Kresten has moved from his parents farm on a small Danish island to Copenhagen in order to pursue his working career. When his father dies he has to move back to the farm, where nothing ... See full summary »
Anders W. Berthelsen,
Chacun Sa Nuit explores the carnal interdependencies among a host of characters who live in a town in provincial France. At the center of it all is Pierre (Arthur Dupont), a conceited and ... See full summary »
A modern fable about an invisible man who gets the chance to become a real human being. He has to learn to be brave, honest and conscientious. 'P' is a fantasy figure, living behind the ... See full summary »
Nikolaj Lie Kaas,
The well-ordered life of Dylan Thomas, a high-priced male escort, goes into moral free-fall beginning with the night he impulsively takes home a young woman he finds passed out drunk on a ... See full summary »
Fabián, a magician from Buenos Aires, saves his money from weddings, birthdays, and bar mitzvahs, and uses a hidden camera to document a week-long trip to the Falkland Islands where he has ... See full summary »
Jeanne and Dragan meet in a Paris bookshop - she's working there, he's looking for a book on the Italian painter Rossetti. The two strike up a passionate affair, but Dragan doesn't tell her that he is in the country illegally. Written by
This is a dogme film using location shots, no props, natural lighting as far as possible etc. The story concerns a Yugoslav Serb artist, Dragan adrift in France. He goes into a bookshop to try and buy an art book and meets a girl, Jeanne, who works there somewhat intermittently, and they fall in love. Although they have to speak in English because she can't speak Serbian and he can't speak French remarkably they never have to struggle for words (I do tell a lie he does have a problem - once.) One night they are stopped by the police after some drunken bad behaviour on Dragan's part and Jeanne discovers to her horror that his papers are not in order and he will be allowed three days before being deported by the authorities. His friends had warned him to regularise his stay with the authorities but he had ignored them and now they are both up the proverbial creek. Elodie Bouchet as Jeanne puts in a good performance and the cinematography creates a nice atmosphere from its shots of Paris streets and claustrophobic apartments but the pacing of the film is glacial. There is little or no dramatic tension until Dragan gets his marching orders from the cops, there is no witty dialogue and no real political point to make as in L'Afrance another French film which deals with more or less the same subject but in a rather sharper way.
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