Hotel Splendide (2000)

User Rating:

6.4/10   

Director:

Terence Gross

Writer:

Terence Gross (written by)

Release Date:

22 September 2000 (UK)

Genre:

Comedy

Tagline:

...The Last Resort

Plot:

The Hotel Splendide is on a remote and cold island, accessible only by a once-a-month ferry. It's a...

Plot Keywords:

Chef | Spa Resort | Satire | Independent Film

Awards:

2 wins & 2 nominations

Cast

Toni Collette	...	Kath
Daniel Craig	...	Ronald Blanche
Katrin Cartlidge	...	Cora Blanche
Stephen Tompkinson	...	Dezmond Blanche
Hugh O'Conor	...	Stanley Smith
Helen McCrory	...	Lorna Bull
Peter Vaughan	...	Morton Blanche
Joerg Stadler	...	Sergei Gorgonov
Claire Cathcart	...	Lorraine Bull (as Clare Cathcart)
John Boswell	...	Bellboy
Toby Jones	...	Kitchen boy
Dan Hildebrand	...	Waiter
Nadine Leonard	...	Chambermaid
Len Hibberd	...	The Fisherman
Imogen Claire	...	Image / voice of Mrs Blanche (voice)

Also Known As:

Hotel Sordide (UK) (working title)

Runtime:

98 min

Country:

France | UK

Language:

English

Color:

Color

Certification:

Iceland:12 | Hong Kong:III | UK:15

Filming Locations:

England, UK

Company:

Canal+

Quotes:

Stanley Smith: Desmond's brother, Ronald, is cook and has created a distinct cuisine based on seaweed and eels.

A must see, despite the Jeunet/Caro-ripoff

I love this film. It is stunning, visually and aesthetically beautiful, works perfectly as a whole and is perfectly crafted. What negative things could possibly be said about it? Well, the problem is, we've seen it before. In the films of the french duo Jean-Pierre Jeunet & Marc Caro.

Hotel Splendide is, in its essence, a typical Jeunet/Caro-film; you'll find that virtually all the characters and aesthetics are lifted from "Delicatessen" and "The City of Lost Children". A hint of Greenaway perhaps, and a fairly large portion of Britishness... what we end up with is an extraordinary, beautiful, funny and moving film. In itself, the film is fantastic. What brings it down a bit is the fact that you find 90 % of this film in the two films by the French duo (J&C), which suggests that although transformed, the ideas weren't originally the writer/director's own.

However, if we go beyond the surface of the film we find a nicely crafted story and some subtle philosophical symbolism - the characters' inner struggles and their blind faith (that makes them unhealthy and miserable, although believing the opposite) can be seen as a a statement against fanatic religious or political believes, and the repression of individualism and the free mind. It's not profound in any way, but it's there, conscious or not.

The ending is, I'm afraid, exactly what you expect. I wish it wasn't, but apparently that's how it has to be in a film like this. The music is most of the time very annoying because it's obviously synthesizers trying to sound like an orchestra, and it's not very well done. Utterly bad use of an oboe-sound in the lead melody so stale it is laughable, and some tasteless pizzicato-sounds that scream out "cheapness" (and what's with that crash cymbal?). All in all the synths don't blend very well with the warm and very well played live violin that occasionally appears and brightens the day.

Finally, a word on the acting. It is overall superb. Hugh O'Conor's portrait of Stanley Smith is spot-on, intense but never over-acted. Katrin Cartlidge too gives a moving performance, and last but not least, Toni Collette is amazingly spellbinding as lovely Kath.

Well acted, well directed and well done, although not as original as it might seem. A good film, though. See it.