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The Weekend (1999)
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Overview
User Rating:
Your Rating:
Director:
Writers:
Release Date:
20 August 1999 (Italy)
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Tagline:
There's no future in holding on to the past.
Plot Keywords:
Awards:
1 win
&
1 nomination
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NewsDesk:
Gary Dourdan Pleads Guilty to Possession of Cocaine, Ecstasy
(From PEOPLE.com. 28 May 2008, 9:10 AM, PDT)
(From PEOPLE.com. 28 May 2008, 9:10 AM, PDT)
User Reviews:
This is another movie about letting go of the past...
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Cast
(in credits order) | Gena Rowlands | ... | Laura Ponti |
 | Deborah Kara Unger | ... | Marian Kerr |
 | Brooke Shields | ... | Nina |
 | Jared Harris | ... | John Kerr |
 | David Conrad | ... | Lyle |
 | James Duval | ... | Robert |
 | D.B. Sweeney | ... | Tony |
 | Gary Dourdan | ... | Thierry |
| rest of cast listed alphabetically: | |||
 | Jessica Morris | ... | Sarah |
Directed by | |||
| Brian Skeet | |||
Writing credits(in alphabetical order) | ||
| Peter Cameron | novel | |
| Brian Skeet | writer | |
Original Music by | |||
| Sarah Class | |||
| Dan Jones | |||
Cinematography by | |||
| Ron Fortunato | |||
Film Editing by | |||
| Chris Wyatt | |||
Production Design by | |||
| Bob Shaw | |||
Art Direction by | |||
| Will Carlough | |||
Set Decoration by | |||
| Jacqueline Jacobson Scarfo | (as Jacqueline Jacobson) | ||
Costume Design by | |||
| Edi Giguere | |||
Makeup Department | |||
| Mia Thoen | .... | key makeup artist | |
Production Management | |||
| Alexis Arnold | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Jude Gorjanc | .... | first assistant director | |
| Darren Stamford | .... | assistant director | |
Art Department | |||
| Will Carlough | .... | art department | |
| Autumn Jones | .... | scenic artist | |
| Jeff Naparstek | .... | lead man | |
| Peter Regnier | .... | set dresser | |
| Scott Rosenstein | .... | art production assistant | |
Sound Department | |||
| Thomas Varga | .... | sound mixer | |
| Karl Wasserman | .... | boom operator | |
| Aad Wirtz | .... | sound re-recording mixer | |
Visual Effects by | |||
| Zoe Cain | .... | optical line-up | |
| Alan Church | .... | digital effects supervisor | |
| Sally Clayton | .... | effects compositor | |
| Simon Giles | .... | visual effects producer | |
| Trevor Young | .... | production coordinator: The Film Factory at VTR | |
Camera and Electrical Department | |||
| Brad Heiner | .... | dolly grip | |
| Gregory F. Johnson | .... | best boy | |
| Chaim Kantor | .... | camera operator | |
| Thomas Landi | .... | gaffer | |
| Angie Loving | .... | first assistant camera | |
Casting Department | |||
| Winsome Sinclair | .... | extras casting | |
Costume and Wardrobe Department | |||
| Lawrence Tarzy | .... | wardrobe supervisor | |
| Kim Wilcox | .... | assistant costume designer | |
Music Department | |||
| Martin Astle | .... | music mixer | |
| Martin Astle | .... | music recordist | |
| Christopher Austin | .... | conductor | |
| Christopher Austin | .... | orchestrator | |
| Oliver Ledbury | .... | orchestrator (uncredited) | |
Other crew | |||
| Chris Bagnall | .... | location liaison | |
| Heath Jacob Baldwin | .... | additional office production assistant: New York | |
| Laura Berning | .... | location manager | |
| Iris Braydon | .... | stand-in (as Iris Alten) | |
| Laurie Gershon | .... | product placement/clearances | |
| Simon Giles | .... | title designer | |
| Meg Mullen | .... | production assistant | |
| Sandrine Muller | .... | script supervisor | |
| Bill Shephard | .... | head of production | |
Production CompaniesDistributors
- Granada Films
- Strand Releasing (2000) (USA)
- Film Finances completion guarantor
- Sapex Scripts post-production script services
Additional Details
Also Known As:
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Parents Guide:
Runtime:
97 min
Language:
Color:
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Company:
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Now there's a reason filmmakers keep making movies about this theme. There's a lot to say about it. The Weekend takes its time in revealing these relationships to us and illuminating the ways in which these people grieve. How and when to move on from a paralyzing loss? A dinner guest barges in on a delicately danced minuet of grief, and rattles some things loose. It's subtly written and acted, and the filming is beautiful. Gena Rowlands is masterful. You can't take your eyes off Deborah Kara Unger. All the other actors are wonderful. There are no car chases. I loved it.