| Kim Bodnia | ... | Harald | |
| Dejan Cukic | ... | Arvid | |
| Nikolaj Lie Kaas | ... | Martin | |
| Tomas Villum Jensen | ... | Peter | |
| Peter Gantzler | ... | Franz | |
| Trine Dyrholm | ... | Hanne | |
| Line Kruse | ... | Astrid | |
| Brian Patterson | ... | Vuk | |
| Søren Sætter-Lassen | ... | Henning (as Søren Sætter Lassen) | |
| Lester Wiese | ... | Richard | |
| Jesper Christensen | ... | Bartender | |
| Lasse Lunderskov | ... | Jørgen | |
| Preben Harris | ... | Erling | |
| Slavko Labovic | ... | Ratko | |
| Zarko Labovic | ... | Onkel (Uncle) | |
| Vasilije Bojicic | ... | Onkel (Uncle) | |
| Vojkan Fatic | ... | Onkel (Uncle) | |
| Nikola Labovic | ... | Onkel (Uncle) | |
| Milutin Garevic | ... | Onkel (Uncle) | |
| Anna-Britt Mathiasen | ... | Gunna (as Anna Britt Mathiassen) | |
| Martin Spang Olsen | ... | Preben | |
| Red Warszawa | ... | Rockband (Rock band) | |
| Niels Brinch | ... | Interviewer | |
| Emil Øigaard | ... | Vagt 1 (Guard 1) | |
| Erik Holmey | ... | Vagt 2 (Guard 2) | |
| B.S. Christiansen | ... | Betjent 1 (Police officer 1) | |
| Jonas Schmidt | ... | Betjent 2 (Police officer 2) | |
| Jesper Find | ... | Astrids nabo (Astrid's neighbour) | |
| Christina Birksø | ... | Ung pige i bank (Young girl in bank) | |
| rest of cast listed alphabetically: | |||
| Vanja Bajicic | ... | Onkel (Uncle) | |
Directed by | |||
| Lasse Spang Olsen | |||
Writing credits | ||
| Anders Thomas Jensen | (screenplay) | |
Produced by | |||
| Michael Brask | .... | executive producer | |
| Steen Herdel | .... | producer | |
Original Music by | |||
| George Keller | |||
Cinematography by | |||
| Morten Søborg | |||
Film Editing by | |||
| Lasse Spang Olsen | |||
Production Design by | |||
| Robert Grant | |||
Set Decoration by | |||
| Bent E. | |||
Makeup Department | |||
| Charlotte Laustsen | .... | makeup artist | |
Production Management | |||
| Elise Lund Larsen | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ian Kroch | .... | assistant director | |
Art Department | |||
| Jacob Stig Olsson | .... | property master (as Jakob Stig Olsson) | |
| Tobias Tømming | .... | property master | |
Sound Department | |||
| Rolf Auhagen | .... | dialogue editor | |
| Benni Christiansen | .... | sound mixer | |
| Brian Christiansen | .... | sound mixer | |
| Morten Degnbol | .... | sound | |
| Lars Lund | .... | sound assistant | |
| Diresh Mirchandani | .... | sound editor | |
| Clive Taylor | .... | sound designer: Power Post | |
Special Effects by | |||
| Lars Andersen | .... | special effects technician (as Lars Kolding Andersen) | |
| Kim Blidorf | .... | special effects runner (as Kim Petersen) | |
| Hummer Høimark | .... | special effects coordinator: Dansk Special Effekt Service | |
| Ilja Jonbak Nielsen | .... | special effects assistant (as Ilja Jon Bak Nielsen) | |
Visual Effects by | |||
| Steen Lyders Hansen | .... | Inferno artist | |
| Andreas Rostock | .... | Inferno artist | |
| Martin Wells | .... | digital grader: Philips Spirit Datacine, The Warehouse A/S | |
Stunts | |||
| Michael Einspor | .... | stunt props: Einspor MC-produktion | |
| Terry Forrestal | .... | stunts | |
| Steen Herdel | .... | stunts | |
| Ole Jensen | .... | stunt props | |
| Lasse Spang Olsen | .... | stunt coordinator | |
| Lasse Spang Olsen | .... | stunts | |
Camera and Electrical Department | |||
| Anders Askegaard | .... | still photographer | |
| Jesper Find | .... | assistant camera | |
| Hans Jacob Hansen | .... | lighting assistant | |
| Thomas Neivelt | .... | lighting supervisor | |
| Ricki Rasmussen | .... | clapper loader (as Ricki Bering Rasmussen) | |
| Otto Stenov | .... | lighting supervisor | |
| Jesper With | .... | lighting technician | |
Costume and Wardrobe Department | |||
| Eva Nauman | .... | costumer | |
Editorial Department | |||
| Jesper Andersen | .... | post-production coordinator | |
| Tómas Gislason | .... | teaser trailer editor | |
| Christell Moe | .... | post-production coordinator: Digital Film Lab | |
| Lasse Spang Olsen | .... | teaser trailer editor | |
Other crew | |||
| Mark Andersen | .... | runner | |
| Pernille Thorup Andersen | .... | production assistant | |
| Thomas Bue Schultz | .... | film recordist: The Warehouse | |
| B.S. Christiansen | .... | weapons coordinator | |
| Stine Monty Freddie | .... | script supervisor | |
| Niels Frederik | .... | chef: Restaurant F | |
| Lothar Friis | .... | weapons coordinator | |
| Hans Ib Noe Hansen | .... | on-line technician | |
| Martin Hansen | .... | production assistant | |
| Camilla Hjersing | .... | runner | |
| P.K. Jensen | .... | weapons coordinator | |
| Mogens Kløvedal | .... | consultant: TV2 | |
| Jakob Larsen | .... | runner | |
| Thomas Ravn | .... | location scout | |
| Matthias Kromann Rode | .... | runner | |
| Sille Rebekka Tikøb | .... | production assistant (as Sille Tikjøb) | |
Thanks | |||
| Tómas Gislason | .... | thanks | |
| Søren Hvestendal | .... | thanks: Vejafdelingens Forvaltningskontor | |
| Birger Møller Jensen | .... | thanks | |
| Erik Klenum | .... | thanks: DS Industrien | |
| Jan Krogsgård | .... | thanks | |
| Per Falk Larsen | .... | thanks: Vejafdelingens Forvaltningskontor | |
| Nikoline Hede Madsen | .... | thanks | |
| Eddie Simonsen | .... | thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Based on a true story? | knattlhuber |
| Funniest quote... | RedOut |
| question | anton_aus_tirol7 |
| Question about the Song at the beginning | skembo |
| Remake? | MrHenry |
| Re-Cast this movie | Loui0341 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Denmark section |
I have seen both IN CHINA THEY EAT DOGS and it's prequel, OLD MEN IN NEW CARS, and I have to say that this is the best of them. Where OLD MEN is a little more formulaic and recognizable as an average crime comedy, CHINA has fantastically bizarre elements that surprise and alarm. It's amazing how comical death can be if handled in the right way.
The film does bring up genuinely philosophical questions of right and wrong that, in my household, spurred interesting discussions about morality vs. social norm.
By the end of the film you most likely will be thinking about the same things and hoping that in your last hours you too will be able to avoid the men in the funny pants.