When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Drugs. They consume mind, body and soul. Once you're hooked, you're hooked. Four lives. Four addicts. Four failures. Despite their aspirations of greatness, they succumb to their addictions. Watching the addicts spiral out of control, we bear witness to the dirtiest, ugliest portions of the underworld addicts reside in. It is shocking and eye-opening but demands to be seen by both addicts and non-addicts alike. Written by
Jeff Mellinger <email@example.com>
Bugs' Got a Devilish Grin Conga
Performed by The Moonrats
Marcel Reginatto - Saxophone, Vocals Brian Emrich - Bass Guitar, Vocals
Oscar Oñoz - Trumpet, Vocals
Theodore Birkey - Keyboards, Vocals Tico Torres (as Hector Torres) - Percussion, Vocals Darren Aronofsky - Vocals
Engineered, Programmed and Mixed by James Murphy for DFA at Plantain Recording House NYC See more »
Well, I´ve seen "Pi" and was fascinated. Now, there´s "Requiem for a dream" and my expectations were very, very high. That can be the downfall for a movie, but in this case I wasn´t disappointed. Aronofsky proves not only that he can direct a "bigger" movie, he also shows how one can do so without selling out. To be more precise: "RFAD" is one of the most disturbing and depressing movies that came out of the US for a looooong time. From the opening scene to its final curtain it´s...well, a requiem for the characters, who are all perfectly portrayed by their actors. Ellen Burstyn is unbelievable. The power of her performance can only be compared to that of Björk in "Dancer in the dark". Aronofskys direction is even more experimental than in "Pi" and some of his ideas, like his combination of sound and picture are really innovative and give his movie a musical feel -without creating a long music video. On the downside, you could say that this movie offers no hope, no solution - but then, this would´ve been a lousy compromise.
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