The daughter of a brilliant but mentally disturbed mathematician, recently deceased, tries to come to grips with her possible inheritance: his insanity. Complicating matters are one of her father's ex-students who wants to search through his papers and her estranged sister who shows up to help settle his affairs.
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A young man lingers in the family home of his fiancee, after her accidental death. While grieving along with her parents and drawn into legal issues presented by a district attorney seeking justice for the family, he finds himself falling in love with another woman, against his own best intentions. Written by
Eileen Peterson, unit publicist
When Bertie and Diana's father meet for the first time, she walks up to the his table with the towel in her hands then it on her shoulder in her hand and back and forth without her moving it. See more »
[addressing Ben and Jo-Jo]
We've never actually met. I'm your route manager. I helped Joe here do some bin diving, dig up your invites. Really excellent paper selection.
I... I'm sorry we couldn't complete the postal cycle for you.
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The credits end with "For all our loves...departed, or yet to arrive..." See more »
Written by Elton John and Bernie Taupin
Published by Universal - songs of Polygram Inc. o/b/o Universal
Dick James Music (BMI)
Performed by Elton John
Courtesy of Mercury Records Ltd.
Under licensing from Universal Music Enterprises See more »
This is a very well acted movie that deals with a sudden loss in a family in a better way than I would expect. The movie avoids the usual clichés and through some very strong performances shows us how it could really be. The dead person is the daughter of Ben (Dustin Hoffman) and Jojo (Susan Sarandon), her fiancé named Joe (Jake Gyllenhaal) is now living with them. The girl was murdered, simply because she was in the wrong place at the wrong time. Now Ben and Joe go into business together and the all try to live on in their own ways. Joe befriends a girl named Bertie Knox (Ellen Pompeo) who also has lost someone.
Like I said the subject is handled in a very good way. May be the movie makes some easy choices, especially near the end, but the acting is so good and real here that the movie is easily forgiven. Gyllenhaal plays the same kind of part as he did in 'Donnie Darko' and 'The Good Girl', not the most happy one. He has the best single scene, although overall veterans Hoffman and Sarandon are as good as he is. The best thing though is Ellen Pompeo. Her character has a certain sweetness and nice way of dealing with things and Pompeo finds the perfect note for playing this part. See it for the acting and you will find a lot more.
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