Ford Coppola's Apocalypse Now (1979) was plagued by extraordinary script, shooting, budget, and casting problems--nearly destroying the life and career of the celebrated director.
On the northwest side of Milwaukee, Mark Borchardt dreams the American dream: for him, it's making movies. Using relatives, local theater talent, slacker friends, his Mastercard, and $3,000 from his Uncle Bill, Mark strives over three years to finish "Covan," a short horror film. His own personal demons (alcohol, gambling, a dysfunctional family) plague him, but he desperately wants to overcome self-doubt and avoid failure. In moments of reflection, Mark sees his story as quintessentially American, and its the nature and nuance of his dream that this film explores. Written by
I have mixed feelings towards this movie. I found the movie fascinating in the way people are fascinated by car wrecks, and I found it funny in the way one might uncontrollably burst out a laugh at the sight of an eldelry person slipping on an icy sidewalk. It's a sick and guilt ridden enjoyment. The lives of most of the people this movie brings you in contact with are so pathetic that you can't help being intrigued. But lives hardly worth living do not a good movie make. No; there was more to it than that. What sucked me in to this documentary was the perserverence and tenacity of the characters that carry on day after day in an existence that would drive most people to jump off the nearest bridge. People standing around in robes in a forst in the dead of winter for hours on end to help a friend that will no doubt produce a film only 400 locals would pay to see. A barely coherent old man who's too cheap to use the phone for local calls lends $3,000 to his nephew for a project he is certain is doomed. A mother who is as clueless as her heart is big sticks by her son through thick and thin. These things tug at the heart and, despite all the pity and head shaking they provoke, reveal a humanity that one can't help but be in awe of.
Oh, and the comedic moments are priceless. Uncle Bill steals the show in that department, but many others contribute. (The kitchen cabinet door scene nearly rolled me off the couch.) Yep; there are some priceless laugh spots in this film that almost make you wonder whether this isn't truly a mockumentary in the style Christofer Guest (Spinal Tap, Best In Show). But it's not; it's real life making you laugh, and that makes it funnier.
Yes; I enjoyed the movie quite a bit, but probably for the wrong reasons. But so did countless others. In the end, it doesn't matter. A good movie is a good movie.
43 of 55 people found this review helpful.
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