In 1920s Ireland, an elderly couple reside over a tired country estate. Living with them are their high-spirited niece, their Oxford student nephew, and married house guests, who are trying... See full summary »
1935. A group of elderly British women, who the Italians have named the Scorpioni, have chosen Italy, specifically Florence, as a place to live to blend their proper British sensibilities ... See full summary »
A bachelor afraid of marriage angers his long-time girlfriend by buying a splendid townhouse just for himself, only to find it haunted by the ghosts of a famous theatrical couple, who teach... See full summary »
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Jennifer Jason Leigh,
Feature-length drama about the mystery of Sandringham Company, which disappeared in action at Gallipoli in 1915. Commanded by Captain Frank Beck, their estate manager, the men advanced into... See full summary »
A haunting ghost story spanning two worlds, two centuries apart. When 13 year old Tolly finds he can mysteriously travel between the two, he begins an adventure that unlocks family secrets laid buried for generations.
Bev is a downtrodden housewife who's failed her driving test eight times, having only been instructed by her impatient husband Ian. After registering with a driving school, she develops a crush on her instructor, Chris.
In 1920s Ireland, an elderly couple reside over a tired country estate. Living with them are their high-spirited niece, their Oxford student nephew, and married house guests, who are trying to cover up that they are presently homeless. The niece enjoys romantic frolics with a soldier and a hidden guerrilla fighter. All of the principals are thrown into turmoil when one more guest arrives with considerable wit and unwanted advice. Written by
John Sacksteder <firstname.lastname@example.org>
A worthwhile filmic interpretation of a topic that is so not widely-known outside of Britain and Eire.
Absorbing screen play. Not easy, not especially familiar to many of us but extremely thought-provoking, given the Anglo-Irish theme and the time in which the film is set. An excellent cast led by the magnificent Maggie Smith who simply oozes condescension, snobbery, class-ism and caste-ism, while displaying genuine affection for 'her own kind of people'. The setting of faded yet comfortable gentility is just right and the inclusion of down-on-their-luck relatives rings true also. Keely Hawes creates the right air of fragility, self-absorption and feyness. Her scenes with the admirable Fiona Shaw are powerful and reflect her dawning sense of self and of a desperation to escape, as the story unfolds. And David Tennant? Heartbreakingly real as the young would-be lover and army officer. What a very fine actor he is, despite a rather anaemic and quite unnecessary moustache. So good too to see the excellent Richard Roxburgh, playing Tennant's best pal in the army.
In summary, a film that is worth making the effort to see and to mull over. An auspicious beginning for Deborah Warner.
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