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Bajo el cielo antioqueño (1925)

7.2
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Ratings: 7.2/10 from 27 users  
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Romantic drama of manners. Lina, graceful schoolgirl, argues against the will of his father, Don Bernardo, a romance with Alvaro, a young bohemian who squanders his fortune. They decide to ... See full summary »

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Title: Bajo el cielo antioqueño (1925)

Bajo el cielo antioqueño (1925) on IMDb 7.2/10

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Cast

Cast overview:
Alicia Arango de Mejía ...
Lina
Gonzalo Mejía Trujillo ...
Don Bernardo
Juan B. Naranjo ...
Álvaro
Harold Maynham ...
Mister Adams
Rosa E. Jaramillo ...
Mendiga
Carlos Ochoa ...
Puntillas
Eduardo Uribe ...
Bandido
J. González ...
Detective
Carlos Botero ...
Cura
Ángela Henao ...
Campesina
Berta Hernández ...
Señorita
Lía Restrepo ...
Adela
Jorge Restrepo ...
Carlos
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Storyline

Romantic drama of manners. Lina, graceful schoolgirl, argues against the will of his father, Don Bernardo, a romance with Alvaro, a young bohemian who squanders his fortune. They decide to escape from parental supervision, but in the train station a beggar hurt Lina warns about the serious error being committed. He bandages the wound with a tissue in which are inscribed his initials and she gratefully gives him her jewels and in turn tells her boyfriend's decision not to pursue this adventure. The beggar is assaulted and murdered. His body appears with the handkerchief Alvaro, who is accused of the crime. Although he is innocent silent to protect Lina and this, above his honor, confesses the truth. Alvaro, and innocent, is gold and ends happily married to Lina. Written by Diego Alvarez

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Genres:

Drama | Romance

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Details

Country:

Release Date:

6 August 1925 (Colombia)  »

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User Reviews

 
Only of historical interest
24 July 2001 | by (New York) – See all my reviews

A romantic drama as Lina tries to marry Álvaro while avoiding the evil Carlos that her father Don Bernardo has chosen for her.

The plot could have been covered in 20 minutes, but is much padded with scenic shots of Medellín and the countryside and even a plug for Columbian coffee. The ending may be confusing, but the marriage near the end is by proxy, so the real groom is not there in person.

Said to be the biggest Columbian production of the silent era, it often has the look of American and European pictures of 10 or 15 years earlier, with the interior walls obviously being painted flats and some of the night scenes clearly shot in broad daylight. The acting is OK, but is often melodramatic and sometimes to the camera. Interesting as a look at upper class life at the time.


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