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1-20 of 269 items from 2010 « Prev | Next »
Top Ten Movies of 2010
29 December 2010 8:55 AM, PST | Rope of Silicon | See recent Rope Of Silicon news »
Top Ten Movies of 2010
I feel as if 2010 marked a turning point in movies. Sure, we had our share of blockbusters with Alice in Wonderland crossing $1 billion worldwide and Iron Man 2 and The Twilight Saga: Eclipse joining it as the three lone live-action films to cross $300 million. However, after Inception and Harry Potter and the Deathly Hallows Part 1, the only other films to cross the $200 million mark domestically were animated features -- Toy Story 3, Despicable Me, Shrek Forever After and How to Train Your Dragon. What does that say about this year's crop of films?
Well, first off, I think we all know a film doesn't need to make over $200 million at the box-office for it to be deemed "good." And this year it wasn't as much about the big blockbuster films as much as it was about the little guy that could, and smaller, indie films hit quite a stride. »
- Brad Brevet
Visual Linguist: A Darren Aronofsky Profile (Part 1)
29 December 2010 1:57 AM, PST | Flickeringmyth | See recent Flickeringmyth news »
With his latest feature Black Swan currently on release in North America, Trevor Hogg profiles the career of filmmaker Darren Aronofsky in the first of a two-part feature...
“When I was a kid, me and my sister and friends used to put on these little shows,” recalled American moviemaker Darren Aronofsky, the son of two school teachers. “We used to put on records and lip-sync or dance to them. We’d invite the parents up and during this one show, I’ll never forget, I turned off the lights and… had the spotlight [a big flashlight] on my sister dancing to some music… And my Dad screamed at me, ‘Turn on the lights!’ What I learned from that is that if it gets in the way of the performance, then don’t do it.” Along with a fascination with black and white photography, the young Brooklyn native found himself drawn to a controversial »
- flickeringmyth
Sound On Sight’s Best Films of 2010 part 4
29 December 2010 12:48 AM, PST | SoundOnSight | See recent SoundOnSight news »
#1 – Black Swan
Directed by Darren Aronofsky
Darren Aronofsky does not have a medium setting. However one might feel about any of this films – from the agitated anti-drug parable Requiem for a Dream to the time-bending metaphysical sci-fi mini-epic The Fountain to working-man’s tragedy The Wrestler – it’s difficult to argue that he holds back in any respect. Black Swan acts as a sort of greatest-hits of Aronofsky’s past pet themes – contorted bodies (Requiem), pathological obsession (Pi), and the transformational/destructive properties of the performing arts (Wrestler), but in execution it takes a bold leap in a different direction, throwing caution to the wind and delivering an over-the-top, consistently heightened, and gloriously insane film that isn’t afraid to skirt with the ridiculous in order to engage with its high-art millieu and troubled central figure.
Both a deeply Freudian melodrama and a body-horror nightmare, Black Swan is anything but subtle. »
- Ricky
Best Films of 2010 #1 – ‘Black Swan’
25 December 2010 4:19 PM, PST | SoundOnSight | See recent SoundOnSight news »
Directed by Darren Aronofsky
Written by Darren Aronofsky
2010, USA
Darren Aronofsky does not have a medium setting. However one might feel about any of this films – from the agitated anti-drug parable Requiem for a Dream to the time-bending metaphysical sci-fi mini-epic The Fountain to working-man’s tragedy The Wrestler – it’s difficult to argue that he holds back in any respect. Black Swan acts as a sort of greatest-hits of Aronofsky’s past pet themes – contorted bodies (Requiem), pathological obsession (Pi), and the transformational/destructive properties of the performing arts (Wrestler), but in execution it takes a bold leap in a different direction, throwing caution to the wind and delivering an over-the-top, consistently heightened, and gloriously insane film that isn’t afraid to skirt with the ridiculous in order to engage with its high-art millieu and troubled central figure.
That figure is Nina (Natalie Portman), a ballerina working under the sometimes-lecherous, »
- Ricky
Our Complete 2010 Christmas Weekend Movie Guide + Reviews
24 December 2010 7:37 PM, PST | firstshowing.net | See recent FirstShowing.net news »
Following the success of our various Thanksgiving and Christmas Movie Guides, our resident San Francisco contributor, Marco Cerritos, has once again put together another movie guide for Christmas 2010, giving a quick recap and rundown of what's playing and what's worth seeing (or skipping). Marco has seen almost everything out there, and while you may not always agree with him, he provides the greatest reviews he can to make it just a bit easier for you to choose. This year in particular there is a very strong selection of films currently playing in theaters, so if you're still struggling to figure out what to watch then look no further! This is an alphabetized list containing 11 films that, as of today, are playing in most theaters nationwide. Black Swan Marco's Rating: A Directed by: Darren Aronofsky (Requiem for a Dream, The Fountain, The Wrestler) Starring: Natalie Portman, Mila Kunis, Vincent Cassel Rated: »
- Marco Cerritos
K's film retrospective; the best ten of 2010
23 December 2010 1:00 AM, PST | Twitch | See recent Twitch news »
Getting into the swing of things, I have noticed my fellow colleagues are posting their best, worst and other assortments of lists. I will keep mine straight and to the point, and have chosen ten films I have seen this year, that have for different reasons had a profound impact on myself personally and/or the way I view cinema as a medium and as an art. I hope you enjoy the list and more to the point hope you see these films, to see what I am raving about!
Gaspar Noe's seminal, (both literally in terms of semen and relating to his work) Enter The Void is an epic mind fuck. It is the simple story of two siblings, one of them dies in Tokyo right near the beginning of the film and then... his body freely floats through the neon nightmare, delving »
Best Of 2010: Comic Book Movie/TV News, Rumors, And Swag!
22 December 2010 2:15 PM, PST | MTV Splash Page | See recent MTV Splash Page news »
We're wrapping up our look back at the Best Of 2010 from the worlds of comics, comic book movies and television today, and this time around we're turning our attention to the industry-shaking news, crazy rumors, and awesome promotional swag that crossed Splash Page HQ this year.
We already gave you the year's best comic books, webcomics, and graphic novels, as well as our picks for the best comic book movies and television series in 2010, but these are the stories — and other stuff — that had everyone talking around the ol' newsdesk.
Best Of 2010: Comic Book Movies/TV News, Rumors, Etc
Best Adaptation News
Darren Aronofsky directing "The Wolverine"
We're living in a time where awesome comic book movies are the norm, not the exception. "X-Men Origins: Wolverine," sadly, didn't satisfy that rule. But we're much more optimistic about the kinda-sorta sequel "The Wolverine" thanks to director Darren Aronofsky's involvement. »
- Splash Page Team
Natalie Portman and Mila Kunis Get Sexy in Black Swan Lesbian Clip
20 December 2010 | Horror Asylum | See recent Horror Asylum news »
Darren Aronofsky' 'Black Swan' may have been riding the seal of approval from film fans and critics alike across the Us this month. However, sadly for us little old fellas over in jolly old England we're still waiting for it. And it won't see the light of day here until 21 January 2011. But Aranofsky ('The Wrestler', 'The Fountain', 'Requiem for a Dream') fans fear not as Joblo have revealed the clip of the most anticipated of all scenes (well for adolescent teenagers and interested male fans everywhere). And its' of the films two hot stars Natalie Portman and Mila Kunis in full on lesbian action. Basically it involves kissing, our two stars in their underwear, Kunis in her stockings, panty stripping and a bit of oral. Everyone's favourite combination. Vincent Cassel, Barbara Hershey and Winona Ryder co-star. »
Black Swan Featurette Offers an Intriguing Insight Into the Sound Design Process
17 December 2010 10:00 AM, PST | HeyUGuys.co.uk | See recent HeyUGuys news »
Here’s an interesting look into the sound design process of Darren Aronofsky’s latest feature, Black Swan.
A dark and twisted tale of a young dancer (Natalie Portman) and her descent into madness during rehearsals for a new version of the classic ballet Swan Lake, Craig Henighan (Aronofsky’s sound designer since Requiem for a Dream), talks about some of the techniques used to create Portman’s characters’ fractured state of mind.
It’s interesting to note the subtlety in sound which Henighan brings to many of the films’ set pieces, in particular the nightclub scene, where his creepy layering of voices and noises are interwoven with the thunderous and overpowering Chemical Brothers song, and yet are still able to help create an unsettling and ominous mood.
You can see (or rather hear) the unique soundscape Henighan has created when the film is released on the 21 January.
»
- Adam Lowes
'Black Swan' review (5/5). This is one film that is not to be missed.
17 December 2010 2:42 AM, PST | Upcoming-Movies.com | See recent Upcoming-Movies.com news »
As the mediocre 2010 movie season draws to a close, there has been few standout features to choose from. Sure “Inception” and “The Social Network” were great films worthy of all the praise they got. There were also pleasant surprises like “Let Me In” and “Kick-Ass”. The rest could cause a person to fall into a coma. That is why “Black Swan” is such a breath of fresh air. It is a combination of a horror movie mixed in with a thriller and psychological drama. You will not be able to take your eyes off the screen for one moment. Who knew that the world of ballet could be so compelling? That is the place that you are transported to. Director Darren Aronofsky (“The Wrestler”, “Requiem for a Dream”) spent a lot of time preparing for this film and getting the atmosphere just right. In the beginning, he trains his camera »
'Black Swan' review (5/5). This is one film that is not to be missed.
17 December 2010 2:42 AM, PST | Upcoming-Movies.com | See recent Upcoming-Movies.com news »
As the mediocre 2010 movie season draws to a close, there has been few standout features to choose from. Sure “Inception” and “The Social Network” were great films worthy of all the praise they got. There were also pleasant surprises like “Let Me In” and “Kick-Ass”. The rest could cause a person to fall into a coma. That is why “Black Swan” is such a breath of fresh air. It is a combination of a horror movie mixed in with a thriller and psychological drama. You will not be able to take your eyes off the screen for one moment. Who knew that the world of ballet could be so compelling? That is the place that you are transported to. Director Darren Aronofsky (“The Wrestler”, “Requiem for a Dream”) spent a lot of time preparing for this film and getting the atmosphere just right. In the beginning, he trains his camera »
Clint Mansell Not Scoring Duncan Jones’ ‘Source Code’
16 December 2010 7:02 AM, PST | ScreenRant.com | See recent Screen Rant news »
Film composer Clint Mansell has a delivered a few of the most haunting and memorable film scores of the last few years. Most of his most notable work has been with director Darren Aronofsky on such films as Pi, Requiem for a Dream, The Fountain, The Wrestler and Black Swan.
One of his most recent (and best) scores was composed for the critically acclaimed sci-fi film Moon, from first-time director Duncan Jones. Needless to say a lot of people (myself included) were looking forward to Mansell working with Jones once more on the director’s second feature, the upcoming Source Code starring Jake Gyllenhaal.
However, today comes some rather unfortunate news that Mansell just can’t find the time to work on Source Code.
Badass Digest spoke to Jones directly on the phone and the director…
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- Ross Miller
Clint Mansell Won’t Score ‘Source Code’
15 December 2010 2:06 PM, PST | SoundOnSight | See recent SoundOnSight news »
BadassDigest reports that “scheduling problems” have prevented Clint Mansell from continuing on the project to score Source Code the latest film from director Duncan Jones and will be replaced by Chris Bacon.
His most recent work was actually for the film score for Moon, the feature debut of director Duncan Jones. After the release of Moon, Jones wrote about Clint Mansell that, ”It goes beyond his ability to write truly epic and memorable phrases, it’s the fact that in the case of Moon, he truly invested himself emotionally in understanding what we were trying to do. In my experience, that’s not standard operating procedure. That’s not the approach of a Hollywood “jobsman”. He cared. He wanted to understand. He approached the film as what he is; an artist. And in Clint’s case… a very special, very talented one at that”.
With that said it comes as »
- Ricky
Clint Mansell Replaced By Chris Bacon on ‘Source Code’
15 December 2010 1:00 PM, PST | Slash Film | See recent Slash Film news »
[1] Clint Mansell is one of my favorite film composers working today, and has been since hearing his first work on Darren Aronofsky's Pi. His incredible score for Requiem for a Dream has been re-purposed in countless trailers and commercials over the years. He has continued to work on Aronofsky's projects over the years and his Tchaikovsky-inspired score for Black Swan is nothing less than brilliant. Mansell's work on Duncan Jones' feature big screen debut Moon was met with acclaim as well, and I was very excited to hear what Clint had up his sleeves for his second Jones collaboration, on the film Source Code. I had even heard a bit of early music Mansell created for the opening credits while on a visit to the editing room. But it appears that it was not meant to be. Clint Mansell will not be scoring Source Code after all. BadassDigest »
- Peter Sciretta
Music in the movies: Elliot Goldenthal
13 December 2010 9:20 PM, PST | Den of Geek | See recent Den of Geek news »
The latest Music in the Movies column celebrates the work of Elliot Goldenthal, whose compositions have graced such films as Alien 3, Interview With The Vampire and Heat…
Like previous Music in the Movies subject, Elmer Bernstein, Elliot Goldenthal was a student of the legendary Aaron Copland. Whilst Goldenthal isn't the most prolific of film composers, his distinct sound has accompanied some great films over the years and earned him three Oscar nominations and one win. A reason why Goldenthal hasn't got the number of credits his contemporaries boast? He often alternates between film scoring and stage productions.
I haven't included his Oscar winning score for Frida in the article, as I'm not a huge fan of it and there are other titles below that fit better with the rest of the series.
So, here are what I consider to be the most notable scores of Goldenthal's career:
Alien 3 »
The Sound of 'Black Swan'
13 December 2010 3:39 PM, PST | Rope of Silicon | See recent Rope Of Silicon news »
Photo: Fox Searchlight Pictures Soundworks Collection does an absolutely stellar job with these sound featurettes and I have to assume anyone that reads this site on a regular basis has got to just eat this stuff up.
Today Soundworks is featuring a look at the sound design of Darren Aronofsky's Black Swan with the film's sound designer, editor, and sound re-recording mixer Craig Henighan giving you the ins and outs of the process. Henighan is no stranger to Aronofsky's work having been in the sound department on The Fountain and Requiem for a Dream and with this featurette, which runs just over eight minutes, I can guarantee the next time you watch Black Swan or, even better, the first time you watch it, you'll be looking for a few of Henighan's cues.
»
- Brad Brevet
AFI Agrees With Fgt in 2010
13 December 2010 7:35 AM, PST | Planet Fury | See recent Planet Fury news »
The American Film Institute has announced the winners of the 2010 AFI Awards, and we’re thrilled that several of the selections are genre-related and/or female-centric pieces that FanGirlTastic has also been excited about. Nice job, AFI! Your taste is exquisite this year.
Among the films and television programs chosen for 2010 are Black Swan, Inception, True Grit, Winter’s Bone, Temple Grandin, 30 Rock, The Big C and The Walking Dead.
In fact, everything chosen this year is above reproach, unlike past selections like Knocked Up, Borat and Big Bang Theory — not that they don’t have their charms but, come on. The American Film Institute awards the best of the best, and while Knocked Up and Big Bang Theory might be a perfectly pleasant way to kill some time, they’re no Black Swan or The Wrestler even. (Fyi, 2008’s The Wrestler was an AFI Award selection as was 2000’s Requiem for a Dream. »
- Theron
Is the Nc-17 rating ruining the Oscars?
10 December 2010 2:03 PM, PST | The Guardian - Film News | See recent The Guardian - Film News news »
Faced with the MPAA's dreaded Nc-17 rating, film-makers voluntarily self-censor so as not to be ignored come Oscar time – but now they're fighting back
Blue Valentine director Derek Cianfrance had two nightmares as a child. One was that his parents would get divorced, the other that nuclear war would break out. The first happened when he was 20-years-old; this year it inspired a film, starring Ryan Gosling and Michelle Williams. The second hasn't happened yet. But when the Motion Picture Association of America (MPAA) gave Blue Valentine an Nc-17 rating for a controversial sex scene, a battle between the studios and the censors began that has only this week revealed a victor. "I was shocked", said Cianfrance at the London film festival in October, "because I think we really tried to respect the audience in this film. It's relatively tame I think, it's just intimate and it's emotional."
Black Swan
10 December 2010 6:00 AM, PST | The Scorecard Review | See recent Scorecard Review news »
Directed by: Darren Aronofsky
Cast: Natalie Portman, Mila Kunis, Vincent Cassel, Barbara Hershey, Winona Ryder
Running Time: 1 hr 47 mins
Rating: R
Release Date: December 10, 2010 (limited)
Plot: A ballet dancer (Portman) finally gets a big break with her company doing a production of “Swan Lake,” but a rival (Kunis) may want her top spot.
Who’S It For? Do you like an uncomfortable lingering vibe that keeps you on edge (I do). Also, there will be nominations with this film, so add it to your list if you want to be in the know.
Expectations: I couldn’t say I was excited. I’m not really a fan of ballet, but director Aronofsky always brings something to the table. You can say the same for Portman.
Scorecard (0-10)
Actors:
Natalie Portman as Nina Sayers: Good lord. First, she’s never done something so sheepish. You desperately want her to speak up. »
- Jeff Bayer
Review: Black Swan
9 December 2010 9:59 PM, PST | WeAreMovieGeeks.com | See recent WeAreMovieGeeks.com news »
Black Swan is a tragic tale of a young woman.s quest for perfection, an endeavor complicated by her fractured self. Natalie Portman plays Nina, a promising young ballerina set upon earning the treasured role of the Swan Queen in Thomas Leroy.s new version of the classic production Swan lake. The primary obstacle for Nina is not in her portrayal of the White Swan, but proving she has in her what it takes to play the Black Swan as well.
Directed by Darren Aronofsky, the film is meticulously composed with a grainy spontaneous edge, much like that of his previous film The Wrestler. Nina is an innocent, seemingly fragile young woman, extremely talented but pressed upon and protected too much so at times by her overbearing mother, played perfectly by veteran Barbara Hershey. Nina fears she ruined her one chance at the coveted role, until Thoma Leroy (Vincent Cassel »
- Travis Keune
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