The House of the Angel focuses on the ruling class in 1920s Argentina, a deeply repressive society where political arguments were often settled by duels, and young women were expected to be totally ignorant of sex.
Traces events in the life of Carlo, from his christening in 1906, where his grandfather reminds his father that Carlo means "free man," to his 80th birthday party. The film principally ... See full summary »
Enrico Mattei helped change Italy's future, first as freedom-fighter against the Nazis, then as an investor in methane gas through a public company, A.G.I.P., and ultimately as the head of ... See full summary »
Gian Maria Volontè,
A union organizing demolition worker and a friend of his decide to blackmail the corrupt company they work for setting up a fake accident. Because of a miscalculation the friend dies, but ... See full summary »
Julio De Grazia
Here we have a film about a gang of five larcenists and swindlers who carry off various enrichment schemes under the leadership of "El Jefe," The Chief. The film opens as they are all at the police station under arrest. They nudge each other as they await interrogation, secure in the knowledge that as soon as El Jefe arrives, he will get them all off somehow. Naturally this film could not have been made during the Peron years, but just 3 years after his fall, here it is. The script is by David Vinas, an leftist anti-Peronist novelist. At one point in the film a woman asks El Jefe how he is able to command the unquestioning allegiance of his gang. He replies: "I take care of them. I snap my fingers, and they are at my beck and call. You have to study them, know their likes & dislikes, their little quirks, their resentments, and what they hope for. I give to them, and they give to me. And they end up wanting just what I want." We do not learn much about Peronism from this film, but we learn a lot about how Peron's detractors regarded him.
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