| Videos (see all 2) |
Directed by | |||
| Jamie Babbit | |||
Writing credits | ||
| Brian Wayne Peterson | (screenplay) | |
| Jamie Babbit | (story) | |
Produced by | |||
| Effie Brown | .... | line producer (as Effie T. Brown) | |
| Michael Burns | .... | executive producer | |
| Marc Butan | .... | executive producer | |
| Leanna Creel | .... | producer | |
| Andy Kaplan | .... | co-executive producer | |
| Donald Kushner | .... | executive producer | |
| Peter Locke | .... | executive producer | |
| Alexis Magagni-Seely | .... | co-executive producer | |
| Andrea Sperling | .... | producer | |
Original Music by | |||
| Pat Irwin | |||
Cinematography by | |||
| Jules Labarthe | (director of photography) | ||
Film Editing by | |||
| Cecily Rhett | |||
Casting by | |||
| Sheila Jaffe | |||
| Julia Kim | |||
| Georgianne Walken | |||
Production Design by | |||
| Rachel Kamerman | |||
Art Direction by | |||
| Macie Vener | |||
Costume Design by | |||
| Alix Friedberg | |||
Makeup Department | |||
| Walter Kenyon | .... | assistant hair stylist | |
| Walter Kenyon | .... | assistant makeup artist | |
| Rosemary Lawrence | .... | key makeup artist | |
| Michele Lewis | .... | assistant hair stylist | |
| Michele Lewis | .... | assistant makeup artist | |
| Nicholas Serino | .... | key hair stylist | |
Production Management | |||
| Effie Brown | .... | unit production manager (as Effie T. Brown) | |
| Ross Guidici | .... | post-production supervisor | |
| Wendy Kutzner | .... | production supervisor (as Wendy J. Kutzner) | |
Second Unit Director or Assistant Director | |||
| James Barrett | .... | second second assistant director | |
| Van Hayden | .... | first assistant director | |
| Linns Williamson | .... | second assistant director | |
Visual Effects by | |||
| Tony Venezia | .... | digital effects: THDX | |
| Christopher Dusendschon | .... | in-show optical process and effects compositor: THDX (uncredited) | |
| Christopher Dusendschon | .... | optical element Hazeltine colorist: THDX (uncredited) | |
Camera and Electrical Department | |||
| Mike Bergstrom | .... | first assistant camera | |
| Kevin Cadwallader | .... | electrician | |
| Eric Cross | .... | best boy grip | |
| Amy Hoffecker | .... | electrician | |
| Jeffrey G. Hunt | .... | Steadicam operator (as Jeffrey Hunt) | |
| Patrick Lennon | .... | gaffer (as Packy Lennon) | |
| Mark Lipson | .... | still photographer | |
| Denis Maloney | .... | camera operator: "b" camera (as Dennis Maloney) | |
| Eamon McGillicuddy | .... | key grip | |
| Gabe Miller | .... | grip (as Gabriel Miller) | |
| John M. Plume | .... | electrician | |
| Beth Puorro | .... | second assistant camera | |
| David C. Romano | .... | grip (as David Christian Romano) | |
| David A. Seekins | .... | camera loader (as David Seekins) | |
| Jandy Sexton | .... | grip | |
| Joann Sweiven | .... | best boy electric | |
| Chris Thornton | .... | grip | |
| Michael Valenzuela | .... | grip | |
| Jon Weiner | .... | electrician (as Jonathan M. Weiner) | |
Casting Department | |||
| Sherry Aude | .... | extras casting: Millennium Casting | |
| Victor Dagan | .... | extras casting: General Casting | |
| Jessie Disla | .... | casting associate | |
Costume and Wardrobe Department | |||
| Kimmie Furlong | .... | costume supervisor | |
| Frank Helmer | .... | set costumer | |
| Larry Karns | .... | tailor | |
| Kim Kottler | .... | wardrobe intern | |
Editorial Department | |||
| Jon Cinman | .... | post-production assistant | |
| Adam Clark | .... | color timer | |
| Bryson Jones | .... | avid technician | |
| Mike Knibbs | .... | post-production assistant | |
| Mary Nelson-Duerrstein | .... | negative cutter: Executive Cutting | |
| Joel T. Pashby | .... | assistant editor | |
Music Department | |||
| Ryan Brown | .... | assistant music supervisor | |
| William Garrett | .... | music producer | |
| William Garrett | .... | music recordist | |
| Pat Irwin | .... | musician: guitars, keyboard | |
| Sara J. Seiver | .... | musician: cellist | |
| Stephen E. Smith | .... | music supervisor | |
| Greg Vossberg | .... | music editor | |
| David Falzone | .... | music consultant (uncredited) | |
Transportation Department | |||
| Tom Calzia | .... | transportation captain | |
| Jeffrey F. Jones | .... | driver (as Jeff Jones) | |
| Luis Mata | .... | driver | |
| Manuel Ruiz | .... | driver | |
| Steve Shoemaker | .... | driver | |
| Kevin Simmons | .... | driver | |
| Darcy Souza | .... | driver | |
| Travis Stake | .... | driver | |
| Vaughn Wahlen | .... | driver | |
| Greag Waldrop | .... | transportation coordinator | |
Other crew | |||
| Ray Amador | .... | location intern | |
| Jose Avitia | .... | titles and opticals: Title House | |
| Michael Back | .... | set production assistant | |
| Blake Busby | .... | titles and opticals: Title House | |
| Genevieve Chalom | .... | assistant: Ms. Creel | |
| Lara Cody | .... | adr loop group | |
| Nicole Colombie | .... | production secretary | |
| Robert Darwell | .... | legal counsel: Troup, Steuber, Rasich, Reddick & Tobey (as Robert A. Darwell) | |
| Shawn Davis | .... | production coordinator | |
| Karen Marls Dimwiddie | .... | assistant accountant | |
| Michael Enriquez | .... | set production assistant | |
| Kai Ephron | .... | location manager | |
| Ted Gidlow | .... | production executive: Ignite | |
| Kent Hamilton | .... | production insurance | |
| Candice Hinds | .... | choreographer: cheerleaders | |
| Ben Hines | .... | set production assistant | |
| Heather Jones | .... | choreographer: cheerleaders | |
| Nikki Kelber | .... | unit publicist: MPRM | |
| Nikki LaRosa | .... | office production assistant | |
| Sandy Laureno | .... | craft service | |
| Michael Lawson | .... | unit publicist: MPRM | |
| Monika Lowe | .... | set production assistant | |
| Bernice Moschini | .... | production accountant (as Bernice B. Moschini) | |
| Jonathan Nichols | .... | adr loop group | |
| Mark Patterson | .... | key set production assistant | |
| Jennifer Rae Smith | .... | titles and opticals: Title House | |
| Irwin M. Rappaport | .... | production attorney (as Irwin M. Rappaport Esq.) | |
| Kristi Reed | .... | epk: Farm Fresh Productions | |
| Michael Reisz | .... | adr loop group | |
| Dan Riley | .... | legal assistant | |
| Ian Root | .... | assistant location manager | |
| Tino Sage | .... | epk: Farm Fresh Productions | |
| Marcia Scanlon | .... | office production assistant | |
| Pat Scanlon | .... | production coordinator | |
| Eddie Schmidt | .... | hot gluer | |
| Marianne Shiffrar | .... | payroll accountant | |
| Michael Sipes | .... | post-production accountant (as Michael D. Sipes) | |
| Robert 'Skid' Skidmore | .... | set production assistant | |
| Winnie Tanaka | .... | script supervisor (as Carrie 'Winnie' Tanaka) | |
| Daisy Tormé | .... | adr loop group | |
| Truman Van Dyke | .... | production insurance | |
Thanks | |||
| Keith Allan | .... | thanks | |
| Mark Allan | .... | thanks | |
| Gregg Araki | .... | thanks | |
| Harold Babbit | .... | thanks | |
| Nikki Babbit | .... | thanks | |
| Jen Baers | .... | thanks: Digital Soup | |
| Scott Bernstein | .... | thanks | |
| Tom Bianchi | .... | thanks | |
| Ridge Blackwell | .... | thanks | |
| L.D. Brinkman | .... | thanks | |
| Pete 'The Chairman' Burns | .... | thanks | |
| Melissa Busby | .... | thanks | |
| Fernando Cardenas | .... | thanks | |
| Chic Chaldu | .... | thanks: Sony Pictures Studios, Property | |
| Morty Coyle | .... | thanks | |
| Winston Creel | .... | thanks | |
| Rachel deBrier | .... | thanks | |
| David Drake | .... | thanks | |
| Julia Drumheller | .... | thanks (as Julie Drumheller) | |
| Clea DuVall | .... | thanks | |
| Melissa Etheridge | .... | thanks: Island/Polygram Records & WF Leopold Management | |
| Keythe Farley | .... | thanks | |
| Robert Farrior | .... | thanks (as Rob Farrior) | |
| Michael Fisher | .... | thanks | |
| Molly Fitzsimons | .... | thanks (as Molly FitzSimons) | |
| R. Lee Fleming Jr. | .... | thanks (as Lee Fleming) | |
| Matt Frauman | .... | thanks | |
| Morgan J. Freeman | .... | thanks | |
| Ari Gold | .... | thanks | |
| Kal Gowdy | .... | thanks | |
| Enid Graddis | .... | thanks | |
| David Hagberg | .... | thanks (as Dave Hagberg) | |
| Martha Haight | .... | thanks | |
| Christopher Johnson | .... | thanks | |
| Mark Kaplan | .... | thanks | |
| Heather Kindberg | .... | thanks | |
| Josh Kramon | .... | thanks | |
| Steven Levy | .... | thanks | |
| Patty Long | .... | thanks | |
| Christopher Makos | .... | thanks | |
| Tony Maxwell | .... | thanks | |
| Jeffrey Nicholson | .... | thanks | |
| Narween Otto | .... | thanks | |
| Christine Palczynski | .... | thanks | |
| Julie Pearce | .... | thanks | |
| Jodi Peikoff | .... | thanks | |
| Angela Robinson | .... | thanks | |
| Victoria Robinson | .... | thanks | |
| Matt Saver | .... | thanks (as Matthew Saver) | |
| Joan Scheckel | .... | thanks | |
| Jenny Shimizu | .... | thanks | |
| Parker Shipp | .... | thanks | |
| Debi Shockley | .... | thanks | |
| Ione Skye | .... | thanks | |
| Kelly Sounders | .... | thanks | |
| Lara Spotts | .... | thanks | |
| Sean O. Strub | .... | thanks (as Sean Strub) | |
| Joel Unangst | .... | thanks | |
| Scott Valentine | .... | thanks: Sony Pictures Studios, Property | |
| Andrew Volk | .... | thanks: B. Black and Sons | |
| Barney Volk | .... | thanks: B. Black and Sons | |
| Jan Watkin | .... | thanks | |
| Kim Welsh | .... | thanks | |
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As gays and lesbians have achieved more and more acceptance in our society, a countervailing force led mostly by conservative religious organizations - has been rearing its head in recent years. The movement is often referred to as `reparative therapy,' the rather absurd notion that, with just a little grit, determination and behavior modification, homosexuals can be `cured' of their `illness' and groomed to take their place as fine, upstanding members of the heterosexual community. Certain `treatment centers' dedicated to this dubious cause have even begun to spring up in areas around the country, modeling themselves after 12-step programs like Alcoholics Anonymous.
The makers of `But I'm a Cheerleader' have chosen to have a little fun with the concept, imagining one of these centers in almost surrealistic terms. Sweet-faced Natasha Lyonne stars as Megan, a regular teenager happily content to give her all to her cheerleading squad and only mildly confused as to why she can't seem to get quite as excited by her boyfriend as by thoughts of her buxom cheerleader buddies. Suspecting her of being a lesbian long before Megan herself does, actually her `concerned' parents, friends and boyfriend cart her off to True Directions, a treatment center tucked safely away in the country. In this bucolic setting, Megan and a group of other `deviants' are put through the rigors of a 5-step therapy program which includes admitting their homosexuality, undergoing gender role playing and even `practicing' man/woman sexual behavior under the stern tutelage of the mistress of the place. In keeping with the near-surrealism of the subject matter, the center is done up in an almost Montessori school motif, with bold colored walls and furniture somehow emphasizing the cold, inhuman sterility of the setting.
`But I'm a Cheerleader' is, by no means, a great or entirely successful comedy. Its attempts at humor, particularly in its opening scenes, seem a bit forced and heavy-handed at times. Moreover, the tone shifts a bit uneasily every so often, running the gamut from stylized absurdity to heartbreaking seriousness. Still, the undisciplined messiness is really part of the film's overall charm. It removes the work from the same category as all those ultra-slick bubble-headed comedies about teens that major studios seem to release with frightening regularity. And the movie does have many laugh-out-loud moments of inspired lunacy, showing to what preposterous lengths many straights and even some pressured gays will go in order to `correct' the uncorrectable. We see the girls being given instructions on how to use a vacuum cleaner, wear makeup and change diapers. The boys are instructed in the fine arts of wood chopping, throwing a football and fixing cars. These scenes work, in particular, not only for their comic effectiveness but their underlying poignancy, as these scared youngsters many threatened with disownment by their parents if they don't `straighten up' give it their all, against all hope, to truly change, to deny the very person their raging hormones are screaming at them to be.
The movie also manages to make the gay characters seem real and believable. Thanks to a superb cast, many of the teens emerge as touching, three-dimensional people rather than the cartoon characters that they might have become in a similar film of this kind - particularly when it would be so easy for them to become so in the face of the caricatures of parents and camp counselors who swirl around them in this highly stylized setting. Prime among these is Cathy Moriarty, brilliant as Mary, the prim and proper leader of the establishment, a woman whose righteous wrong-headedness the actress captures to a comic tee. In contrast, Rue Paul, out of drag for once, gives a superbly understated performance as an `ex-gay' now working for the enemy. Among the teens, Lyonne and Clea DuVall, as the girl Megan falls in love with, are the obvious standouts. They turn these potentially cardboard comic characters into full-sized, instantly recognizable young women filled with yearning, confusion and a desire to both please others and be true to themselves.
And that is the ultimate message of this film. Though done in an absurd way, the movie strives to point out that all of us must be allowed to be who we are and to live the life that best suits us. Whether we are gay, straight or whatever, that's a philosophy of life we all need to be reminded of from time to time.