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Mansfield Park (1999)

At 10, Fanny Price, a poor relation, goes to live at Mansfield Park, the estate of her aunt's husband, Sir Thomas. Clever, studious, and a writer with an ironic imagination and fine moral ... See full summary »



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At 10, Fanny Price, a poor relation, goes to live at Mansfield Park, the estate of her aunt's husband, Sir Thomas. Clever, studious, and a writer with an ironic imagination and fine moral compass, she becomes especially close to Edmund, Thomas's younger son. Fanny is soon possessed of beauty as well as a keen mind and comes to the attention of a neighbor, Henry Crawford. Thomas promotes this match, but to his displeasure, Fanny has a mind of her own, asking Henry to prove himself worthy. As Edmund courts Henry's sister and as light shines on the link between Thomas's fortunes and New World slavery, Fanny must assess Henry's character and assert her heart as well as her wit. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis


Jane Austen's Wicked Comedy


Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for brief violent images, sexual content and drug use | See all certifications »

Parents Guide:



Official Sites:



Release Date:

25 December 1999 (USA)  »

Also Known As:

Kasvattitytön tarina  »

Box Office

Opening Weekend:

$85,608 (USA) (19 November 1999)


$4,764,741 (USA) (3 March 2000)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
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Did You Know?


Jonny Lee Miller, who plays Edmund Bertram in this version of Mansfield Park, played Fanny's young brother Charles Price in an earlier BBC mini series, Mansfield Park (1983). See more »


When Fanny is caught in the rainstorm, outside the Crawford home, she announces to Mary that she is picking apples to bring to Mrs. Norris. The problem is, the tree she is under isn't an apple tree. See more »


Mary Crawford: Selfishness must always be forgiven, you know, because there is no hope for a cure.
See more »


Referenced in Call the Midwife: Episode #1.4 (2012) See more »


Djongna (Slavery)
Written and Performed by Salif Keita
See more »

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User Reviews

A lesser Austen is still an Austen
18 December 1999 | by (Ottawa, Canada) – See all my reviews

Having read and loathed the book (relatively speaking of course; I usually love Austen), I went into the theater with no small trepidation. The book "Mansfield Park" has a singularly unappealing protagonist in Fanny Price, a simpering and timid milksop, which was a big shock after "Pride and Prejudice" whose Elizabeth Bennett is surely one of the most enchanting fictional heroines ever. The book is also dense and long without the trademark Austen lively wit. And then, there is the confusing "play within play" plot which further muddles the story.

OK, I got that off my chest. Phew. Now about the movie. I enjoyed it very much in its own fashion. It is rather unfaithful to the book, other than the general plot line. That's not necessarily a bad thing. In this free adaptation of Austen via Rozema, Fanny is portrayed as a determined woman, of intelligence, strength of character and mischief. She is more Austen and Elizabeth Bennett than the Fanny from the book, and her appeal is magnified by the performance of the wonderfully expressive new Australian actress, Frances O'Connor. They also canned the whole thing about the play (just barely skimmed over), thank God. The story moves along briskly, starting with the poor relation Fanny coming to live with the rich Bertrams, then making friends with the second son Edmund whom she comes to love as she matures into young womanhood. As with all Austen novels, it is about an independent-minded woman who finds her way into a wedded bliss, through many trials and tribulations. Between Fanny and her heart's desires lay obstacles, mainly in the form of a very attractive but amoral pair of brother and sister, Henry and Mary Crawford. Mary sets her sight on Edmund, and Henry, although initially interested in the empty-brained Bertram sisters, starts pursuing Fanny. The chase begins as a challenge, but gradually turns into something resembling a genuine feeling. In Rozema's hand, Henry is a scoundrel but is made rather appealing and sympathetic, someone who gives the annoyingly decent Edmund a fair competition. Fanny almost gives into him (not so in the novel) and her resolution to hold onto her true love is made more courageous because of Henry's appeal.

The movie is lovely to look at, and the music is appropriately frothy. The performances are variable, with the clear distinction in the outstanding Ms. O'Connor. Embeth Davitz's turn as mercenary Mary is chilling, and Harold Pinter is excellent as the mercurial Sir Bertram, who is simultaneously affable and brutal. I had the most problems with Johnny Lee Miller's Edmund, whose wooden delivery made me wonder why he had Fanny's devotion.

The film's not a masterpiece by any stretch (and is inferior to SENSE AND SENSIBILITY in wit and to PERSUASION in heart), but nonetheless very enjoyable. A lesser Austen is still an Austen, I guess. The film also has a modern sensibility that's sometimes jarring. There is a very 20th century outrage in slavery, quirky pauses in camera work, Fanny talking directly to the camera (tricky but it works) and even a hint of lesbianism that's rather uncalled forAt any rate, it's entertaining, different, and worth the price of admission just to see the luminous Frances O'Connor. I feel I owe her a small debt of gratitude for making Fanny finally palatable, and for that, I expect grand things from this actress.

41 of 67 people found this review helpful.  Was this review helpful to you?

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Poll: how many people actually want Fanny to pick Henry? tamannhan
Jonny Lee Miller wasn't right for the role... miss_j13
The Crawfords' creepy relationship? wide_eyed15
Doesn't anyone has issues with Sir Thomas? megfoster
Regarding Edmund nefjones
Does Henry really love Fanny stinky-goat
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