Mere seconds before the Earth is to be demolished by an alien construction crew, journeyman Arthur Dent is swept off the planet by his friend Ford Prefect, a researcher penning a new edition of "The Hitchhiker's Guide to the Galaxy."
Private Joe Bauers, the definition of "average American", is selected by the Pentagon to be the guinea pig for a top-secret hibernation program. Forgotten, he awakes five centuries in the future. He discovers a society so incredibly dumbed down that he's easily the most intelligent person alive.
The sci-fi television series "Galaxy Quest", which took place aboard the intergalactic spaceship NSEA Protector, starred Jason Nesmith as suave Commander Peter Quincy Taggert, Gwen DeMarco as sexy communications person Lt. Tawny Madison (a role which consisted solely of repeating what the computer stated, much to Gwen's annoyance), Shakespearean trained Sir Alexander Dane as alien Dr. Lazarus, Fred Kwan as engineer Tech Sgt. Chen, and Tommy Webber as child gunner Laredo. Eighteen years after the series last aired, it lives on in the hearts of its rabid fans. However, it lives on in infamy for its stars, who have not been able to find meaningful acting work since. Their current lives revolve around cashing in on however those roles will afford, which usually entails attending fan conventions or worse, such as shopping mall openings. Only Jason seems to relish his lot in life, until he finds out that his co-stars detest him because of his superior attitude as "the Commander", and much ... Written by
The control labels on the engine core control panel include "General Purpose Computer", and "MKL" (a real computer acronym for "Math Kernel Library"). See more »
Commander Nesmith admits in the mess hall that while the crew found the Omega 13 in the original show, they had no idea what it did when activated. Unless specifics of the Omega 13 were discussed in the original show, it is highly unlikely that the Thermians would have been able to replicate it on the Protector II since it was such a foreign, mysterious object. See more »
I still don't quite understand why "GQ" never conquered the box office. The movie is clever, hysterically funny, surprisingly moving and, as one reviewer pointed out, more respectful of (and better at communicating) the ideals of "Star Trek" than any of the recent "Trek" movies or television incarnations. The script is inventive, the special effects are vivid and powerful (especially when the actors see the real ship for the first time, and when the rock monster rampages through the ship), and the characters are incredibly well drawn.
I'm also puzzled by the negative reactions some people have to the film. Does the film fail to register because the "Trek" social phenomenon is unfamiliar to them, thus there's no frame of reference? I'd really like to know.
Comedy is possibly the hardest genre to get right, because line delivery, timing, direction and character shading all have to be pretty much perfect or the movie just won't be funny. GQ nails these elements -- right on the head and in virtually every scene -- and keeps up the pace by constantly moving its characters forward. Tony Shalhoub (Fred), Sam Rockwell (Guy Fleegman) and Enrico Colantoni (Mathesar) in particular are so dead-on perfect in their scenes that lack of box office and the Academy's traditional indifference to comedy are probably the only reasons these guys didn't get Oscar nods. (Okay, well, 1999 was also an incredibly strong year for American cinema.)
But GQ is also strangely moving -- particularly in the way it derives comedy from despair. The actor characters' lives are in ruins, not unlike the aliens they eventually save from extinction. Perhaps this is why -- even though the characters don't know it yet -- the two groups get along so well and why the actors make the decision to actually become their TV characters in the end. This may also be why the dismay in Mathesar's face when he learns the truth is so painful.
I suspect GQ also got lumped in with the likes of "Scary Movie" and "The Naked Gun" movies in the public's collective conscious: It was perceived as just another spoof and therefore not worthy of significant attention. I hope the movie develops enough of a cult following that it one day reaches that wider audience it deserves.
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