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But I'm a Cheerleader (1999) More at IMDbPro »

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175 comments in total

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55 out of 61 people found the following comment useful :-
Quite brilliant., 11 February 2002
Author: Devyalento Latchford Deschanel from London, England

Although on paper this might seem quite offensive to some people, But I'm A Cheerleader is actually a stunning film. A film based around a homosexual rehabilitation commune may be a sensitive and distressing issue, but this film handles it perfectly, by not taking sides and making it a comedy. It plainly shows you the ridiculousness of such a situation but also shows you how people can become so engulfed by it and their own beliefs, and also making it one of the funniest films I've seen for a long while.

Natasha Lyonne is excellent as Megan, a girl who isn't given a chance to fully realise she is a lesbian, and is carted off to "True Directions", led by the rather scary Mary .J. Brown. There, with other "confused" teenagers, she goes on a quest to find her "true destiny" as a happy heterosexual. Although, things do not go to plan, and Megan falls in love with fellow resident Graham, who sees the horror of the whole place. The film has many nice touches that make it all the more enjoyable, such as Mary having an extremely camp son (played by the rather damn gorgeous Eddie Cibrian) and also having her colleague played by the legendary RuPaul, in a rare dragless turn.

This film excels in having both humorous and heartbreaking moments. It intertwines classic comedy and tearful reality with ease. You'll have the boys salivating over Mary's son Rock one moment and a rather devastating scene where student Jan tries to convey that she isn't really gay at all, but was forced here. When this film wants to put it's message across it does, and scenes such as Graham's father telling her graduate or she's on her own really do have an impact. But where this film really wins is in it's way that it does not take sides. Mary does not see the error of her ways throughout the film and remains firm in her homophobic beliefs.

This film isn't about trying to change people's opinions, it's simply presenting a situation and leaving people to make up their own minds. It's also a comedy, and a very funny one at that, with some glittering performances from all, especially, Lyonne, Clea DuVall and Cathy Moriarty. This film may not be to everyone's taste, but it's perfect for whatever mood you find yourself in. Definitely a triumph.

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50 out of 68 people found the following comment useful :-
fun clever comedy, 15 August 2001
Author: Roland E. Zwick (magneteach@aol.com) from United States

As gays and lesbians have achieved more and more acceptance in our society, a countervailing force – led mostly by conservative religious organizations - has been rearing its head in recent years. The movement is often referred to as `reparative therapy,' the rather absurd notion that, with just a little grit, determination and behavior modification, homosexuals can be `cured' of their `illness' and groomed to take their place as fine, upstanding members of the heterosexual community. Certain `treatment centers' dedicated to this dubious cause have even begun to spring up in areas around the country, modeling themselves after 12-step programs like Alcoholics Anonymous.

The makers of `But I'm a Cheerleader' have chosen to have a little fun with the concept, imagining one of these centers in almost surrealistic terms. Sweet-faced Natasha Lyonne stars as Megan, a regular teenager happily content to give her all to her cheerleading squad and only mildly confused as to why she can't seem to get quite as excited by her boyfriend as by thoughts of her buxom cheerleader buddies. Suspecting her of being a lesbian – long before Megan herself does, actually – her `concerned' parents, friends and boyfriend cart her off to True Directions, a treatment center tucked safely away in the country. In this bucolic setting, Megan and a group of other `deviants' are put through the rigors of a 5-step therapy program which includes admitting their homosexuality, undergoing gender role playing and even `practicing' man/woman sexual behavior under the stern tutelage of the mistress of the place. In keeping with the near-surrealism of the subject matter, the center is done up in an almost Montessori school motif, with bold colored walls and furniture somehow emphasizing the cold, inhuman sterility of the setting.

`But I'm a Cheerleader' is, by no means, a great or entirely successful comedy. Its attempts at humor, particularly in its opening scenes, seem a bit forced and heavy-handed at times. Moreover, the tone shifts a bit uneasily every so often, running the gamut from stylized absurdity to heartbreaking seriousness. Still, the undisciplined messiness is really part of the film's overall charm. It removes the work from the same category as all those ultra-slick bubble-headed comedies about teens that major studios seem to release with frightening regularity. And the movie does have many laugh-out-loud moments of inspired lunacy, showing to what preposterous lengths many straights and even some pressured gays will go in order to `correct' the uncorrectable. We see the girls being given instructions on how to use a vacuum cleaner, wear makeup and change diapers. The boys are instructed in the fine arts of wood chopping, throwing a football and fixing cars. These scenes work, in particular, not only for their comic effectiveness but their underlying poignancy, as these scared youngsters – many threatened with disownment by their parents if they don't `straighten up' – give it their all, against all hope, to truly change, to deny the very person their raging hormones are screaming at them to be.

The movie also manages to make the gay characters seem real and believable. Thanks to a superb cast, many of the teens emerge as touching, three-dimensional people rather than the cartoon characters that they might have become in a similar film of this kind - particularly when it would be so easy for them to become so in the face of the caricatures of parents and camp counselors who swirl around them in this highly stylized setting. Prime among these is Cathy Moriarty, brilliant as Mary, the prim and proper leader of the establishment, a woman whose righteous wrong-headedness the actress captures to a comic tee. In contrast, Rue Paul, out of drag for once, gives a superbly understated performance as an `ex-gay' now working for the enemy. Among the teens, Lyonne and Clea DuVall, as the girl Megan falls in love with, are the obvious standouts. They turn these potentially cardboard comic characters into full-sized, instantly recognizable young women filled with yearning, confusion and a desire to both please others and be true to themselves.

And that is the ultimate message of this film. Though done in an absurd way, the movie strives to point out that all of us must be allowed to be who we are and to live the life that best suits us. Whether we are gay, straight or whatever, that's a philosophy of life we all need to be reminded of from time to time.

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33 out of 40 people found the following comment useful :-
"5,6,7,8, god is good, god is straight!", 20 December 2003
Author: ashisthegal from Florida

*** This comment may contain spoilers ***

This movie definitely doesn't have as much recognition as it deserves.

I absolutely love this movie. I appreciate its comedy, and its love story, and the valuable lesson it tries to get across its audience: Just Be Yourself!

This movie is about a typical teenage girl named Megan Bloomfield living in a suburban neighborhood. She's got is all, looks, popularity, the jock boyfriend, and also, she's head cheerleader! But there is something odd about this girl that no one can put their finger on. Why does she seem so disinterested in making out with her boyfriend? Why does she have pictures of girls in her locker? Why does she eat TOFU? There must be only one answer: She's totally, 100%...GAY! It's the only reason for the way she's behaving, so off her parents force her to go, to a rehab camp called True Directions for Gay People. Six weeks in this place and you come out straight as a pin, they claim.

Going in, Megan doesn't think she's gay, but it only takes her a few days to think otherwise. Soon she is doing all the exercises to make herself normal again.

Then she meets bad girl lesbian Graham Eaton, a girl that shares a room with her. Well at first, the two hate each other, but then soon afterwords, become friends. Graham tells her that no one can change who you are, but Megan is determined to graduate. Suddenly, the relationship between the two of them becomes more than friends, and Megan realizes she wants to be with Graham, and it doesn't matter what anyone else says, she will always be Megan, head cheerleader, and lesbian.

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34 out of 42 people found the following comment useful :-
Campy on Purpose, 9 January 2005

Author: AyngelKaimus from United States

Incredible social commentary. Yes, It's a little campy, but it's all supposed to be that way. It's an amusing look at attempting to 'rehab" homosexuals with therapy and "finding their roots". Great acting all around, excellent writing.

Personally, it was the subtle things that did it for me. Mary's son was funny, and the cut-outs (just pay attention to the boys' lessons) were Hilarious. I thought it was a great tongue-in-cheek way of saying "okay, this is stupid, we need to let them be" for the gay community.

If you're in the mood for a lot of laughing, and RuPaul out-of-drag to boot, rent this one.

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24 out of 29 people found the following comment useful :-
Worth a Look, 26 October 2005

Author: maxwell46112 from United States

I was fortunate enough to catch "But I'm a Cheerleader" last night, and I must say the only thing that bothered me was the fact that I hadn't stumbled upon it sooner.

Megan Bloomfield is a beautiful blonde, who seems to have the life that every girl has once dreampt of. She is a popular cheerleader, dating the captain of the football team. All seems well until she arrives home from school one day. Megan's family and friends confront her, and in classic Intervention fashion proceed to tell her what they KNOW to be the truth: That she is a repressed lesbian. She is sent into a "Rehab" program ran by "Reformed" gays and lesbians. What could possibly go wrong?

I believe it is worth mentioning that this film has an early John Waters feel to it. Mink Stole, who has been in every John Waters movie beginning in 1966, plays the role of Megan's Mother Nancy.

If campy humor and love catch your eye, check it out. It might make you think a little, and it's sure to give you a few laughs.

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24 out of 29 people found the following comment useful :-
NOT your usual angst-ridden coming out film..., 28 July 2000

Author: Doug Phillips (janabro@aol.com) from Seattle, Washington

This is a completely different take on any 'coming out' movie I have ever seen - but with RuPaul as a former homosexual turned 'conversion therapist,' it would pretty much have to be!

Mink Stole is delightfully smarmy as Amanda's (Natasha Lyonne) mother who sends Amanda the cheerleader to `True Directions' a homosexual deprogramming camp - camp being the key word - mostly based on the fact that she doesn't like her quarterback boyfriend's extremely wet and sloppy kisses and (heaven forbid!) she has a poster of Melissa Etheridge in her bedroom.

The camp is a wonderful, non-stop visual joke.

The girl's bathroom has literally thousands of daisies attached to the walls. Their bedroom is a riot of pink satin, ribbons and lace worthy of Mae West.

The girls have to wear pink uniforms and do housework; the boys are in blue and have to learn to chop wood, work on cars and learn football. Watching RuPaul work on a car is worth the price of admission alone.

Each of the kids has a 'root,' - the reason they became gay: ranging from `a traumatic bris' to `my mother got married in pants.'

Larry and Lloyd (Richard Moll and Wesley Mann, respectively) are priceless as two of the first clients of True Direction and are now self described ex-ex-gays. They rescue kids via the 'underground homo railroad' with the message `that no matter who you are, be yourself.'

They are an absolute delight.

The final 'graduation scene' which wraps up the film very nicely is a real gem - I didn't know they made lavender fatigues!

There were some real standout performances - Dante Basco as Dolph and Clea DuVall as Graham deserve special recognition.

Don't run out as soon as the credits start rolling: There is one last scene that seals this film with just the perfect touch.

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30 out of 41 people found the following comment useful :-
Satiric delight, 27 July 2000
Author: Matthew Ignoffo (mermatt@webtv.net) from Eatontown, NJ, USA

This film is a biting and hilarious parody of people who not only force themselves into artificial molds but also feel the to make other people fit the same stereotypical molds. The main attack of the satire is on the delusion that homosexuals can be cured by people who are themselves repressed homosexuals.

Deliciously silly victorian roles of males and females are superimposed on the teenagers who struggle not to be who they really are. But the garishly-colored costumes of the 1950's "Father Knows Best" and "Leave It To Beaver" style are as incongruous as the fake role-playing. In the end, at least some of the young victims of this cruelty escape to face a life of being themselves.

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22 out of 33 people found the following comment useful :-
Quite brilliant., 7 February 2002
Author: Devyalento Latchford Deschanel from London, England

Although on paper this might seem quite offensive to some people, But I'm A Cheerleader is actually a stunning film. A film based around a homosexual rehabilitation commune may be a sensitive and distressing issue, but this film handles it perfectly, by not taking sides and making it a comedy. It plainly shows you the ridiculousness of such a situation but also shows you how people can become so engulfed by it and their own beliefs, and also making it one of the funniest films I've seen for a long while.

Natasha Lyonne is excellent as Megan, a girl who isn't given a chance to fully realise she is a lesbian, and is carted off to "True Directions", led by the rather scary Mary .J. Brown. There, with other "confused" teenagers, she goes on a quest to find her "true destiny" as a happy heterosexual. Although, things do not go to plan, and Megan falls in love with fellow resident Graham, who sees the horror of the whole place. The film has many nice touches that make it all the more enjoyable, such as Mary having an extremely camp son (played by the rather damn gorgeous Eddie Cibrian) and also having her colleague played by the legendary RuPaul, in a rare dragless turn.

This film excels in having both humorous and heartbreaking moments. It intertwines classic comedy and tearful reality with ease. You'll have the boys salivating over Mary's son Rock one moment and a rather devastating scene where student Jan tries to convey that she isn't really gay at all, but was forced here. When this film wants to put it's message across it does, and scenes such as Graham's father telling her graduate or she's on her own really do have an impact. But where this film really wins is in it's way that it does not take sides. Mary does not see the error of her ways throughout the film and remains firm in her homophobic beliefs.

This film isn't about trying to change people's opinions, it's simply presenting a situation and leaving people to make up their own minds. It's also a comedy, and a very funny one at that, with some glittering performances from all, especially, Lyonne, Clea DuVall and Cathy Moriarty. This film may not be to everyone's taste, but it's perfect for whatever mood you find yourself in. Definitely a triumph.

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18 out of 27 people found the following comment useful :-
Fun, Fun, Fun!!, 31 July 2001

Author: spider63 from United States

This movie is hilarious!!! Richard Moll has a great role, and so does Cathy Moriarty. The premise is that most straight parents would probably like to send their gay & lesbian kids to some kind of school for heterosexual rehabilitation. The school and the Headmistress (Moriarty) tries hard to really help these kids (in a tongue in cheek manner), and that just makes the movie funnier! The message is that we are who we are? Perhaps we are who we eat? But it is all fun, and while there are some philosophical issues; the school is played for laughs, and the kids are not degraded or verbally abused beyond having to go to that school. Their ideas and reactions to the situations are wholesome and heartwarming and show that kids are kids regardless of orientation. The surprise ending is funny, and the movie leaves you with a positive feeling.

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4 out of 6 people found the following comment useful :-
Not your usual love story!, 6 February 2008

Author: xtremeguy from United States

But I'm A Cheerleader was a great look at what Hollywood rarely looks at. Gays. It was a beautiful and funny movie with a great cast. Jamie Babbit Directed her young cast brilliantly and the cast should be commended on the believability of their characters. Each actor and actress really becomes the role. Admititly it is not without its drawbacks. Some of the scenes went to fast and we were not able to soak in the jokes. In some scenes the actors who payed the gay men did over act their roles a bit but i suppose they had to. Really needs two viewings to appreciate it more. Also anyone who does not get moved by 'that cheer' must be made of stone. A great movie for anyone in the closet or anyone just looking for a good feel-good-movie.

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