| Photos (see all 4 | slideshow) | Videos |
| Jeanie Drynan | ... | Patsy | |
| Linal Haft | ... | Vic | |
| Russell Dykstra | ... | Bo | |
| Geneviève Lemon | ... | Josie | |
| Sacha Horler | ... | Nadia | |
| Alicia Talbot | ... | Vera | |
| Dion Bilios | ... | Bud | |
| Gezelle Byrnes | ... | Elly | |
| Jordan Frankland | ... | Thomas | |
| Cheyenne Dobbs | ... | Gertie | |
| Marin Mimica | ... | Swifty | |
| Glenn Butcher | ... | Tony | |
| Terry Weaver | ... | Podge | |
| Trevor Mills | ... | Smudge | |
| Barry Evans | ... | Bikie 1 | |
| Andrew Hunter | ... | Bikie 2 | |
| Walter Grkovic | ... | Janitor | |
| Pat Bishop | ... | Nursing Sister | |
| Martin Grelis | ... | Policeman 1 | |
| Graham Rouse | ... | Father Purcell | |
| Brendan Hill | ... | Mourner | |
| rest of cast listed alphabetically: | |||
| Geoff Milton | ... | Farmer | |
| Mary Milton | ... | Sister Stanislaus | |
| Ron O'Neill | ... | Policeman #2 | |
Directed by | |||
| Christina Andreef | |||
Writing credits | ||
| Christina Andreef | (written by) | |
Produced by | |||
| Helen Bowden | .... | producer | |
| Jane Campion | .... | executive producer | |
Original Music by | |||
| Antony Partos | |||
Cinematography by | |||
| László Baranyai | |||
Film Editing by | |||
| Jane Moran | |||
Casting by | |||
| Alison Barrett | |||
| Nikki Barrett | |||
Production Design by | |||
| Sarah Stollman | |||
Art Direction by | |||
| Paul Heath | |||
Set Decoration by | |||
| Glen W. Johnson | |||
Costume Design by | |||
| Jane Holland | |||
Makeup Department | |||
| Mary Georgiou | .... | assistant hair stylist | |
| Mary Georgiou | .... | assistant makeup artist | |
| Trish Glover | .... | hair styles supervisor | |
| Trish Glover | .... | makeup supervisor | |
| Sherry Hubbard | .... | hair stylist | |
| Sherry Hubbard | .... | makeup artist | |
Production Management | |||
| Sandra Alexander | .... | production manager | |
| Troy Clarke | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Jeremy Grogan | .... | third assistant director | |
| Tom Read | .... | second assistant director | |
| Charles Rotherham | .... | first assistant director | |
Art Department | |||
| Christina Díaz Norman | .... | art department coordinator (as Christina Norman) | |
| William Goodes | .... | art department runner | |
| Manik Kulig | .... | assistant stand-by props | |
| Sara Mathers | .... | props buyer | |
| Leroy Plummer | .... | stand-by props | |
| Theo Serradilla | .... | assistant stand-by props | |
| Michael Smale | .... | art department assistant | |
| Brock Sykes | .... | greensman | |
Sound Department | |||
| Yulia Akerholt | .... | sound editor: atmosphere | |
| Anne Breslin | .... | dialogue editor (as Annie Breslin) | |
| Luke Dunn Gielmuda | .... | sound | |
| Paul Finlay | .... | sound | |
| Alicia Gleeson | .... | assistant dialogue editor | |
| Nicole Lazaroff | .... | boom operator | |
| Justin McMahon | .... | sound assistant | |
| Linda Murdoch | .... | dialogue editor | |
| Sam Petty | .... | sound designer | |
| John Simpson | .... | foley artist | |
| Robert Sullivan | .... | sound mixer | |
| Michael Thompson | .... | adr recordist | |
Special Effects by | |||
| Dan Oliver | .... | special effects technician | |
Stunts | |||
| Spike Cherrie | .... | fight coordinator (as Spike Cherry) | |
| Glenn Ruehland | .... | fight coordinator | |
Camera and Electrical Department | |||
| Phil Balsdon | .... | steadicam operator | |
| Ian Benallack | .... | key grip | |
| Dugal Campbell | .... | clapper loader | |
| Jasmine Yuen Carrucan | .... | assistant camera | |
| Kiren Chang | .... | still photographer | |
| Sally Eccleston | .... | first assistant camera | |
| Sally Eccleston | .... | focus puller | |
| Adam Hunter | .... | best boy | |
| David Knight | .... | steadicam operator | |
| Arthur Manousakis | .... | assistant grip | |
| Travis McGee | .... | electrician | |
| Robbie Young | .... | gaffer | |
Casting Department | |||
| Mim Weger | .... | extras casting | |
Costume and Wardrobe Department | |||
| Emma Aubin | .... | costume supervisor | |
| Mandy Sedawie | .... | stand-by costume | |
Editorial Department | |||
| Kirsty Bruce | .... | assistant editor | |
| Arthur Cambridge | .... | color grader | |
| Cleo Myles | .... | assistant editor | |
| Chris Rowell | .... | negative cutter | |
| Adrienne Shaw | .... | assistant editor | |
| Alison Wheeler | .... | assistant editor | |
Music Department | |||
| Andrew Lancaster | .... | music producer | |
| Simon Leadley | .... | music mixer | |
| Jason Lea | .... | music engineer | |
Other crew | |||
| Tony Ayres | .... | script editor | |
| Dianne Brown | .... | production accountant | |
| Kira Carden | .... | assistant to director | |
| Damian Eggins | .... | unit assistant | |
| Jonathan Falkner | .... | production runner | |
| Tara Grimshaw | .... | production runner | |
| Rhonda Hall | .... | animal wrangler | |
| Ken Jones | .... | armorer | |
| Andrea Moore | .... | coach: Ms Talbot (as Andrea Moor) | |
| Annelies Norland | .... | location manager | |
| Simone O'Halloran | .... | production secretary | |
| Greg Refeld | .... | unit assistant | |
| Joan Scheckel | .... | script editor | |
| Sandy Stevens | .... | production coordinator | |
| Don Tanner | .... | projectionist | |
| Jo Weeks | .... | script supervisor | |
| Denise Wolfson | .... | lab liaison | |
Thanks | |||
| Philippa Bateman | .... | special thanks | |
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| Good Luck Chuck | Flannel Pajamas | Edvard Munch | City of Shoulders and Noses | Across the Universe |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Australia section | Add this title to MyMovies |
An exceedingly human film of humor, love and life. I saw it for the first time today and want to see it again right now. I usually like Australian film, when it's not melodramatic, and this film is admirable that it doesn't sink to the horrible depths other films might - given the subject matter - to grab you with it's realism. Another user commented that it was good to see the women in this film that weren't wafer thin, and I would have to agree wholeheartedly! It's a refreshing departure, given the typical Hollywood fare. As is this film, I would recommend it without hesitation!