An aimless young man who is scalping tickets, gambling and drinking, agrees to coach a Little League team from the Cabrini Green housing project in Chicago as a condition of getting a loan from a friend.
Up-and-coming sports reporter rescues a homeless man ("Champ") only to discover that he is, in fact, a boxing legend believed to have passed away. What begins as an opportunity to resurrect Champ's story and escape the shadow of his father's success becomes a personal journey as the ambitious reporter reexamines his own life and his relationship with his family.
Samuel L. Jackson,
Bright, well-educated, handsome Conor O'Neill's promising future was wrecked by his gambling addiction, which dragged him into heavy drinking and petty crime, but worst of all, the stifling grip of loan-shark bookies. Desperate for a loan, he accepts to stand in for lawyer friend Jimmy Fleming as coach of a Chicago black 'projects' ghetto Little League baseball team. His sense of pride, becoming the boys' sole idol, and competition, plus their attractive teacher, motivate Conor. But the crushing loan problem rather requires leaving town. Written by
In the "regotiation scene" with G-Baby, only G-Baby and Conor are in the dugout. It then cuts in showing the Kekambas batting. If this were the case, most of the team would be seated in the dugout. Since the dugout only had Conor and G-Baby in it, the rest of the team would be playing defense out in the field. See more »
Raymond 'Ray Ray' Bennet 's mother:
Miss Wilkes said she had a good feeling about you.
Miss Wilkes said that?
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It never ceases to amaze me how people can have such widely differing *strong* reactions to a film. A number of negative reviews here, but let me add one more positive.
I loved this film, from beginning to end. I loved every aspect of it: the story, the acting, the plot. I expected just another "Coach takes over losing team and makes them winners" story. Those are fine stories now and then, and I was not expecting anything more than mild entertainment. But this film moved me. Now, I'm a middle-aged white boy, and while I've never been rich I've never gone hungry either, and I've never had to worry about getting shot on the way home, so maybe I don't really know what that "sh*t" is all about and maybe this film wasn't "realistic" in portraying all that; but it communicated to me, and that's what any film is all about. And sometimes in order to communicate, you have to go half way between where you are and where the other person is, and maybe that's what this film did. But whatever, I got it.
40 of 45 people found this review helpful.
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