8.3/10
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Requiem for a Dream (2000)

R | | Drama | 15 December 2000 (USA)
The drug-induced utopias of four Coney Island people are shattered when their addictions run deep.

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Writers:

(based on the book by), (screenplay) | 1 more credit »
Popularity
339 ( 44)

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Top Rated Movies #80 | Nominated for 1 Oscar. Another 33 wins & 62 nominations. See more awards »
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Cast

Cast overview, first billed only:
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...
...
...
...
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Ada
...
Rae
Janet Sarno ...
Mrs. Pearlman
...
Mrs. Scarlini
Joanne Gordon ...
Mrs. Ovadia
Charlotte Aronofsky ...
Mrs. Miles
...
Michael Kaycheck ...
Donut Cop (as Mike Kaycheck)
...
Corn Dog Stand Boss
Chas Mastin ...
Lyle Russel
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Storyline

Sara Goldfarb (Ellen Burstyn) is a retired widow, living in a small apartment. She spends most of her time watching TV, especially a particular self-help show. She has delusions of rising above her current dull existence by being a guest on that show. Her son, Harry (Jared Leto) is a junkie but along with his friend Tyrone (Marlon Wayans) has visions of making it big by becoming a drug dealer. Harry's girlfriend Marion (Jennifer Connelly) could be fashion designer or artist but is swept along in Harry's drug-centric world. Meanwhile Sara has developed an addiction of her own. She desperately wants to lose weight and so goes on a crash course involving popping pills, pills which turn out to be very addictive and harmful to her mental state. Written by grantss

Plot Summary | Plot Synopsis

Taglines:

From the director of [Pi]

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for intense depiction of drug addiction, graphic sexuality, strong language and some violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 December 2000 (USA)  »

Also Known As:

Réquiem por un sueño  »

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Box Office

Budget:

$4,500,000 (estimated)

Opening Weekend USA:

$64,770, 8 October 2000, Limited Release

Gross USA:

$3,635,482

Cumulative Worldwide Gross:

$7,390,108
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Hubert Selby Jr. wrote the novel in 1978, when medical facilities were inadequate and often abusive and uncaring of their patients. This film doesn't mention the era it's set in, but it can be thought to be in the 1970s; ironically, the film was criticized for showing medical institutions in a bad light. See more »

Goofs

(at around 1h 1 min) When Marion is leaving Arnold's flat for the first time you can see some parts of the steady cam outlined under her coat. When she catches some wind while leaving the building, the coat is lifted up for some instants and you can actually see them. See more »

Quotes

[chanting]
Tappy Tibbons: Be excited, be, be excited.
See more »

Crazy Credits

The man on the train who says "You're whacked" to Sara when she tells him that she's going to be on TV is credited as "You're Whacked". See more »

Connections

Spoofed in The Auteur (2008) See more »

Soundtracks

Bugs' Got a Devilish Grin Conga
Performed by The Moonrats
Marcel Reginatto - Saxophone, Vocals
Brian Emrich - Bass Guitar, Vocals
Oscar Oñoz - Trumpet, Vocals
Theodore Birkey - Keyboards, Vocals
Tico Torres (as Hector Torres) - Percussion, Vocals
Darren Aronofsky - Vocals
Engineered, Programmed and Mixed by James Murphy for DFA at Plantain Recording House NYC
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Frequently Asked Questions

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User Reviews

The film-making quality is secondary- this film makes you FEEL
18 June 2001 | by See all my reviews

Often hype about films lead to disappointment and after waiting 14 months after release for my local cinema to show this film, I was done thinking about it. Thank goodness too, rather than challenge my brain (not hard to do unfortunately) this film went straight for the heart, ripped it out and kicked it around the floor for 90 minutes. As the addictions plunged further into the depths of Hell, I felt myself more and more arrested by the film. I've never left a film shaking or feeling physically ill- not including Pearl Harbour, of course :) You want to look away, but cannot.

This movie is by no means flawless, but then again I would like to hope that the flaws add to the gritty reality of the film. The ending was truly the most frightening thing I have ever seen in film- forget the cheap scares of The Exorcist, Psycho and the endless bile of the 'slasher flick', this stuff is REAL.

In a country amid a 'war against drugs' this is a powerful film which could do more to turn kids away from drugs than any measly government "task-force" or classroom lecture.


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