Sammy 'The Bull' Gravano was mafiosi. He started out as a soldier, but his talent for murder, including the slayings of his best friends, his wife's brother and his own boss, Paul ... See full summary »
Sprawling Mario Puzo novel about an Italian family of gangsters draws the inevitable comparison to "The Godfather", but does find its own direction. Headed by Don Domenico Clericuzio, the ... See full summary »
As the elder don dies, his young heir moves into the position. He quickly proves to be as ruthless as he tries to discover who has launched a plot to overthrow his rule and may be ... See full summary »
Making of the Mob, is an eight-part docudrama that begins in 1905 and spans more than 50 years, tracing the original five families that led to the modern American Mafia, including the rise ... See full summary »
Though she grew up in the same neighborhood with him, the new Assistant U.S. Attorney is determined to prosecute Mafia boss John Gotti. Uncooperative FBI agents and bureaucrats will not ... See full summary »
an in depth look with interviews with former associates, law enforcement officials and others as well as reenactments of their criminal activities to show how each real life mobster made an impact on society individually and as a whole.
Propaganda from the Mafia, in this sense it might be viewed as a dark comedy. It gets countless details wrong, especially every scene where the Sicilians are drinking coffee, incorrectly. One can forgive the mixed cast, it is after all, an acting exercise. However, that this gangster, this author could present such lies, denial, and drama as a substitute for truth is in fact a moral crime, an extension of the guilty mind making dirty lies. Who can even believe this story? Edward Almos is always a pleasure to watch, so there is that. Otherwise, to whatever extent this is in fact a "true" story, it is pathetic. And, I live in Sicily. Sicily does not even have a "j" in their alphabet. I have never, and you never will meet a Sicilian named Joe. The facts, props, names, history and reality have been changed, I would assume, to protect the otherwise empty nonsense of this film.
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