Bill and Jo Harding, advanced storm chasers on the brink of divorce, must join together to create an advanced weather alert system by putting themselves in the cross-hairs of extremely violent tornadoes.
Coming together to solve a series of murders in New York City are a police detective whose family was slain as part of a conspiracy and an assassin out to avenge her sister's death. The duo will be hunted by the police, the mob, and a ruthless corporation.
In October 1991, a confluence of weather conditions combined to form a killer storm in the North Atlantic. Caught in the storm was the sword-fishing boat Andrea Gail. Magnificent foreshadowing and anticipation fill this true-life drama while minute details of the fishing boats, their gear and the weather are juxtaposed with the sea adventure. Written by
Erwin van Moll <firstname.lastname@example.org>
At the end of the movie as George Clooney narrates, he mentions, "Blow your air horn and you throw a wave to the lighthouse keeper's kid on Thacher Island." The lighthouse shown during this scene is not on Thacher Island but is in fact The Eastern Point Lighthouse. Thacher Island has the Twin Lighthouses that look nothing the one depicted in the film. See more »
At the beginning of the movie, when the Andrea Gail and the Hannah Bowden enter Gloucester Harbor together, a Leisure Casino Cruises casino boat is tied up at a pier in the background. Leisure Casino Cruises started running out of Gloucester in 1998. See more »
So, what are you so happy about?
Captain Billy Tyne:
You just caught me on a good night. I'm doing what I was made to do - and I've got a feeling I'm going to do it even better this time.
See more »
The Perfect Storm by perfectly frightened film makers
A mixed bag. Some of the acting was good - certainly better than "Titanic", but some made the eyes roll. The storm effects were fantastic as advertised, but since they were so good, I have one question: Why beat it to death with the symphony orchestra? It seems ridiculous to imagine, but the makers of this film must have at some point looked at the great, rousing footage and said, "It's not good enough. Bring on the violins!"
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