Weepy fact-based story about a woman facing her impending death and forced to let her baby's nurse become an integral part of her family's life to aid the future care of the child and her husband.

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Cast

Cast overview, first billed only:
...
Ellen Young
...
Claire Hutton
...
Brian Young
Brenda Bazinet ...
Sandy Russo
...
Samantha Hutton
...
Lindsay Hutton
Roger Dunn ...
Bill Young
Tedde Moore ...
Kate Young
...
Pearl Dunn
Michael Rhoades ...
Dr. Allen
...
Dr. Gordon
Kaitlyn Viney ...
Emily (2 to 3 years old)
Kirsten Viney ...
Emily (2 to 3 years old)
Nola Augustson ...
Dr. Weinburg
James Downing ...
Dr. Logan
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Storyline

Weepy fact-based story about a woman facing her impending death and forced to let her baby's nurse become an integral part of her family's life to aid the future care of the child and her husband.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Unrated | See all certifications »
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Release Date:

16 February 1999 (USA)  »

Also Known As:

No Greater Love  »

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1.33 : 1
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Nostalgia
Written by Paul Johnston
Copyright 1998 SOCAN
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User Reviews

 
Tough material, well handled
5 June 2009 | by (Israel) – See all my reviews

This is a movie that doesn't fool around. It treats one major concern; and other matters that, in real life, would normally occupy the characters from time to time are shunted aside. Annabeth Gish is a single mother of two working twelve-hour days as a nurse, but it seems that luckily her children are angelic, it's seldom evident that she has more than one patient to worry about, and somehow she can regularly find time to spare on her day off. Tom Irwin is rather a cipher as the ideal husband, whose parents are the ideal in-laws. I'm not even sure what he does for a living. (Does he run a bookstore? Well, it doesn't matter.) The dialogue goes straight to the point-- so much so, I'd say, that the actors and director deserve considerable credit for making it seem realistically conversational as they put it across. But they do put it across, and the movie grips you despite the sketchiness of almost all the characters. Annabeth Gish is always magnetic, and Katy Sagal courageously submits to an outward deglamorization to make her character all the more noble.


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