| Amy Irving | ... | Mary Ann Simpson | |
| Antônio Fagundes | ... | Pedro Paulo | |
| Alexandre Borges | ... | Acácio | |
| Débora Bloch | ... | Tânia | |
| Drica Moraes | ... | Nadine | |
| Giovanna Antonelli | ... | Sharon | |
| Rogério Cardoso | ... | Vermont | |
| Sérgio Loroza | ... | Gordo | |
| Flávio São Thiago | ... | Peçanha | |
| Alberto de Mendoza | ... | Juan | |
| Pedro Cardoso | ... | Roberto | |
| Stephen Tobolowsky | ... | Trevor | |
| Kazuo Matsui | ... | Wan-Kim-Lau | |
| Cássia Linhares | ... | Reporter | |
| Kate Lyra | ... | English School Receptionist | |
| Mara Carvalho | ... | Tailor Shop Receptionist | |
| rest of cast listed alphabetically: | |||
| Alba Albanese | ... | Voice (voice) | |
| Marta Barcellos | ... | Nurse | |
| Mariana Crochemore | ... | Lawyer | |
| Andreia Fetter | ... | Juan's Wife III | |
| Ana Jansen | ... | Juan's Wife II | |
| Renata Leão | ... | English Student | |
| Pedro Neme | ... | Priest | |
| Lúcia Paiva | ... | Juan's Wife I | |
| Sandra Prazeres | ... | English Student | |
| Regina Sampaio | ... | Law Office Receptionist | |
| Erik Svane | ... | U.S. Consulate official | |
| Cristina Tozzi | ... | Hospital Receptionist | |
Directed by | |||
| Bruno Barreto | |||
Writing credits(in alphabetical order) | ||
| Alexandre Machado | ||
| Sérgio Sant'Anna | story "A Senhorita Simpson" | |
| Fernanda Young | ||
Produced by | |||
| Bruno Barreto | .... | executive producer | |
| Lucy Barreto | .... | producer | |
| Luiz Carlos Barreto | .... | producer | |
| Marcelo Santiago | .... | associate producer | |
| Jaime A. Schwartz | .... | associate producer (as Tuinho Schwartz) | |
| Patricia Zerbinatto | .... | assistant producer | |
Original Music by | |||
| Eumir Deodato | |||
Cinematography by | |||
| Pascal Rabaud | |||
Film Editing by | |||
| Ray Hubley | |||
Casting by | |||
| Marcela Altberg | |||
| Sheila Jaffe | |||
| Georgianne Walken | |||
Art Direction by | |||
| Cassio Amarante | |||
| Carla Caffé | |||
Costume Design by | |||
| Emilia Duncan | |||
Makeup Department | |||
| Chris Bastos | .... | makeup assistant (as Christiane Bastos) | |
| Aloysio Lili Ferraz | .... | makeup artist | |
| Therezinha Nunes | .... | makeup artist: extras | |
Production Management | |||
| René Bittencourt | .... | production manager | |
| JoAnn M. Laub | .... | post-production supervisor | |
Art Department | |||
| Shannon Robert Bowen | .... | art production assistant: New York | |
| Mônica Costa | .... | set dresser | |
| Cris Lobato | .... | assistant set dresser | |
| Sé Luca | .... | assistant set dresser | |
| Monica Rochlin | .... | set dresser | |
| Wagner Tavares | .... | property master | |
Sound Department | |||
| Marina Adam | .... | foley assistant | |
| Felix Andrew | .... | sound mixer | |
| Miriam Biderman | .... | adr supervisor: Rio | |
| Stuart Deutsch | .... | boom operator | |
| Rômulo Drummond | .... | assistant boom operator | |
| Mick Gormaley | .... | assistant sound editor | |
| Dan Korintus | .... | sound editor | |
| Brian Langman | .... | sound editor | |
| Tony Martinez | .... | sound editor | |
| Eliza Paley | .... | supervising sound editor | |
| Donna Powell | .... | foley supervisor | |
| Ian Rankin | .... | foley recordist | |
| Reilly Steele | .... | sound re-recording engineer | |
| Jeffrey Stern | .... | supervising sound editor | |
| Luke Thorpe | .... | apprentice sound editor | |
| Daniel Uriartt | .... | adr recordist: Rio | |
| Mark A. Van Der Willigen | .... | production sound mixer (uncredited) | |
Visual Effects by | |||
| Matt McDonald | .... | digital compositor | |
Camera and Electrical Department | |||
| Roberto Faissal Jr. | .... | underwater camera operator | |
| Anne Pinheiro Guimarães | .... | video assist operator | |
| Gustavo Hadba | .... | Steadicam operator | |
| Gustavo Hadba | .... | camera operator | |
| Jubel Magalháes | .... | gaffer | |
| Jubel Magrão | .... | electrician | |
| Rodrigo Monte | .... | second assistant camera | |
| Philippe Piron | .... | first assistant camera | |
| Fabián Silbert | .... | first assistant camera | |
| Pierre Vianna | .... | second assistant camera | |
Casting Department | |||
| Julia Kim | .... | casting assistant: New York | |
Costume and Wardrobe Department | |||
| Marta Carvalho | .... | costume supervisor | |
| Ilma da Costa Santos | .... | wardrobe supervisor | |
| Reka Koves | .... | costume assistant | |
| Patricia Monteiro | .... | costume assistant | |
| Ana Rosa | .... | wardrobe supervisor | |
| Ana Rosa | .... | wardrobe supervisor | |
Editorial Department | |||
| Vera Bizinover | .... | post-production assistant | |
| Nick Dibeneditto | .... | negative cutter (as Nick di Benedetto) | |
| Fred Heid | .... | color timer | |
| Matt Mayer | .... | first assistant editor | |
| Carrie Puchkoff | .... | assistant editor | |
| David O. Rogers | .... | second assistant editor | |
| Renato Schvartz | .... | first assistant editor: Rio | |
Music Department | |||
| Nicholas Meyers | .... | music editor (as Nick Meyers) | |
| Nicholas Meyers | .... | music supervisor (as Nick Meyers) | |
| Alan Palanker | .... | music contractor | |
Other crew | |||
| Karen Balbi | .... | assistant: Amy Ivring | |
| Randall Balsmeyer | .... | title designer | |
| Johnny Catrolli | .... | location manager | |
| Johnny Catrolli | .... | set manager | |
| Marcelo Eloy | .... | production assistant | |
| Barbara Harrington | .... | dialogue coach | |
| Fernanda Luz | .... | script supervisor | |
| Cristina Mattos | .... | assistant: Bruno Barreto | |
| Stephanie Wolf | .... | post-production accountant | |
Thanks | |||
| Antonio Carlos Jobim | .... | dedicatee | |
| Sergio Mendes | .... | special thanks | |
| François Truffaut | .... | dedicatee | |
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| Bend It Like Beckham | The Taste of Others | The Social Network | Love Actually | Heaven |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Brazil section |
Most Brazilians complain that Brazilian movies only show the poverty and the arid landscapes of Northeast Brazil. I particularly think that we shouldn't conceal the sad reality of so many places in Brazil, and films like "Central Station" and "City of God" are brilliant in their own right. But we can't deny that there should be more Brazilian movies out there showing all the beauty from this country, and "Bossa Nova" is one of those rare movies.
Director Bruno Barreto ("Dona Flor and Her Two Husbands") doesn't try to start a socio-political speech here. He cast his own wife Amy Irving as a charming American lady who teaches English in Rio, and falls in love with one of her students, a lawyer played by mature leading man Antonio Fagundes. Barreto's intention was to make a romantic comedy in Rio de Janeiro, dedicated to/inspired by Tom Jobim and François Truffaut. Not an art-house flick, not an Oscar movie. Just an enjoyable love story with great music and beautiful landscapes. And he succeeded. Far from being a masterpiece, "Bossa Nova" is a lovely film that should be seen by anyone who'd like to spend some pleasant 95 minutes, watching a not so popular (at least, not as it should be) side of this unique country. 7.5/10.