Against a dark background, several bright, curved or rounded shapes pulse towards the center of the screen, one at a time. They are followed by many other shapes, some irregular, some ... See full summary »
A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The ... See full summary »
A dance of shapes. A title card tells us this is an experiment in conveying the mental images of music in a visual form. Liszt's "Second Hungarian Rhapsody" is the music. The shapes, all ... See full summary »
Marie wants to escape from her job and also from her lover, Paul, an unemployed drunk. She dreams of going off with Jean, a dockworker. The two men quarrel and fight over Marie on two ... See full summary »
A man sleeps fitfully then dreams that a lovely woman is sitting at the foot of his bed. He reaches to embrace her and she becomes a minstrel, then Pierrot. The clown gestures to the moon ... See full summary »
I rather liked Opus I, II and III when I came across them, but for some reason -- perhaps I was getting a little tired on this occasion after having seen II, III and IV consecutively in a batch! -- I didn't find this one so enjoyable. The flow of the shapes seemed more arbitrary and less subconsciously fascinating, and it was all starting to look a bit the same.
Basically this is a similar piece to the others in the series: shapes of a fluid or a jagged nature appear from either side of the screen, swell up, chase each other and occasionally, thanks to the tints applied to the film print, change colour. It didn't seem to have quite such a fortuitous rhythm to it, though, and I found myself starting to get bored. I wonder if the longer running time (Opus IV was shown at approximately one minute longer than its predecessors) was implicated.
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