| Joseph Fiennes | ... | Manuel Esquema / Alan Riply | |
| Ray Liotta | ... | Mark Brice | |
| Gretchen Mol | ... | Ella Brice | |
| Vincent Laresca | ... | Javier Cesti | |
| Myk Watford | ... | Rick Martino | |
| Lindsey Connell | ... | Stewardess | |
| Sean Cw Johnson | ... | Randy (as Sean C W Johnson) | |
| Shawn Proctor | ... | Cabana Boy | |
| Russell Blackwell | ... | Business Associate | |
| Jocelyn Snowdon | ... | Young Associate's Companion | |
| Kevi Katsuras | ... | Julie, Six Year-old Girl | |
| Shannon Lawson | ... | Emily, Julie's Mother | |
| Ronald Knight | ... | Older Male Executive | |
| Ginger King | ... | Older Male's Companion | |
| Ted Simonett | ... | Mr. Galen | |
| Paulette Sinclair | ... | Mrs. Galen | |
| Robert Dodds | ... | Priest | |
| Scott Wickware | ... | 1st Plainclothesman | |
| John Henry Canavan | ... | 2nd Plainclothesman | |
| Christian Potenza | ... | Corrections Officer | |
| Rick Quitana | ... | Dead Man on Toilet | |
| John Nelles | ... | Bill Raich | |
| Catherine Hayos | ... | Librarian | |
| Reagan Pasternak | ... | Miami Tan Attendant | |
| James McCauley | ... | Justice Department Official | |
| Tim Post | ... | Paramedic | |
| rest of cast listed alphabetically: | |||
| Matt Birman | ... | Sand Pit Killer (uncredited) | |
| Jill Curran | ... | Hotel Guest (uncredited) | |
| Thomas Livezey | ... | Valet (uncredited) | |
| Alison MacLeod | ... | (uncredited) | |
| Peter Millard | ... | (uncredited) | |
| Adrian Mojica | ... | Hotel Guest (uncredited) | |
Directed by | |||
| Paul Schrader | |||
Writing credits(WGA) | ||
| Paul Schrader | (written by) | |
Produced by | |||
| Joseph Boccia | .... | line producer | |
| Kathleen Haase | .... | producer | |
| Amy J. Kaufman | .... | producer | |
| Damita Nikapota | .... | producer | |
| Stella Nwimo | .... | assistant producer | |
| Julia Palau | .... | executive producer | |
| Matthew Payne | .... | executive producer | |
Original Music by | |||
| Angelo Badalamenti | |||
Cinematography by | |||
| John Bailey | |||
Film Editing by | |||
| Kristina Boden | |||
Casting by | |||
| Ellen Chenoweth | |||
| Kathleen Chopin | |||
| Diane Kerbel | |||
Production Design by | |||
| François Séguin | |||
Art Direction by | |||
| Paul D. Austerberry | |||
Set Decoration by | |||
| Carolyn 'Cal' Loucks | |||
Costume Design by | |||
| Marit Allen | |||
Makeup Department | |||
| Carole Barone | .... | makeup artist: New York | |
| David R. Beecroft | .... | makeup artist | |
| Mario Cacioppo | .... | assistant makeup artist | |
| Karola Dirnberger | .... | assistant hair stylist | |
| Richard Glass | .... | contact lens optician | |
| Lee Grimes | .... | makeup artist | |
| Christine Hart | .... | makeup department head | |
| Sarah Love | .... | hair stylist: Joseph Fiennes | |
| Sarah Love | .... | hair stylist: Ray Liotta | |
| Daniel Parker | .... | makeup artist | |
| Jemma Scott-Knox-Gore | .... | contact lens technician | |
| Diana Thomas-Madison | .... | key makeup artist: Florida (as Diana Thomas) | |
| Matthew Smith | .... | conceptual designer: prosthetic makeup (uncredited) | |
Second Unit Director or Assistant Director | |||
| Robert C. Albertell | .... | second assistant director: New York (as Robert Albertell) | |
| Penny Charter | .... | second assistant director | |
| Walter Gasparovic | .... | assistant director | |
| Kirsteen McLean | .... | third assistant director | |
| Leo Scherman | .... | trainee assistant director | |
Art Department | |||
| Bob Arriette | .... | scenic artist: New York | |
| Robert Bonney | .... | assistant head carpenter | |
| Tracey Budd | .... | set dresser | |
| Tim Cambell | .... | assistant scenic painter | |
| Carlos Caneca | .... | lead man | |
| Carlos Caneca | .... | lead set dresser | |
| Eva P. Davy | .... | camera scenic: New York (as Eva Davy) | |
| Nicole Elespuru | .... | art department coordinator: Florida | |
| Steven Elliston | .... | head carpenter | |
| Danielle Fleury | .... | assistant set decorator | |
| William F. Gambill | .... | scenic artist | |
| Peter Gelfman | .... | property master: New York | |
| Ronald D. Grant | .... | propmaker | |
| James Halpenny | .... | construction coordinator (as Jim Halpenny) | |
| Brian Hess | .... | assistant on-set dresser: New York | |
| Ron Hewitt | .... | assistant props | |
| Mark Horstmann | .... | construction coordinator: New York | |
| Tim Hurton | .... | key scenic painter | |
| Mayumi Konishi-Valentine | .... | art department apprentice (as Mayumi Konishi) | |
| Chuck Loriot | .... | stand-by carpenter | |
| Scott Lyons | .... | art department apprentice | |
| Robin McAllister | .... | assistant props: New York | |
| David Mosall | .... | propmaker (as Dave Mosall) | |
| Shannon Mullins | .... | propmaker | |
| Greg Pelchat | .... | on-set dresser | |
| Aeschylus Poulos | .... | art department coordinator | |
| Vic Rigler | .... | property master | |
| Jeffrey Rollins | .... | on-set dresser: New York (as Jeff Rollins) | |
| Charles Sharon | .... | head painter | |
| Erin W. Sibley | .... | art department coordinator: New York | |
| Gray Smith | .... | propmaker | |
| Robert S. Smith | .... | carpenter | |
| Rich Swim | .... | second assistant props: Florida (as Richard Swin) | |
| William Tabor | .... | construction coordinator: Florida (as Bill Tabor) | |
| Jeffrey Scott Taylor | .... | set decorator: Florida | |
| Eileen Thoresen | .... | assistant props: Florida | |
| Dan Wladyka | .... | set dresser | |
Special Effects by | |||
| Warren Appleby | .... | special effects assistant | |
| Richard Lee Jones | .... | special effects: Florida (as Rick Jones) | |
| Michael Kavanagh | .... | special effects coordinator | |
| Daniel White | .... | special effects technician (as Danny White) | |
Stunts | |||
| Brittney Banks | .... | stunt rigger | |
| Matt Birman | .... | stunts | |
| Shelley Cook | .... | stunt performer | |
| Steve Lucescu | .... | stunts | |
| Darren Marsman | .... | stunts | |
| Layton Morrison | .... | stunts | |
| Edward A. Queffelec | .... | stunt double: Ray Liotta (as Ed Queffelec) | |
| Kevin Rushton | .... | stunts | |
| John Stoneham Jr. | .... | stunt coordinator | |
| John Stoneham Sr. | .... | stunt driver | |
| Bryan Thomas | .... | stunt double | |
| Bryan Thomas | .... | stunts | |
Casting Department | |||
| Abe Forman-Greenwald | .... | casting assistant | |
| Grant Wilfley | .... | extras casting: New York | |
Costume and Wardrobe Department | |||
| Julia S. Bubis | .... | wardrobe assistant: Florida | |
| Donna Butt | .... | wardrobe assistant | |
| Melody Haines | .... | wardrobe buyer: Florida | |
| Theresa Mulconey | .... | wardrobe assistant: Florida | |
| Marcia Patten | .... | wardrobe supervisor: New York | |
| Stephanie Polo | .... | wardrobe assistant: Florida | |
| Karen Renaut | .... | wardrobe mistress | |
| Robert Roberts | .... | assistant wardrobe master (as Rob Roberts) | |
| Anita Simard | .... | wardrobe assistant | |
| Delphine White | .... | assistant costume designer | |
Editorial Department | |||
| Tony Grocki | .... | assistant editor | |
| Michelle Harrison | .... | associate editor | |
| Russell Langille | .... | first assistant editor: film | |
| Judy Moon | .... | post-production assistant | |
| Brigitte Rabazo | .... | first assistant editor | |
| Shelby Siegel | .... | second assistant editor | |
Music Department | |||
| Robert Mackintosh | .... | music supervisor | |
| Bill Pearson | .... | music engineer | |
| Patrick Russ | .... | orchestrator | |
| Toby Wood | .... | music recording engineer | |
Transportation Department | |||
| Tom Heilig | .... | transportation captain: New York | |
| Ron Hilts | .... | head driver | |
| Vic Nowak | .... | transportation co-captain: New York | |
| Jay Palomino | .... | transportation coordinator: Florida | |
| Nick Sweetman | .... | transportation coordinator | |
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| The Last Seduction | Before the Devil Knows You're Dead | Closer | The House of the Spirits | Intermission |
|
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb UK section |
We all know that Paul Schrader is a sober son of the Dutch
Reformation Church. Still, I'd love to have a taste of the
crack he was smoking when he wrote this flaming lulu, a
painfully sincere and heartfelt tribute to undying love that
suggests Stanley Kubrick singing "Love Theme from Mahogany" a cappella.
Apparently an attempt to capture the spirit of Scott Spencer's novel "Endless Love" (so famously lost by Franco Zeffirelli), FOREVER MINE posits Joseph Fiennes
(he of the smoldering, gotta-have-you eyebrows) as a Miami cabana boy who messes with the wrong guy's wife--Gretchen Mol as the secretarial cutie who married
gnarly Mr. Big (Ray Liotta). Before you can say AGAINST
ALL ODDS, Mr. Big is coming down hard on Cabana Boy--only, in Schrader's world, this means more mutilations, burials alive, disguises, funny accents, and
villainous moustache-twirlings than in the entirety of
Shakespeare's CYMBELINE.
Schrader claimed he wanted to go back to the nineteenth
century. And indeed, the over-the-top melodrama suggests
a desperate attempt to flee fin-de-siecle irony. But it's
always a train wreck when cerebral directors try to let go of
their book-learning and Open Themselves to Feeling. FOREVER MINE suggests a cable-movie version of Robert Bresson's two wackadoody salutes to cute young boys, FOUR NIGHTS OF A DREAMER and THE DEVIL PROBABLY; Fiennes greets Mol in a seedy motel room on which he has spray painted the words, "GIVE ALL TO LOVE." (That was the tagline of the movie's abortive theatrical run.) Like Kubrick in EYES WIDE SHUT, Schrader
tries to peel off his layers of coldness and ratiocination--but
any movie that opens with a quote from Walter Pater suggests that the filmmaker is more suited to analyzing
melodrama than expressing it.
For all the tropical gloss put on it by the great cinematographer John Bailey, FOREVER MINE has a giggle-inducing quality that's unique even to bad Schrader
movies. (In one scene, Fiennes leaves an ambivalent Mol
in her hotel room. As he walks away, he bumps his head
into a palm frond, stops, and seems to look back at the
palm frond. Fade to black. Does Schrader equate Douglas
Sirk with Ed Wood?) Now that he's expressed his inner lovesick sap, maybe Schrader can go back to who he really
is--a cold, alienated, God-haunted, overeducated freak
from Michigan who's also the greatest living writer of
movies.