A young pathologist seeks answers to the mysterious death of a friend and soon comes into contact with the same cursed videotape that caused the death of the friend's wife and son, which is haunted by the curse of Sadako, a relentless spirit.
After the mysterious death of her niece and other three teenagers on the same hour and with the symptoms of heart attack, the journalist Sun-ju decides to investigate their last moments. ... See full summary »
Reiko Asakawa is researching into a 'Cursed Video' interviewing teenagers about it. When her niece Tomoko dies of 'sudden heart failure' with an unnaturally horrified expression on her face, Reiko investigates. She finds out that some of Tomoko's friends, who had been on a holiday with Tomoko the week before, had died on exactly the same night at the exact same time in the exact same way. Reiko goes to the cabin where the teens had stayed and finds an 'unlabeled' video tape. Reiko watched the tape to discover to her horror it is in fact the 'cursed videotape'. Ex-Husband Ryuji helps Reiko solve the mystery, Reiko makes him a copy for further investigation. Things become more tense when their son Yoichi watches the tape saying Tomoko had told him to. Their discovery takes them to a volcanic island where they discover that the video has a connection to a psychic who died 30 years ago, and her child Sadako... Written by
Hana Jo Gilmour
The characters of Sadako and Shizuko are named after and loosely based on two real women. Both were taken under the wing of Professor Fukurai Tomokichi and, whilst not actually mother and daughter, Takahashi Sadako did work with the professor soon after Chizuko's suicide. Neither woman possessed the gift of nensha, but another student of the professor, Nagao Ikuko, was believed to have this power. See more »
One the pictures received from the photo shop shows a date, August 29, 1997. Later on the story tells "September 13, Monday". September 13, 1997 was Saturday. See more »
[Reiko grabs Ryuji's arm]
Please. Please, it might help you find a way out. If you figure it out, look after Yoichi ...
Stop it! Have you forgotten there was a girl with Tomoko when she died? That girl's now in a mental institution. Who knows what could happen to be.
But you could stay with me, Ryuji! You'd be fine!
Why? Because I'm already insane?
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Everyone knows the story by now: there's a videotape which, when played, reveals a discordant string of disturbing images including a circle of sky seen from below and a man looking down from above, the word "Eruption" written over and over again and moving of its own accord across the page, a hooded figure pointing at some unseen accused, a woman brushing her hair before a mirror and, last but not least, a well standing alone on a neglected patch of land. The video ends and the phone rings...but there is only an eerie silence on the other end. In seven days, the viewer of the video is dead, their heart having suddenly come to a stop for no apparent reason. One such victim is a seventeen year old girl, and it is up to her aunt, hotshot newspaper reporter Reiko, to solve the mystery of the strange video.
Like the American remake "The Ring," Ringu is not a perfect film. It leaves more than a couple of unanswered questions and may move too slowly in some parts to hold the attention of horror film fans who are used to a bloody slaughter scene every seven minutes. But for fans of good, spooky, old fashioned ghost stories, "Ringu" has a lot to recommend it.
One of the things I appreciated the most about this movie is the complete and utter lack of gore. There's not a drop of blood to be found in this film, which makes the sight of so many dead bodies, their faces frozen in hideous screams of horror, all the more effective. The character of Sadako also has more of an impact than the child from the remake. Sadako never speaks, her face is never seen (but for one hideous, floating eye) and her presence is solid, unlike her static-y American sister. Sadako's emergence from the TV screen in the films final moments is worth waiting through the rest of the movie to see; it is a truly creepy moment which looks to have been filmed backwards as Sadako creeps with jerky, inhuman movements across the floor and up, swiveling to face her victim. That scene haunted me (no pun intended) for two full nights of broken sleep...mostly because Sadako seemed so terribly human, as sad as she was frightening. You pity her before you see her merciless side, and this throws the balance way out of whack.
Unsettling, to say the least.
This is a film about dread, about knowing that something dark and terrible is waiting for you and not knowing how to stop it. You can only wait and hope for the best...but the wait itself is the real horror, and the unseen unknown is the most frightening monster of all.
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