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The Invisible Circus (2001)

5.7
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Ratings: 5.7/10 from 2,557 users   Metascore: 40/100
Reviews: 49 user | 48 critic | 22 from Metacritic.com

A teenage girl travels to Paris in the 1970s trying to find out about her sister's suicide, and falls in love with her dead sister's boyfriend.

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Title: The Invisible Circus (2001)

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Cast

Complete credited cast:
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...
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...
...
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Isabelle Pasco ...
...
Philipp Weissert ...
Safehouse Leader
Nikola Obermann ...
Robert Getter ...
American Statesman
Ricky Koole ...
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Storyline

In 1975, at age 18, Phoebe is unhappy. When she was about 10, her father died of leukemia; her older sister Faith became a political radical, left for Europe with her boyfriend Wolf, and commits suicide in Portugal a year later. Phoebe, who has romantic ideas about both her father and Faith, decides to trace Faith's steps, find Wolf, and learn what really happened. She finds Wolf in Paris, and he tells her stories of Faith's radical activities, including joining the Red Army in Berlin. Phoebe has visions of her sister, seems close to madness, and may be headed for suicide herself. It's the trip to the cliffs of Portugal that will make the difference: breakthrough or breakdown? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

The journey is the destination. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for sexuality, language and drug content | See all certifications »
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Details

Country:

Language:

Release Date:

23 February 2001 (Spain)  »

Also Known As:

Le cirque invisible  »

Box Office

Opening Weekend:

$55,388 (USA) (2 February 2001)

Gross:

ESP 12,562,430 (Spain) (29 June 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Goofs

In the beginning of the movie, Phoebe and her mother, Gail, are watching TV which is showing the opening credits to the show "The Rockford Files." The sound coming out of the TV is not the opening theme for "The Rockford Files." See more »

Connections

Features The Rockford Files (1974) See more »

Soundtracks

Cloud 9
Written by Norman Whitfield and Barrett Strong
Performed by Lee 'Scratch' Perry (as Lee 'Scratch' Perry)
Courtesy of Studio One
By Arrangement with Heartbeat Records & Ocean Park Music Group
See more »

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User Reviews

It may be targeted to women, but that doesn't mean we'll like it...
3 September 2001 | by (St. Louis, MO) – See all my reviews

To suggest, as a previous reviewer has done, that women are the only ones who will be able to sit through this movie is not only sexist but also false. I am a woman, and hated this film. The bottom line, whether you are male or female, is that this movie is terrible in many ways. The failure of this film can be blamed largely on Jordana Brewster. Her Phoebe is by turns annoying, cruel, selfish, ridiculous... you name it -- Brewster is almost unwatchable in her portrayal of a difficult character. I imagine an actress with more emotional sensitivity could have pulled it off and made the character a bit sympathetic, but Brewster fails entirely. From what I understand, she is studying at Yale... let's hope she's majoring in something other than drama. Cameron Diaz fares better -- unlike Brewster, she's actually acting. But her character Faith is cursed by writer/director Adam Brooks, who robs us visually and verbally of Faith's real struggle. He has the other characters inform us that Faith is upset, rather than give Diaz the chance to really portray the conflict onscreen. And so when we finally reach the point where we learn what really happened to her character, it feels like an anticlimax. Diaz tries her best, but she can't save Faith. I'm a fan of both Christopher Eccleston and Blythe Danner, and why either of them chose to appear in this movie is a mystery to me. Eccleston, like Diaz, is given little to work with -- he's reduced to a series of broody stares at Brewster and a very bad hippie wig that makes him look older, not younger. Danner, as Phoebe and Faith's mother, is limited largely by poorly written dialogue and by the fact that all of her scenes are with Brewster. Given the dramatic potential of the story, I think it could have been a better film in the hands of another writer/director, and with someone other than Brewster as the central character. As it is, Brooks has given us Brewster in an uneven, poorly-written and emotionally lacking display of moviemaking. The Invisible Circus is a waste of time.


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