| Véronique Alain | |||
| Josiane Balasko | |||
| Georges Bernier | |||
| Romain Bouteille | ... | Le collectionneur de billets de banque | |
| François Béranger | |||
| Cabu | ... | Un conspirateur | |
| François Cavanna | ... | Un conspirateur | |
| Professeur Choron | ... | Un conspirateur | |
| Christian Clavier | ... | Un télespectateur du débat | |
| Véronique K. Colucci | ... | La dactylo (as Véronique Kantor) | |
| Coluche | ... | Le chef de bureau | |
| Delfeil de Ton | ... | Un conspirateur | |
| Philippe Defrance | |||
| Christine Dejoux | |||
| Albert Delpy | ... | Le voleur de bijoux | |
| Gérard Depardieu | ... | Un voyageur qui ne prend pas le train | |
| Lee Falk | ... | Le banquier (segment "New York") | |
| Jean-Paul Farré | ... | Le pompiste | |
| Marcel Gassouk | ... | Le père du chef de bureau | |
| Marcel Gotlib | ... | Un gardien de prison | |
| Henri Guybet | ... | L'homme qui se reveille à 6 heure | |
| Gébé | |||
| Jacques Higelin | |||
| Gérard Jugnot | ... | Un télespectateur du débat | |
| Nelly Kaplan | |||
| Daniel Laloux | ... | Un publicitaire | |
| Martin Lamotte | |||
| Patrice Leconte | ... | Le chauffeur du général | |
| Stan Lee | ... | Récitant / New York's Narrator (voice) | |
| Thierry Lhermitte | |||
| Patrice Minet | ... | Un homme qui joue à travailler au bureau | |
| Miou-Miou | ... | La femme qui se reveille à 6 heure | |
| Jean-Pierre Moulin | ... | Le lieutenant | |
| David Pascal | ... | Le vendeur de journaux (segment "New York") | |
| Marie Pillet | ... | La femme dans l'épicerie | |
| Maud Rayer | |||
| Jacques Robiolles | |||
| Jean-Pierre Sentier | |||
| Susan Shapiro | ... | Girl in taxi - Wall St. | |
| Jean-Paul Tribout | ... | L'amoureux scientifique | |
| Frederic Tuten | ... | (scene 'New York') | |
| Xavier Bonastre | ... | Un passant (uncredited) | |
| François Valleix | ... | Un passant (uncredited) |
Directed by | |||
| Jacques Doillon | |||
| Alain Resnais | (sequence director "Séquence de New York") | ||
| Jean Rouch | (sequence director "au Niger") | ||
Writing credits | ||
| Gébé | (written by) | |
Original Music by | |||
| François Béranger | |||
| Jean-Marie Dusuzeau | |||
Cinematography by | |||
| Gérard de Battista | |||
| Michel Houssiau | (as Mike Houssiau-Chenz) | ||
| William Lubtchansky | |||
| Robert Millié | |||
| Jean Monsigny | |||
| Renan Pollès | (director of photography) | ||
Film Editing by | |||
| Noëlle Boisson | |||
Second Unit Director or Assistant Director | |||
| Jean-Jacques Schakmundès | .... | assistant director | |
Sound Department | |||
| Jean Charrière | .... | sound | |
| Alain Contreault | .... | sound | |
| Dominique Dalmasso | .... | sound | |
| Gérard Delassus | .... | sound | |
| Pierre Gamet | .... | sound | |
| Georges Jacquinot | .... | sound | |
| Pierre Lorrain | .... | sound (as Bernard Lorrain) | |
| Forrest Murray | .... | sound | |
| Jacques Orth | .... | sound mixer | |
| Jean-Louis Ughetto | .... | sound | |
Editorial Department | |||
| Zoé Durouchoux | .... | assistant editor | |
| Jean-François Goyet | .... | assistant editor | |
Other crew | |||
| Fran Boehm | .... | collaborator | |
| Patricia Churchill | .... | collaborator: "Séquence New York" (as Pat Churchill) | |
| Manuel Durouchoux | .... | collaborator | |
| Roger Fleytoux | .... | collaborator | |
| Edward Folger | .... | collaborator: "Séquence New York" (as Ed Folger) | |
| Claude Luquet | .... | collaborator | |
| Florence Malraux | .... | collaborator: "Séquence New York" | |
| Gérard Soirant | .... | collaborator | |
| John H. Starke | .... | collaborator: "Séquence New York" (as John Starke) | |
| Dominique Toussaint | .... | collaborator | |
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| 68 | Born in 68 | Tout va bien | Blame it on Fidel | Regular Lovers |
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| Full cast and crew | Company credits | IMDb Comedy section |
| IMDb France section |
Some movies of the seventies seem to have been made yesterday;not this one.It's in fact one of the most dated works of its era.It's some gentler version of "Themroc" ,less pretentious, funny (in places) but not necessarily more palatable .
There's no story,but a spate of minisketches ,some of them witty,("There's no more property,so there're no more thieves" the warden says while opening the cells ),a lot of them tedious and repetitive.There was enough material to make a very good short,but 85 minutes it's inevitably too long.In a nutshell,let's stop working,let's stop producing,let's stop everything and all you need is love.Hence the title "l'an O1" (=year 01):why a 0,by the way?This is the typically "events of May 68 way of life" film.
If you like it ,try these :Claude Faraldo's "themroc" ,Agnès Varda's "l'une chante et l'autre pas" ,Jean-Luc Godard's " tout va bien"
It was Jacques Doillon's first effort.Although it seems puerile today,it nevertheless displays this director's intellectual ambitions.His best works remain the more accessible :the moving "un sac de billes" (1975)-which people who liked "au revoir les enfants" must see- and the strange disturbing "la drôlesse"(1979) which tells the story of A a hung-up young man who locks up a teenage girl in an attic.