Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.
Sarah Taylor, a police psychologist, meets a mysterious and seductive young man, Tony Ramirez, and falls in love with him. As a result of this relationship, she changes her personality when... See full summary »
Rebecca De Mornay,
Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his... See full summary »
A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer.
Michael "Jay" Cochran has just left the Navy after 12 years. He's not quite sure what he's going to do, except that he knows he wants a holiday. He decides to visit Tiburon Mendez, a ... See full summary »
When Fred Frenger gets out of prison, he decides to start over in Miami, Florida, where he starts a violent one-man crime wave. He soon meets up with amiable college student/prostitute ... See full summary »
Jennifer Jason Leigh
Two stories, 14 years apart, converge in a suburb of New York. Manuel Esquema, an international financier, whose face is badly scarred, is flying from Miami to help a New York politician negotiate a plea bargain with the Justice Department. Years before, this financier was a fresh-faced cabaña boy at a Miami Beach resort who fell in love with a young woman on holiday with her husband. The husband is now the pol, and he thinks he dispatched the cabaña boy long ago. What are Esquema's plans: revenge, mercy, or a complicated plan to seek again the woman's love? Written by
The movie opens in 1987, then goes to "14 Years Earlier", making it 1973. In the first disco scene, Ella Brice is seen dancing to "Rock The Boat" by The Hues Corporation. That song was not released until February of 1974. See more »
"Forever Mine" is not a good film. The script is highly formulaic and dull, the characters are one-dimensional, there are several holes in the plot, and the ending manages to be both cliched and unsatisfying. It is worth watching only for two nude scenes from the wonderful and lovely Gretchen Mol, who hasn't done much of that at all. If you're a fan of hers, you won't be disappointed here.
Watching this cheese, I was reminded of "Strange Days", where Joseph Fiennes' brother Ralph was locked inside a picture almost as bad as this one. The Fiennes brothers certainly can act, and Joseph does his best here to keep the wooden lines fresh. Gretchen Mol lights up the screen no matter what she's in, but one can only wonder why these very good actors are stuck in such a bad movie. Weren't there any more intelligent scripts around to do than this one? Ray Liotta is strictly on auto-pilot for this film.
The story here is simple - jealousy, adultery, revenge, etc. Movies like this put some basic elements together, and then count on the magnetism of the stars to enlist the audience's attention. But if the characters have nothing but stupid lines to say, how can we care about them? 4/10, and only Mol's scenes make me go that high.
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