A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
Sara Goldfarb (Ellen Burstyn) is a retired widow, living in a small apartment. She spends most of her time watching TV, especially a particular self-help show. She has delusions of rising above her current dull existence by being a guest on that show. Her son, Harry (Jared Leto) is a junkie but along with his friend Tyrone (Marlon Wayans) has visions of making it big by becoming a drug dealer. Harry's girlfriend Marion (Jennifer Connelly) could be fashion designer or artist but is swept along in Harry's drug-centric world. Meanwhile Sara has developed an addiction of her own. She desperately wants to lose weight and so goes on a crash course involving popping pills, pills which turn out to be very addictive and harmful to her mental state. Written by
(At around 1 hour 3 minutes) The man peeling the orange (and the orange truck) in the scene where the characters go to receive a new shipment of drugs not only indicates their next destination, Florida, but also serves as a nod to the Godfather films, where the presence of oranges indicated disaster. See more »
When the characters take Heroin, either injected or snorted, the sequence showing their eyes dilating is inaccurate. Opiates produce a constricting of the pupil. However, the dilating is correct when the characters are using Ecstasy and Cocaine. See more »
Bialy & Lox Conga
Performed by The Moonrats
Marcel Reginatto - Saxophone, Vocals Brian Emrich - Bass Guitar, Vocals
Oscar Oñoz - Trumpet, Vocals
Theodore Birkey - Keyboards, Vocals Tico Torres (as Hector Torres) - Percussion, Vocals Darren Aronofsky - Vocals
Engineered, Programmed and Mixed by James Murphy for DFA at Plantain Recording House NYC See more »
Well, I´ve seen "Pi" and was fascinated. Now, there´s "Requiem for a dream" and my expectations were very, very high. That can be the downfall for a movie, but in this case I wasn´t disappointed. Aronofsky proves not only that he can direct a "bigger" movie, he also shows how one can do so without selling out. To be more precise: "RFAD" is one of the most disturbing and depressing movies that came out of the US for a looooong time. From the opening scene to its final curtain it´s...well, a requiem for the characters, who are all perfectly portrayed by their actors. Ellen Burstyn is unbelievable. The power of her performance can only be compared to that of Björk in "Dancer in the dark". Aronofskys direction is even more experimental than in "Pi" and some of his ideas, like his combination of sound and picture are really innovative and give his movie a musical feel -without creating a long music video. On the downside, you could say that this movie offers no hope, no solution - but then, this would´ve been a lousy compromise.
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