J.K. is a hotel Manager in a scenic location in India. One day he gallantly comes to the rescue of a drunk daughter, Aarti, of a politician, and chooses to be discrete about it. When she ... See full summary »

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Cast

Cast overview, first billed only:
Suchitra Sen ...
Aarti Devi
...
J.K.
Om Shivpuri ...
Chandrasen
Manmohan ...
S.K. Agarwal
A.K. Hangal ...
Brinda Kaka
Kamaldeep ...
Chowdhary (as Kamal Deep)
C.S. Dubey ...
Gurusaran
Ranvir Raj ...
Amrit (as Ranveer)
Baldev Mehta
Madhup Sharma
Vinod Sharma
Baby Pinky
Ashok Saxena
Robert
Harish Magon ...
Cameo (song "Salaam Kijiye") (as Harish)
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Storyline

J.K. is a hotel Manager in a scenic location in India. One day he gallantly comes to the rescue of a drunk daughter, Aarti, of a politician, and chooses to be discrete about it. When she recovers, she and he fall in love; get married in a small marriage ceremony, have a daughter, and thereafter differences arise to such an extent that they decide to separate. Years pass J.K. and Aarti meet again when she is an established politician, both are still attracted to each other, but she does not want her name to be tarnished and stigmatized as a "separated" woman. Songs including "Is mod se jaatey hai"; "Tere bina zindagi Se shikva toh nahin;" and "Tum aa gaye ho" noor aa gaya hai" sung by Kishore Kumar and Lata Mangeshkar. Written by rAjOo (gunwanti@hotmail.com)

Plot Summary | Add Synopsis

Genres:

Drama | Musical | Romance

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Details

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Release Date:

13 February 1975 (India)  »

Also Known As:

Storm  »

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(Eastmancolor)
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Did You Know?

Trivia

The film was banned due to the lead character's similarities with the then Prime Minister Indira Gandhi. It was later re-released. See more »

Connections

Referenced in Sharaabi (1984) See more »

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User Reviews

 
Politics and love - fortunately, there's more of the latter...
27 September 2009 | by (Earth) – See all my reviews

I generally avoid films about politics, because I find that most of them are stereotypical and one-sided, but this one is directed by Gulzar so it can be nothing but excellent. I followed this belief of mine, and I was not disappointed. Aandhi is not at all a film about politics. Politics is just a part of the story, it's just a profession of a woman in this film, which is used to show her power and to show how a profession of this kind may trouble a woman's personal life. This is a film about love, marriage, romance, human nature, pride, separation, ego, forgiveness and reconciliation (in chronological order).

Aandhi is about Aarti, a woman of strong character who has ambitions to become a politician like her dad. She falls for a common hotel manager named JK, and decides to tie the knot with him, much to the displeasure of her father. After marriage, Aarti tries her best to balance between her political work and responsibility as a wife/mother. However, as time goes by JK feels he becomes inferior to her even at home. Differences lead to intense arguments and subsequently to a break up. Many years later they meet again when she is already a big political leader. And a new relationship begins as they reminisce their life together.

I was completely engaged by Gulzar's superb direction, his extraordinary story-telling, and his realistic portrayal of human relationships. We see neither bitterness nor anger between Aarti and JK, but only a renewed and mature relationship based on understanding and fond memories. The film is extremely well-written, so are the characters. The story unfolds interestingly through flashbacks and the connection between the past and the present is brilliantly displayed in the film. There is a very impressive attention the director pays to details. Gulzar's dialogues are exceptional, and he writes beautiful lyrics to the songs.

Suchitra Sen and Sanjeev Kumar give two powerful performances. Sen is astonishing as Aarti. We see so many sides of her personality, and this difficult role is played with complete ease and precision by this phenomenal actress, including dialogue delivery and body language. This is a performance with a great mix of toughness and vulnerability. Sen displays both coolness and a pinch of arrogance while playing the strong politician, yet convincingly switches it with warmth and cordiality when she becomes a suffering woman or a wife. The ever-great Sanjeev Kumar is (unsurprisingly) nothing short of excellent. This is another outstanding performance this unforgettable actor added to his vast repertoire.

The film is both a drama and a romance, and one aspect that significantly contributes to this is RD Bruman's fantastic soundtrack. "Is Mod Pe Jaate Hain", "Tum Aa Gaye Ho" are wonderful songs, but the one that makes the greatest impact is "Tere Bina Zindagi Se Joi", for its melodious tunes, fantastic lyrics, but most importantly for the amazing scenes it carries. I consider the sequences shown through this song the best scenes of the film. They show moments of interaction and painful feelings of missing. These are poignant and memorable moments, and the same can be said about the film itself. Aandhi is a gem. That's it.


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