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Moonlight Mile (2002)

 -  Drama | Romance  -  4 October 2002 (USA)
6.7
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Ratings: 6.7/10 from 11,154 users   Metascore: 59/100
Reviews: 145 user | 109 critic | 34 from Metacritic.com

As he copes with the death of his fiancee along with her parents, a young man must figure out what he wants out of life.

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Cast

Cast overview, first billed only:
...
...
...
...
Cheryl
Richard Messing ...
Rabbi
Lev Friedman ...
Cantor
...
Server #1 (as Robert Clendenin)
Jim Fyfe ...
Server #2
Mary Ellen Trainor ...
Mrs. Meyerson
...
Mr. Meyerson
Marcia Mitzman Gaven ...
Fashion Plate
...
Stan Michaels
...
...
Diana Floss
Gary Hetzler ...
Speedwalker
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Storyline

A young man lingers in the family home of his fiancee, after her accidental death. While grieving along with her parents and drawn into legal issues presented by a district attorney seeking justice for the family, he finds himself falling in love with another woman, against his own best intentions. Written by Eileen Peterson, unit publicist

Plot Summary | Add Synopsis

Taglines:

In life and love, expect the unexpected.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some sensuality and brief strong language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

|

Release Date:

4 October 2002 (USA)  »

Also Known As:

Baby's in Black  »

Filming Locations:

 »

Box Office

Budget:

$21,000,000 (estimated)

Opening Weekend:

$109,295 (Japan) (27 June 2003)

Gross:

$380,376 (Japan) (11 July 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Keanu Reeves was considered to play the part of Joe Nast. See more »

Goofs

When Bertie and Diana's father meet for the first time, she walks up to the his table with the towel in her hands then it on her shoulder in her hand and back and forth without her moving it. See more »

Quotes

[Bertie and Joe start slow dancing to the Rolling Stones' "Moonlight Mile"]
Joe Nast: What did I do?
Bertie: You played my song.
See more »

Crazy Credits

The credits end with "For all our loves...departed, or yet to arrive..." See more »

Connections

Referenced in Film Geek (2005) See more »

Soundtracks

I Hear You Knocking
Written by David Bartholomew (as Dave Bartholomew) and Pearl King
Published by EMI Unart Catalog Inc. (BMI)
Performed by Dave Edmunds
Courtesy of Dave Edmunds and Courtesy of EMI Records
Under license from EMI-Capitol Music Special Markets
See more »

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User Reviews

Great performances highlight Moonlight Mile.
12 April 2003 | by See all my reviews

*** out of ****

While not quite a great movie (it just barely misses the mark), Moonlight Mile is still an excellent drama that showcases some of the finest acting talent around, wrapped amidst a beautifully told story of a young man (Jake Gyllenhaal) who's trying to do what everyone expects out of him, but against the desire of following his own heart.

Moonlight Mile plays as a cathartic experience. The premise bears truth to it, as it parallels writer/director Brad Siberling's own real-life experience when his girlfriend was murdered by an obsessive fan. But most importantly, almost every part of this movie feels natural in its emotions and storytelling, not the result of some sentimental hackjob put together by a big studio. Siberling's intent is to portray a normal family dealing with life, loss, and love and whatever obstacles may come their way and he does a fine job of it.

There are moments Moonlight Mile doesn't entirely ring true, but those moments are glossed over by the acting. From Gyllenhaal to Ellen Pompeo to Dustin Hoffman and Susan Sarandon, the cast is uniformly superb. Even though the climax is set in a courtroom (typically the setting for cliche hell in dramas), Gyllenhaal's emotional outpour makes the scene work almost magnificently.

An admittedly very irksome element of the film is the score, which is yet again another rip-off of the music to American Beauty. Moonlight Mile's straightforward, honest approach doesn't match the quirky tone of the score, resulting in a few off-kilter moments of balance. But otherwise, this is a first-rate, truthful drama, and certainly superior to the overrated and similary themed In the Bedroom.


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