Bossa Nova (2000)

Director:

Bruno Barreto

Writers:

Alexandre Machado (writer)
Sérgio Sant'Anna (story)

Release Date:

31 March 2000 (Brazil)

Genre:

Comedy | Romance | Drama

Tagline:

The difference between "amor" and "love".

Plot:

Rio lawyer Pedro Paulo is recently separated from his travel agent wife Tania. His office has taken on an energetic new intern...

Plot Keywords:

Internet | Teacher | Soccer | Fantasy Sequence | Rio De Janeiro Brazil

Awards:

3 nominations

Cast

Amy Irving	...	Mary Ann Simpson
Antônio Fagundes	...	Pedro Paulo
Alexandre Borges	...	Acácio
Débora Bloch	...	Tânia
Drica Moraes	...	Nadine
Giovanna Antonelli	...	Sharon
Rogério Cardoso	...	Vermont
Sérgio Loroza	...	Gordo
Flávio São Thiago	...	Peçanha
Alberto de Mendoza	...	Juan
Pedro Cardoso	...	Roberto
Stephen Tobolowsky	...	Trevor
Kazuo Matsui	...	Wan-Kim-Lau
Cássia Linhares	...	Reporter
Kate Lyra	...	English School Receptionist

Also Known As:

Miss Simpson (Brazil) (working title)

MPAA:

Rated R for language and some sexual content.

Runtime:

95 min

Country:

Brazil | USA

Language:

Portuguese | English | French | Spanish

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

Malaysia:18SX (uncut version) | Malaysia:U (cut version) | Argentina:Atp | Chile:TE | France:U | Germany:o.Al. | Norway:A | Spain:13 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15 | USA:R | Iceland:L

Filming Locations:

Rio de Janeiro, Rio de Janeiro, Brazil

Company:

Columbia Pictures Television

Soundtrack:

No More Blues

Pretty pictures, interesting soundtrack, but not much else.

"Bossa Nova" has lots of great shots of Rio de Janerio, and lots of pretty actors, and a soundtrack that combines old and new bossa nova tunes. Unfortunately that's about all it has going for it.

The film is about the romance between an American woman who teaches English to the wealthy and her corporate lawyer student who bears a striking resemblance to Marcello Mastroianni. Both of them are supposed to be in their early to mid-forties.

The age aspect is one problem I have with this film. I'm not against middle-age romance on film, but it's just so obvious that Antonio Fagundes is closer to fifty.

Another problem I have is with Amy Irving's acting skills. At times, it's obvious she's reading straight off a cue card. Good actors never let us see them working.

But the biggest complaint I have about this film is the plot, or rather the lack thereof. The film is filled with lots of confusing little subplots, some of which never resolve themselves. This, I guess, is to distract the audience from the fact that the main plot is so threadbare.

Many American critics have praised this film. This is largely, I believe, because it is not an American film and was not bankrolled by a major Hollywood studio. However, I always use the same barometer to judge a film, regardless of its origin or pedigree. I give this film the same criticism I would give to a film such as "How Stella Got Her Groove Back" or "The Horse Whisperer": It's beautiful to look at, but once you get past the scenery and the actors' looks, there's not much left. I give this film a 6 out of 10.