| Photos (See all 17 | slideshow) | Videos (see all 2) |
| Cameron Diaz | ... | Faith | |
| Jordana Brewster | ... | Phoebe | |
| Christopher Eccleston | ... | Wolf | |
| Blythe Danner | ... | Gail | |
| Camilla Belle | ... | Phoebe, Age 10-12 | |
| Patrick Bergin | ... | Gene | |
| Isabelle Pasco | ... | Claire | |
| Moritz Bleibtreu | ... | Eric | |
| Philipp Weissert | ... | Safehouse Leader | |
| Nikola Obermann | ... | Hannah | |
| Robert Getter | ... | American Statesman | |
| Ricky Koole | ... | Nikki | |
| rest of cast listed alphabetically: | |||
| Stéphanie Lanier | ... | (uncredited) | |
| Edward Olive | ... | Chef (uncredited) | |
Directed by | |||
| Adam Brooks | |||
Writing credits(WGA) | ||
| Jennifer Egan | (novel) | |
| Adam Brooks | (screenplay) | |
Produced by | |||
| Arianna C. Bocco | .... | executive producer | |
| Julia Chasman | .... | producer | |
| Tim Van Rellim | .... | executive producer | |
| Nick Wechsler | .... | producer | |
Original Music by | |||
| Nick Laird-Clowes | |||
Cinematography by | |||
| Henry Braham | |||
Film Editing by | |||
| Elizabeth Kling | |||
Casting by | |||
| Laura Rosenthal | |||
Production Design by | |||
| Robin Standefer | |||
Art Direction by | |||
| Stephen Alesch | |||
Set Decoration by | |||
| Philippe Turlure | |||
Costume Design by | |||
| Fabienne Katany | |||
| Donna Zakowska | |||
Makeup Department | |||
| Jean-Pierre Eychenne | .... | key makeup artist | |
| Christian Gruau | .... | key hair stylist | |
| Olivia Lequimener | .... | hair stylist | |
| Marie-France Vassel | .... | makeup artist | |
Production Management | |||
| Alain Agostini | .... | unit manager | |
| Hernani Borges | .... | production manager | |
| Joseph Boyle | .... | production supervisor: San Francisco | |
| Laurent Chiomento | .... | assistant unit manager | |
| Pierre-Olivier Daudens | .... | assistant unit manager | |
| Cila do Carmo | .... | production manager | |
| Jean-Pascal Gautier | .... | unit manager | |
| Arnaud Gironcourt | .... | unit manager | |
| Ned Kopp | .... | production manager: San Francisco | |
| Ginette Mejinsky | .... | production manager | |
| Victoria Westhead | .... | assistant production manager: San Francisco | |
Art Department | |||
| Fabienne Couvreur | .... | painter | |
| Jean-Michel Ducourty | .... | first assistant art director | |
| Eckart Friz | .... | assistant prop buyer: Germany | |
| Géraldine Hervé | .... | assistant production designer | |
| José Matos | .... | construction coordinator | |
| Tom Richardson | .... | lead scenic artist: San Francisco | |
| Mark Warren | .... | property master | |
| Joey Weber | .... | prop buyer: Germany | |
Sound Department | |||
| Peter Bettendorff | .... | sound recordist: San Francisco | |
| David Boyll | .... | boom operator: San Francisco | |
| Marko A. Costanzo | .... | foley artist | |
| Lewis Goldstein | .... | sound effects editor | |
| George A. Lara | .... | foley mixer | |
| Skip Lievsay | .... | supervising sound editor | |
| Debora Lilavois | .... | assistant adr editor | |
| Cate Montana | .... | assistant sound editor | |
| Jean-Paul Mugel | .... | sound | |
| Igor Nikolic | .... | assistant sound editor | |
| Yves-Marie Omnes | .... | boom operator | |
| Bill Orrico | .... | apprentice sound editor | |
| Glenfield Payne | .... | sound effects editor | |
| Jennifer Ralston | .... | foley supervisor | |
| Philip Stockton | .... | sound editor | |
| Pierre Tucat | .... | boom operator | |
| Jay Peck | .... | foley artist (uncredited) | |
Special Effects by | |||
| Grégoire Delage | .... | special effects | |
| Georges Demétrau | .... | special effects coordinator | |
| Alain Couty | .... | special effects (uncredited) | |
Stunts | |||
| Philippe Guégan | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Vincent Blasco | .... | key grip | |
| Valérie Blier | .... | still photographer | |
| Ruben Cardol | .... | lighting technician | |
| Dino Corti | .... | electrician: San Francisco | |
| Jean-Yves Le Poulain | .... | camera operator | |
| Sergeï Lourié | .... | grip | |
| Mikael Monod | .... | gaffer | |
| Rita Palma | .... | video assistant: Portugal | |
| François Perrault-Alix | .... | grip | |
| Thierry Ramanana | .... | grip | |
| Etienne Saldés | .... | rigging grip | |
| Honoré Soubrie | .... | grip: second unit | |
| Jani Vournas | .... | key grip: San Francisco | |
Animation Department | |||
| Arnaud Putman | .... | background & props | |
Casting Department | |||
| Nina Henninger | .... | location casting | |
| David H. Kramer | .... | adr voice casting | |
| Tina Spangler | .... | casting assistant (as Tina M. Spangler) | |
Costume and Wardrobe Department | |||
| Sandrine Douat | .... | wardrobe supervisor | |
Editorial Department | |||
| Julie Carr | .... | first assistant editor | |
| Ricardo Olivero | .... | color timer | |
| Chris Patterson | .... | assistant editor | |
| Barry Malawski | .... | assistant editor (uncredited) | |
Music Department | |||
| Andy Brown | .... | music contractor | |
| Ben Coleman | .... | musician: electric violin | |
| Matt Dunkley | .... | conductor | |
| Matt Dunkley | .... | music arranger | |
| Matt Dunkley | .... | orchestrator | |
| Karen Elliott | .... | music coordinator | |
| Dan Evans Farkas | .... | music editor | |
| Sean Garnhart | .... | music re-recording mixer | |
| The London Metropolitan Orchestra | .... | music performed by | |
| Stephen McLaughlin | .... | music producer: Gohl/McLaughlin Productions | |
| Stephen McLaughlin | .... | music score producer: Gohl/McLaughlin Productions | |
| Anne Pope | .... | assistant music editor | |
| Jonathan Rees | .... | orchestra leader | |
| Maggie Rodford | .... | music coordinator | |
Transportation Department | |||
| Doug Dovichi | .... | transportation captain | |
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| Kings & Queen | Steal This Movie | Chinese Box | 21 Grams | Freeway |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Those disappointed in the film "The Invisible Circus" would make a better investment by purchasing the novel by Jennifer Egan. Written from the perspective of eighteen-year-old Pheobe, the novel is an enchanting coming-of-age story with the added intrigue of her lost "hippie" sister.
Most of the narrative focuses on Pheobe's inner thoughts; which no doubt made translating it to the screen a difficult task. Debates on whether it is a "chick flick" are warranted; both the film and the novel center heavily on the female viewpoint.
In response to the first posted review, the paintings by Pheobe's father, Gene, are *supposed* to be awful. Part of the narrative focuses on Pheobe's realization that her father was not a sainted, thwarted artist, but an ordinary man.