A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
Drugs. They consume mind, body and soul. Once you're hooked, you're hooked. Four lives. Four addicts. Four failures. Despite their aspirations of greatness, they succumb to their addictions. Watching the addicts spiral out of control, we bear witness to the dirtiest, ugliest portions of the underworld addicts reside in. It is shocking and eye-opening but demands to be seen by both addicts and non-addicts alike. Written by
Jeff Mellinger <email@example.com>
During Ellen Burstyn's impassioned monologue about how it feels to be old, cinematographer Matthew Libatique accidentally let the camera drift off-target. When director Darren Aronofsky called "cut" and confronted him about it, he realized the reason Libatique had let the camera drift was because he had been crying during the take and fogged up the camera's eyepiece. This was the take used in the final print. See more »
Whenever someone takes drugs and their pupils "dilate" you can see that it's a normal eye being distorted by a computer because the arc of reflected light also is distorted. See more »
"Bialy & Lox Conga"
Performed by The Moonrats
Marcel Reginatto - Saxophone, Vocals Brian Emrich - Bass Guitar, Vocals
Oscar Oñoz - Trumpet, Vocals
Theodore Birkey - Keyboards, Vocals Tico Torres (as Hector Torres) - Percussion, Vocals Darren Aronofsky - Vocals
Engineered, Programmed and Mixed by James Murphy for DFA at Plantain Recording House NYC See more »
You will not so much as want to take a sip of wine after watching this mesmerizing film about the horrors of drug addiction. I was not a fan of director Darren Aronofsky's debut film "Pi," but with this movie he proves to be a filmmaker of unlimited vision and style. Four characters in Brighton Beach, Brooklyn are all driven to despair due to their drug abuse, the saddest being Ellen Burstyn as a nice Jewish widow who unwittingly becomes addicted to prescription diet pills that help her lose weight but drag her into a world of hallucinations and paranoia. Burstyn is superb. It is so refreshing to see such a great veteran like her in such a challenging leading role, one in which she goes through a hell worse than that in "The Exorcist."
But this is a director's film if there ever was one. Aronofsky knows how to tell a story in a way that is dazzling in its use of sound, editing, and cinematography. The score by the Kronos Quartet and Clint Mansell is the most striking movie music I have heard in a very long time.
"Requiem for a Dream" is not a movie for everyone. It is the essence of independent filmmaking, a daring, engrossing, artful film that stays with you long after you leave the theater. Hollywood bubblegum this ain't.
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