Prof. Henri Laborit uses the stories of the lives of three people to discuss behaviorist theories of survival, combat, rewards and punishment, and anxiety. René is a technical manager at a ... See full summary »
A wallet lost and found opens the door to romantic adventure for Georges and Marguerite. After examining the ID papers of its owner, it is not a simple matter for Georges to turn the red ... See full summary »
In the seacoast town of Boulogne, Hélène sells antique furniture, living with her step-son, Bernard, who's back from military duty in Algiers. An old lover of Hélène's comes to visit - ... See full summary »
A musical drawing room farce set in Paris in October, 1925. Gilberte, in middle-age, flirts with men but loves her husband Georges, wishing he were more demonstrative. He's negotiating a ... See full summary »
Doctor Galipeau has a brother, Emile, whose wife has just given birth to a baby boy and who dreams of owning a house. He has just examined Louis Martinet, an old man who, according to him, ... See full summary »
This art film has no conventional dialog between the main characters. This tells a strangely compelling story of two women in a suburban home who are listening to radio news broadcasts about a missing child in their area.
Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeois characters value: ... See full summary »
Contre l'Oubli (Against Oblivion) is a compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean... See full summary »
THE YEAR 01 (Jacques Doillon, Alain Resnais & Jean Rouch, 1973) **1/2
Unlike FAR FROM Vietnam (1967; directly preceded by it in my viewing schedule), which the late Alain Resnais was also a part of, this is not a documentary (yet a fairly obscure title in comparison) but more or less a narrative film (thus making the individual input of the three directors indiscernible!) albeit still of a heavily political and, by extension, dated nature. Incidentally, while an off-screen voice complaining that the credits are hard-to-read is assured that people watching the movie will recognize the actors regardless, I only caught sight myself of a pre-stardom Gerard Depardieu in the very first vignette!
What we have here is the anti-establishment attitude, typified by the May 1968 riots and which would inform several contemporaneous releases, agreeably presented via a series of satirical sketches not that this alleviates the intrinsic didacticism of such fare. The premise is simple enough: a day and time are set on which all work is to stop; at first, the formerly oppressed classes relish their freedom (for which they also give up their house keys, since property no longer belongs to any individual but to one and all, with elderly people reluctant to embrace this viewpoint forced to improvise in concealing it!) but soon begin to realize that some vital services simply cannot be abandoned, and themselves start to feel bored with the lack of activity (not even the opportunity to develop relationships suffices to satisfactorily occupy their time)! Eventually, they start taking up new interests, including turning pavements into makeshift gardens and, so as not to forget where they were coming from, theatrical representations of their former lives are held!
Unsurprisingly, the level of the writing (by someone listed solely under the nom-de-plume Gebe'!) is hit-or-miss and, yet, some of it proves quite inspired: workers in a given position dub themselves like rock groups; a young man's 'novel' pursuit involves the collection of paper money, which has ostensibly lost its value since the onset of "Year One", but he still has amassed a staggering 648 million Francs!; this obvious financial crisis leads to a mass suicide (by way of people leaping out of windows into the crowded streets below) in Wall Street a scene which recalls a similar gag in the contemporaneous Monty Python vehicle AND NOW FOR SOMETHING COMPLETELY DIFFERENT (1971)!
1 of 4 people found this review helpful.
Was this review helpful to you?