J.K. is a hotel Manager in a scenic location in India. One day he gallantly comes to the rescue of a drunk daughter, Aarti, of a politician, and chooses to be discrete about it. When she ... See full summary »

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Cast

Cast overview, first billed only:
...
Aarti Devi
...
J.K.
...
Chandrasen
Manmohan ...
S.K. Agarwal
...
Brinda Kaka
Kamaldeep ...
Chowdhary (as Kamal Deep)
C.S. Dubey ...
Gurusaran
Ranvir Raj ...
Amrit (as Ranveer)
Baldev Mehta
Madhup Sharma
Vinod Sharma
Baby Pinky
Ashok Saxena
Robert
Harish Magon ...
Cameo (song "Salaam Kijiye") (as Harish)
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Storyline

J.K. is a hotel Manager in a scenic location in India. One day he gallantly comes to the rescue of a drunk daughter, Aarti, of a politician, and chooses to be discrete about it. When she recovers, she and he fall in love; get married in a small marriage ceremony, have a daughter, and thereafter differences arise to such an extent that they decide to separate. Years pass J.K. and Aarti meet again when she is an established politician, both are still attracted to each other, but she does not want her name to be tarnished and stigmatized as a "separated" woman. Songs including "Is mod se jaatey hai"; "Tere bina zindagi Se shikva toh nahin;" and "Tum aa gaye ho" noor aa gaya hai" sung by Kishore Kumar and Lata Mangeshkar. Written by rAjOo (gunwanti@hotmail.com)

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Genres:

Drama | Romance

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Details

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Release Date:

13 February 1975 (India)  »

Also Known As:

Storm  »

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(Eastmancolor)
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Did You Know?

Trivia

The film was banned due to the lead character's similarities with the then Prime Minister Indira Gandhi. It was later re-released. See more »

Connections

Referenced in Sharaabi (1984) See more »

Soundtracks

Salam Kijiye
Sung by Mohammad Rafi, Amit Kumar & Bhupendra Singh (as Bupinder)
Music composed by Rahul Dev Burman
Lyrics by Gulzar
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User Reviews

Towering performances
11 December 2009 | by (Middle Earth) – See all my reviews

If not anything, every time I manage to catch a song or a glimpse from "Aandhi"on telly, it makes me stop doing everything and take notice. Every frame of "Aandhi" deserves the "Bible" for acting status. It is next to impossible to judge who was outdoing whom - Sanjeev Kumar or Suchitra Sen. Safe to say, both neatly complimented each other.

Amongst all the movies Gulzar held the reigns of direction "Aandhi" gets the top position. The narrative in the form of flashbacks keeps it crisp and the audience intrigued. I seriously doubt if "Aandhi" deserved the due recognition it deserved when it was released. I surely have read about the reference to Indira Gandhi's political career leading to the ban, but I wonder if fuelled the fire to speculation or worked against it I am not too sure. And another thing, political themes haven't worked quite well owing to the dry subject and the lack of succulence, however Gulzar manages to calibrate it to perfection for the audience without going over-board.

Gulzar/ Hari Bhai/ R D Burman was a winning combination every time they huddled up and "Aandhi" is no exception. Lyrics penned by Gulzar, mystical as usual were elevated to great heights by the music to R D Burman. The composition are still fresh as they were two decades ago.

Noteworthy is the couple's daughter "Munna" who is never shown in the audience and is restricted to a reference in big scheme of things, which in my opinion is the art of fine film-making.

"Hell hath no fury like a woman scorned" is reserved fiery delivery in the last frames by Suchitra. Sen. Noteworthy is the ending which cannot be more apt.


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