| Philippe Gasté | ... | Bernard | |
| Anne Libert | ... | Barbara | |
| Pierre Danny | ... | Maurice | |
| Pascale Arcia | ... | Baccara | |
| Julia Tomas | ... | Dana (as Nanic Gordana) | |
| Fernand Berset | |||
| Nanette Corey | |||
| Michel Delahaye | |||
| Marcel Gassouk | |||
| Jacques Jeannet | |||
| Alain Nader | |||
| Lucette Querou | |||
| André Robert | |||
| Amanda | |||
| rest of cast listed alphabetically: | |||
| Claudine Beccarie | |||
| Christian Gion | ... | Le metteur en scène | |
Directed by | |||
| Christian Gion | (as Bernard Legrand) | ||
Writing credits(in alphabetical order) | ||
| Philippe Gasté | ||
| Christian Gion | (as Bernard Legrand) | |
Original Music by | |||
| Alan Reeves | |||
Cinematography by | |||
| Lionel Legros | |||
Second Unit Director or Assistant Director | |||
| Bernard Cohn | .... | first assistant director | |
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| Women Behind Bars | L'insegnante viene a casa | The Schoolteacher Goes to Boys' High | L'amour fou | Le Grand Amour |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section |
Naturally we are not talking great movie making here, but this little mid seventies French soft core is a very watch able and above average example of the type of film the French were making for a particular market in the early 70s. The girls are lovely, as are the costumes and with well photographed and attractive settings and interiors there is a good humoured feel to the whole. Fortunately we also get plenty of skin. Male and female and all of it pleasant to look at as one would expect from a nation who often made its porno look more like lingerie ads. The editing is diabolical, leading one to wonder if there were indeed once hardcore elements but it seems unlikely just badly cut down, probably to fit some double bill. Shame.