Directed by
John Lewis |
Writing Credits (in alphabetical order)
Clayton Berry | ... | (screenplay) |
Victor Bumbalo | ... | (idea) |
Cast (in credits order)
Produced by
Raymond Jacobs | ... | producer |
Music by
Richard Bone | ||
Ricky Gordon |
Cinematography by
Merrill Aldighieri |
Editing by
Jeffrey Lunger | ||
Nancy S. Miller |
Second Unit Director or Assistant Director
Phil Zwickler | ... | first assistant director |
Sound Department
Jim Ferreras | ... | special audio effects |
John Owen | ... | boom operator |
Charles Tobermann | ... | sound design consultant |
Zecca | ... | additional audio effects |
Camera and Electrical Department
Thom Edlun | ... | camera operator |
Bob Gould | ... | best boy / key grip |
Kim Hanson | ... | still photographer |
John Owen | ... | gaffer |
Joe Tripician | ... | lighting director |
Casting Department
J.B. Nader | ... | casting |
Mark Rosenfeld | ... | casting |
Editorial Department
Joe Hoffman | ... | on-line editor |
Michael Maloy | ... | on-line editor |
Location Management
Pat Corbett | ... | location provided by |
Barry Davidson | ... | location provided by |
Doris M. Taussig | ... | location provided by |
Music Department
Ricky Gordon | ... | score performed by |
Richard Wosley | ... | score performed by |
Script and Continuity Department
James Dennis Mahady | ... | continuity |
Additional Crew
Jan Abramowitz | ... | production assistant |
Allen Barnett | ... | production assistant |
Pedro Barrios | ... | tattoos |
Rodney Bogner | ... | staff artist |
Cheech | ... | photographic services |
James E. D'Eramo | ... | project coordinator |
Tom Feret | ... | production assistant |
Raymond Jacobs | ... | educator / trainer |
Philip Jostrom | ... | dialog director |
Andrew Miller | ... | production assistant / titles |
Michael Moran | ... | assistant to producer |
Michael C. Quadland | ... | human sexuality consultant |
Kevin Scott | ... | production assistant |
William D. Shattls | ... | assistant project coordinator |
Horst Stipp | ... | public relations consultant |