Documentary that chronicles how Francis Ford Coppola's Apocalypse Now (1979) was plagued by extraordinary script, shooting, budget, and casting problems--nearly destroying the life and career of the celebrated director.
Using state-of-the-art equipment, a group of activists, led by renowned dolphin trainer Ric O'Barry, infiltrate a cove near Taijii, Japan to expose both a shocking instance of animal abuse and a serious threat to human health.
On the northwest side of Milwaukee, Mark Borchardt dreams the American dream: for him, it's making movies. Using relatives, local theater talent, slacker friends, his Mastercard, and $3,000 from his Uncle Bill, Mark strives over three years to finish "Covan," a short horror film. His own personal demons (alcohol, gambling, a dysfunctional family) plague him, but he desperately wants to overcome self-doubt and avoid failure. In moments of reflection, Mark sees his story as quintessentially American, and its the nature and nuance of his dream that this film explores. Written by
The movie theater featured in the end of the film is the Times Cinema in the Washington Heights neighborhood on Milwaukee's west side. It specializes in obscure and independent films and is Milwaukee's sole surviving independent movie theater. See more »
I'm gonna wake up to hell tomorrow, man. Those credit cards ain't gonna look nice, man. But I'm always a man for my word. Mike Schank, you happy?
Yeah, I'm happy.
How happy are you, man?
I'm very happy.
Well good, man, cuz don't drink. You're gonna set the world's record. OK, man. I'm cooled down, but... Hey I'm serious, man. If I missed somebody or anything, man, thanks a million for, uh, for helping out, man. Cuz I... I couldn't have, whatever, done it.
See more »
I just watched this again the other night. It's probably the ninth or tenth time I've seen it, and I think it gets better every time. Contrary to what some people are saying, I don't think the makers of this film are laughing at and ridiculing Mark. Sure, some of the humor in the film is of the car-crash can't look away variety, but I feel underneath that they really admire the guy and his dogged tenacity. Another thing is I think Mark does show some skill as a director. Remember he has zero money shooting this stuff, and Coven was conceived as a money-making venture so he could make Northwestern. I think some of the samples they were showing from Northwestern actually looked very good. Now I don't think Mark writes the best dialogue in the world, but looking just at his photographic eye I'd say if the guy had any kind of schooling he might be shooting movies for someone right now. And finally, I think some of the people making negative comments about this movie need to look in the mirror and think about themselves a bit. OK, you don't like the movie, that's fine. But I've seen enough smug, superior, comments on here to make me want to puke. I love how as long as you're a poor, lower middle-class white in America people love to throw around terms like "white trash", "redneck", and other such pleasantries. I believe some scribe from Orange County at the beginning of the reviews even called them "inferior". I'm sure most of the people making the comments consider themselves liberals too; as if they have any concept of what that word means.
58 of 65 people found this review helpful.
Was this review helpful to you?