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Quills (2000)

7.4
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Ratings: 7.4/10 from 40,045 users   Metascore: 70/100
Reviews: 307 user | 132 critic | 31 from Metacritic.com

In a Napoleonic era insane asylum, an inmate, the irrepressible Marquis De Sade, fights a battle of wills against a tyrannically prudish doctor.

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Title: Quills (2000)

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Nominated for 3 Oscars. Another 21 wins & 38 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Dr. Royer-Collard
...
Madame LeClerc
...
Delbené
...
Simone
Jane Menelaus ...
Renee Pelagie
...
Prouix, the Architect
Tony Pritchard ...
Valcour
...
Cleante
...
Pitou
George Antoni ...
Dauphin (as George Yiasoumi)
...
Bouchon
...
Charlotte
Edit

Storyline

The infamous writer, The Marquis de Sade of 18th Century France, is imprisoned for unmentionable activities at Charanton Insane Asylum. He manages to befriend the young Abbe de Coulmier, who runs the asylum, along with a beautiful laundress named Madeline. Things go terribly wrong when the Abbe finds out that the Marquis' books are being secretly published. Emperor Napoleon contemplates sending Dr. Royer-Collard to oversee the asylum, a man famed for his torturous punishments. It could mean the end of Charanton and possibly the Marquis himself. Written by Emily H and Janette W

Plot Summary | Plot Synopsis

Taglines:

Meet the Marquis de Sade. The pleasure is all his. See more »

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated R for strong sexual content including dialogue, violence and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

| |

Language:

|

Release Date:

15 December 2000 (USA)  »

Also Known As:

Letras prohibidas, la leyenda del Marqués de Sade  »

Filming Locations:

 »

Box Office

Budget:

$13,500,000 (estimated)

Opening Weekend:

£81,130 (UK) (19 January 2001)

Gross:

ESP 65,173,251 (Spain) (29 June 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Geoffrey Rush directed the play that the asylum residents put on. See more »

Goofs

When Simone is buying her copy of "Justine", the date visible on the cover is MDCCCCVII: 1907. There is one C too many. See more »

Quotes

Coulmier: It's nothing but an encyclopedia of perversions. One man killed his wife after reading them.
Marquis de Sade: It's a fiction, not a moral treatise.
See more »

Connections

Referenced in Quills: Dressing the Part (2001) See more »

Soundtracks

Au clair de la lune
Written by Jean-Baptiste Lully
See more »

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User Reviews

 
Quills inspires a seemingly improper sense of affinity and a terrifying new definition of sin.
28 May 2005 | by (United States) – See all my reviews

Quills is a delightfully unsettling account of the demise of the Marquis de Sade and those he brings down with him. The film presents viewers with all the evidence they need to identify the fallacies of society's separation of "good" from "evil" and "moralists" from "sinners." It subtly asserts that the values traditionally used to pass judgment are compromised by convention and religion, and that there is moral danger in accepting these values without question.

During the film, one form of sin is only replaced by another, which defeats its resistors and beguiles the rest by hiding behind a pretentious shroud of religion and convention.

Viewers are horrified to discover that they can actually identify with the marquis, whose name inspired the word "sadist" to describe those who derive sexual pleasure from violence. Most viewers' senses of morality are sullied by the realization that they are hanging on every twist of the plot, desperate to know what will next beset these wretched characters.

Based on historical fact, Quills catches up with the Marquis (Geoffrey Rush) during the twilight of his life, when he has already been sentenced to life imprisonment in the Charenton Asylum. No longer able to pursue the perverse sexual escapades that had landed him in the madhouse after decades of unspeakable offenses, he now purges his demons by writing. At the urging of the saintly, ever-tolerant and even-tempered Abbe Coulmier (Joaquin Phoenix), the marquis describes his imagination's disturbing scenes on paper.

Trouble arises when one of his books, smuggled to a publisher by a sympathetic admirer - innocent laundry maid Madeleine (Kate Winslet) - catch the disapproving eye of Emperor Napoleon.

There is no escape from sin when the man sent to purify the Charenton, Dr. Royer-Collard (Michael Caine), only seeks to replace it with intolerance and unimaginable cruelty.

True to the spirit of the film, the sets are imbued befittingly with gloom and grime, and the inhabitants of the Charenton are realistically ragged.

Rush and Winslet's performances as the marquis and Madeleine are stunning. The film's delicious impropriety is heightened by their chemistry, which is so potent as to be communicable to viewers.

The super-intelligent plot is unexpectedly circular, leaving viewers feeling as though they may well be next in line for the madness bred at the Charenton. Their fears are seemingly verified by he change they know the film has already inspired in them.

Far from resolutive, the only solace the ending holds for viewers is a sense of, "Aha, now I know," and a new way to evaluate the good in evil in themselves and others.


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