When Eastern European criminals Oleg and Emil come to New York City to pick up their share of a heist score, Oleg steals a video camera and starts filming their activities, both legal and illegal. When they learn how the American media circus can make a remorseless killer look like the victim and make them rich, they target media-savvy NYPD Homicide Detective Eddie Flemming and media-naive FDNY Fire Marshal Jordy Warsaw, the cops investigating their murder and torching of their former criminal partner, filming everything to sell to the local tabloid TV show "Top Story." Written by
Jeff Cross <firstname.lastname@example.org>
Graham Knuttel, the Dublin-born artist, was paid 50,000 pounds for a canvas which was destroyed in the film. The producers wanted the movie to be as realistic as possible, and so ordered the artwork to be destroyed in one scene. See more »
Emil says that he will fake insanity and have himself declared unfit for trial. This, he says, will result in his being committed to a psychiatric institution where he will miraculously recover and be protected from further trial by the "double jeopardy" laws. While his being "unfit for trial" would, indeed, prevent him from being tried, meaning that "double jeopardy" wouldn't apply, we can, perhaps, excuse his incomplete grasp of the subtleties of foreign law and language, and accept that his plan would work if he stood trial and was declared "not guilty by reason of insanity". See more »
This a rough, edgy film but the interesting characters make it entertaining for the full two hours. For some reason, I don't believe this film got a lot of publicity.
Karol Roder doesn't get any billing but he's as much a star in this movie as big-names Robert Redford and Edward Burns. Another actor who also has a key role, Oleg Taktarov, has no billing! Wow, they really hosed the Eastern European actors in here.
The film is partially another indictment against the tabloid press. Playing the villain in that regard is good 'ole "Frasier" from TV: Kelsey Grammar. He plays a foul-mouthed tabloid television sleazoid "Robert Hawkins.
Sometimes this got a bit too edgy for me, nor did I appreciate Burns' verbal blasphemy, but I also enjoyed some of the black humor in here. Overall, it's not a film that, frankly, was that memorable yet I would watch it again.
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