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Moonlight Mile (2002)

 -  Drama | Romance  -  4 October 2002 (USA)
6.7
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Ratings: 6.7/10 from 11,054 users   Metascore: 59/100
Reviews: 145 user | 108 critic | 34 from Metacritic.com

As he copes with the death of his fiancee along with her parents, a young man must figure out what he wants out of life.

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Cast

Cast overview, first billed only:
...
...
...
...
Cheryl
Richard Messing ...
Rabbi
Lev Friedman ...
Cantor
...
Server #1 (as Robert Clendenin)
Jim Fyfe ...
Server #2
Mary Ellen Trainor ...
Mrs. Meyerson
...
Mr. Meyerson
Marcia Mitzman Gaven ...
Fashion Plate
...
Stan Michaels
...
...
Diana Floss
Gary Hetzler ...
Speedwalker
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Storyline

A young man lingers in the family home of his fiancee, after her accidental death. While grieving along with her parents and drawn into legal issues presented by a district attorney seeking justice for the family, he finds himself falling in love with another woman, against his own best intentions. Written by Eileen Peterson, unit publicist

Plot Summary | Add Synopsis

Taglines:

In life and love, expect the unexpected.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some sensuality and brief strong language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Language:

|

Release Date:

4 October 2002 (USA)  »

Also Known As:

Baby's in Black  »

Filming Locations:

 »

Box Office

Budget:

$21,000,000 (estimated)

Opening Weekend:

$109,295 (Japan) (27 June 2003)

Gross:

$380,376 (Japan) (11 July 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Writer/director Brad Silberling wrote the characters of Ben and JoJo Floss with Dustin Hoffman and Susan Sarandon in mind. See more »

Goofs

The jukebox in the bar could not have played "Moonlight Mile" by The Rolling Stones. That song was never released on a single. See more »

Quotes

Joe Nast: [speaking to Bertie as she cries with her face turned away from him] Please let me see you. I want to see you.
[Bertie turns to Joe and they kiss]
See more »

Crazy Credits

The credits end with "For all our loves...departed, or yet to arrive..." See more »

Connections

Referenced in Film Geek (2005) See more »

Soundtracks

Hymn 43
Written by Ian Anderson
Published by Chrysalis Music (ASCAP)
Performed by Jethro Tull
Courtesy of Chrysalis Records
Under license from EMI-Capitol Music Special Markets
See more »

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User Reviews

 
well-written, well-acted
2 June 2003 | by (Toronto, Canada) – See all my reviews

Jake Gylenhaal reprises (see: Donnie Darko) the sensitive, slightly confused young man searching for truth and its attendant emotional clarity. The characters (with the possible exception of Sarandon) attempt to hide truth, mostly from themselves, with silence and various feats of mental slight of hand. When all is finally revealed, I would have liked to believe that the characters would act nobly the way they do here, even if the character dialogue up to this point has not given all of them razor sharp definition. However, it is the acting of the cast (especially Hoffmann's) that makes us believe they are the people we see at the end of the movie, and their synergy with Brad Silberling's writing/directing makes the film work. (It is particularly revealing that Silberling had Sarandon and Hoffman in mind when he wrote the original draft; rent DVD if possible) We are convinced of the characters' virtue through well-written dialogue and well thought out character relationships. Would Sarandon's "wickedly honest" character really have married a schmuck? No, indirectly taking the heat off Hoffmann's character to prove himself prior to his ultimate acceptance of the truth. What about Bertie? (played by the lovely Ellen Pompeo - read: attractive, not just another hot airhead) Her involvement with the Gylenhaal character adds an extra twist to the Gylenhall-Sarandon-Hoffman triangle and her presence as a love interest adds levity to an otherwise pretty serious subject, but should she really get as close to the Gylenhaal character as quickly as we're led to believe? What do they have in common? The death of someone close and a Rolling Stones song nobody heard of before the title of this movie. Why did their involvement have to be a rapidly flourishing romantic one? I think an I-like-you-and-you-like-me would have been sufficient to complicate the situations in business and on the home front vis-a-vis Gylenhaal's former relationship with Hoffman and Sarandon's daughter. The rest of the character relationships develop naturally, at a well-measured pace, but this one races miles ahead. This is the only real flaw I found with the movie. The soundtrack is fantastic and also shows vision on the part of Silberling in that he conceived of certain key scenes with these songs in mind.


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