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IMDb > Nichts als die Wahrheit (1999)

Nichts als die Wahrheit (1999) More at IMDbPro »


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Overview

User Rating:
7.7/10   529 votes
MOVIEmeter: ?
Down 5% in popularity this week. See why on IMDbPro.
Writers:
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View company contact information for After the Truth on IMDbPro.
Release Date:
23 September 1999 (Germany) more
Genre:
Plot:
The famous Nazi-Doctor Dr. Josef Mengele - the "death angel of Auschwitz", who killed more than 300.000 people... more | add synopsis
Plot Keywords:
Awards:
1 win & 4 nominations more
User Reviews:
The Angel of Death more (9 total)

Cast

  (Cast overview, first billed only)
Kai Wiesinger ... Peter Rohm
Götz George ... Dr. Josef Mengele
Karoline Eichhorn ... Rebekka Rohm / Brandenburger
Doris Schade ... Hilde Rohm
Peter Roggisch ... Heribert Vogt
Bastian Trost ... Felix Hillmann
Peter Rühring ... Dr. Füglein
Michaela Rosen ... Gunda Friedrichs
Traugott Buhre ... Dabrowski
Stephan Schwartz ... Daniel Ginsberg
Heinz Trixner ... Müller
Detlef Bothe ... Siebert
Volker Risch ... Staatsamwalt

Frank Röth ... Dr. Wendler

Peer Martiny ... Adlatus Vogt
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Additional Details

Also Known As:
After the Truth (Canada: English title) (International: English title)
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Runtime:
128 min | Argentina:129 min (Mar del Plata Film Festival)
Country:
Language:
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Aspect Ratio:
2.35 : 1 more
Sound Mix:
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5 out of 5 people found the following review useful.
The Angel of Death, 23 February 2004
9/10

The story of Nazi collaborators being brought to justice would not seem interesting anymore in these days, even with the emergence of extreme Nationalistic tendencies in several places out of Germany, but Roland Suso Richter made an intelligent and moving drama, based on a fantasy. Suppose that "The Angel of Death of Auschwitz", Dr. Josef Mengele (who never faced German justice and died in Brazil) had come back to Berlin, selected a bright young lawyer (Peter Rohm) for his defense, and asked to be judged to set the facts straight, or to put it in his words, "to let the Truth be known". The lawyer's only strategy is to interpret Mengele's actions under the medical ethics of his time, and in a way he succeeds to prove that Mengele was just acting according to the common notion in Nazi Germany, that doctors could and should dispense of lives that weren't worth-living. But there's more to it. Although the script (by Johannes W. Betz and Christopher and Kathleen Riley) makes a fine tapestry of past and present (and includes a disturbing final speech by Mengele) and the camera-work by Martin Lager is first rate, director Richter does not incurs in flashy style. His mise-en-scene is elegant and confident, immensely helped by the excellent performances by Götz George as Mengele and Kai Wiesinger as Rohm.

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