When Eastern European criminals Oleg and Emil come to New York City to pick up their share of a heist score, Oleg steals a video camera and starts filming their activities, both legal and illegal. When they learn how the American media circus can make a remorseless killer look like the victim and make them rich, they target media-savvy NYPD Homicide Detective Eddie Flemming and media-naive FDNY Fire Marshal Jordy Warsaw, the cops investigating their murder and torching of their former criminal partner, filming everything to sell to the local tabloid TV show "Top Story." Written by
Jeff Cross <email@example.com>
The language spoken by Charlize Theron's character is Afrikaans, one of the official languages of South Africa. She says, "Hello Mr. Botha, can I call you back? You would never believe who just walked in here, it's Eddie Flemming. Thank you, good-bye." Botha was a famous boxer in the 90s from South Africa. Charlize was born in South Africa, and speaks fluent Afrikaans. See more »
When Nicollette interviews Eddie, he says "...whether it's evidence is yet to be determined", but in a news video playback of the same scene later on he says, "...whether it's evidence or not, we're not sure. We'll determine that later". See more »
This a rough, edgy film but the interesting characters make it entertaining for the full two hours. For some reason, I don't believe this film got a lot of publicity.
Karol Roder doesn't get any billing but he's as much a star in this movie as big-names Robert Redford and Edward Burns. Another actor who also has a key role, Oleg Taktarov, has no billing! Wow, they really hosed the Eastern European actors in here.
The film is partially another indictment against the tabloid press. Playing the villain in that regard is good 'ole "Frasier" from TV: Kelsey Grammar. He plays a foul-mouthed tabloid television sleazoid "Robert Hawkins.
Sometimes this got a bit too edgy for me, nor did I appreciate Burns' verbal blasphemy, but I also enjoyed some of the black humor in here. Overall, it's not a film that, frankly, was that memorable yet I would watch it again.
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